posts tagged: invitation

  • INVITATION
Qiu Minye (b. 1978, China) - My God (2013)
Qiu Minye has found a new way of recording time by removing the identity of an image and creating the exquisite shape, life and texture. The object is floating lightly in a soft space like a song. It equals to the existence itself, which makes us sigh for the nature and thus feel the gratitude to the artist for giving us the opportunity to experience the nature.
My God - Qiu Minye Photography Exhibition Ofoto Gallery - 2F, Building 13, 50 Moganshan Rd. ShanghaiOpening on 25th Oct. 2014 from 4pm © All images courtesy of the artist
[more Qiu Minye]
  • INVITATION
Qiu Minye (b. 1978, China) - My God (2013)
Qiu Minye has found a new way of recording time by removing the identity of an image and creating the exquisite shape, life and texture. The object is floating lightly in a soft space like a song. It equals to the existence itself, which makes us sigh for the nature and thus feel the gratitude to the artist for giving us the opportunity to experience the nature.
My God - Qiu Minye Photography Exhibition Ofoto Gallery - 2F, Building 13, 50 Moganshan Rd. ShanghaiOpening on 25th Oct. 2014 from 4pm © All images courtesy of the artist
[more Qiu Minye]
  • INVITATION
Qiu Minye (b. 1978, China) - My God (2013)
Qiu Minye has found a new way of recording time by removing the identity of an image and creating the exquisite shape, life and texture. The object is floating lightly in a soft space like a song. It equals to the existence itself, which makes us sigh for the nature and thus feel the gratitude to the artist for giving us the opportunity to experience the nature.
My God - Qiu Minye Photography Exhibition Ofoto Gallery - 2F, Building 13, 50 Moganshan Rd. ShanghaiOpening on 25th Oct. 2014 from 4pm © All images courtesy of the artist
[more Qiu Minye]
  • INVITATION
Qiu Minye (b. 1978, China) - My God (2013)
Qiu Minye has found a new way of recording time by removing the identity of an image and creating the exquisite shape, life and texture. The object is floating lightly in a soft space like a song. It equals to the existence itself, which makes us sigh for the nature and thus feel the gratitude to the artist for giving us the opportunity to experience the nature.
My God - Qiu Minye Photography Exhibition Ofoto Gallery - 2F, Building 13, 50 Moganshan Rd. ShanghaiOpening on 25th Oct. 2014 from 4pm © All images courtesy of the artist
[more Qiu Minye]
  • INVITATION
Qiu Minye (b. 1978, China) - My God (2013)
Qiu Minye has found a new way of recording time by removing the identity of an image and creating the exquisite shape, life and texture. The object is floating lightly in a soft space like a song. It equals to the existence itself, which makes us sigh for the nature and thus feel the gratitude to the artist for giving us the opportunity to experience the nature.
My God - Qiu Minye Photography Exhibition Ofoto Gallery - 2F, Building 13, 50 Moganshan Rd. ShanghaiOpening on 25th Oct. 2014 from 4pm © All images courtesy of the artist
[more Qiu Minye]
  • INVITATION
Qiu Minye (b. 1978, China) - My God (2013)
Qiu Minye has found a new way of recording time by removing the identity of an image and creating the exquisite shape, life and texture. The object is floating lightly in a soft space like a song. It equals to the existence itself, which makes us sigh for the nature and thus feel the gratitude to the artist for giving us the opportunity to experience the nature.
My God - Qiu Minye Photography Exhibition Ofoto Gallery - 2F, Building 13, 50 Moganshan Rd. ShanghaiOpening on 25th Oct. 2014 from 4pm © All images courtesy of the artist
[more Qiu Minye]
  • INVITATION
Qiu Minye (b. 1978, China) - My God (2013)
Qiu Minye has found a new way of recording time by removing the identity of an image and creating the exquisite shape, life and texture. The object is floating lightly in a soft space like a song. It equals to the existence itself, which makes us sigh for the nature and thus feel the gratitude to the artist for giving us the opportunity to experience the nature.
My God - Qiu Minye Photography Exhibition Ofoto Gallery - 2F, Building 13, 50 Moganshan Rd. ShanghaiOpening on 25th Oct. 2014 from 4pm © All images courtesy of the artist
[more Qiu Minye]
  • INVITATION
Qiu Minye (b. 1978, China) - My God (2013)
Qiu Minye has found a new way of recording time by removing the identity of an image and creating the exquisite shape, life and texture. The object is floating lightly in a soft space like a song. It equals to the existence itself, which makes us sigh for the nature and thus feel the gratitude to the artist for giving us the opportunity to experience the nature.
My God - Qiu Minye Photography Exhibition Ofoto Gallery - 2F, Building 13, 50 Moganshan Rd. ShanghaiOpening on 25th Oct. 2014 from 4pm © All images courtesy of the artist
[more Qiu Minye]
  • INVITATION
Qiu Minye (b. 1978, China) - My God (2013)
Qiu Minye has found a new way of recording time by removing the identity of an image and creating the exquisite shape, life and texture. The object is floating lightly in a soft space like a song. It equals to the existence itself, which makes us sigh for the nature and thus feel the gratitude to the artist for giving us the opportunity to experience the nature.
My God - Qiu Minye Photography Exhibition Ofoto Gallery - 2F, Building 13, 50 Moganshan Rd. ShanghaiOpening on 25th Oct. 2014 from 4pm © All images courtesy of the artist
[more Qiu Minye]
  • INVITATION
Qiu Minye (b. 1978, China) - My God (2013)
Qiu Minye has found a new way of recording time by removing the identity of an image and creating the exquisite shape, life and texture. The object is floating lightly in a soft space like a song. It equals to the existence itself, which makes us sigh for the nature and thus feel the gratitude to the artist for giving us the opportunity to experience the nature.
My God - Qiu Minye Photography Exhibition Ofoto Gallery - 2F, Building 13, 50 Moganshan Rd. ShanghaiOpening on 25th Oct. 2014 from 4pm © All images courtesy of the artist
[more Qiu Minye]
INVITATION
Qiu Minye (b. 1978, China) - My God (2013)
Qiu Minye has found a new way of recording time by removing the identity of an image and creating the exquisite shape, life and texture. The object is floating lightly in a soft space like a song. It equals to the existence itself, which makes us sigh for the nature and thus feel the gratitude to the artist for giving us the opportunity to experience the nature.
My God - Qiu Minye Photography Exhibition Ofoto Gallery - 2F, Building 13, 50 Moganshan Rd. ShanghaiOpening on 25th Oct. 2014 from 4pm © All images courtesy of the artist
[more Qiu Minye] INVITATION
Qiu Minye (b. 1978, China) - My God (2013)
Qiu Minye has found a new way of recording time by removing the identity of an image and creating the exquisite shape, life and texture. The object is floating lightly in a soft space like a song. It equals to the existence itself, which makes us sigh for the nature and thus feel the gratitude to the artist for giving us the opportunity to experience the nature.
My God - Qiu Minye Photography Exhibition Ofoto Gallery - 2F, Building 13, 50 Moganshan Rd. ShanghaiOpening on 25th Oct. 2014 from 4pm © All images courtesy of the artist
[more Qiu Minye] INVITATION
Qiu Minye (b. 1978, China) - My God (2013)
Qiu Minye has found a new way of recording time by removing the identity of an image and creating the exquisite shape, life and texture. The object is floating lightly in a soft space like a song. It equals to the existence itself, which makes us sigh for the nature and thus feel the gratitude to the artist for giving us the opportunity to experience the nature.
My God - Qiu Minye Photography Exhibition Ofoto Gallery - 2F, Building 13, 50 Moganshan Rd. ShanghaiOpening on 25th Oct. 2014 from 4pm © All images courtesy of the artist
[more Qiu Minye] INVITATION
Qiu Minye (b. 1978, China) - My God (2013)
Qiu Minye has found a new way of recording time by removing the identity of an image and creating the exquisite shape, life and texture. The object is floating lightly in a soft space like a song. It equals to the existence itself, which makes us sigh for the nature and thus feel the gratitude to the artist for giving us the opportunity to experience the nature.
My God - Qiu Minye Photography Exhibition Ofoto Gallery - 2F, Building 13, 50 Moganshan Rd. ShanghaiOpening on 25th Oct. 2014 from 4pm © All images courtesy of the artist
[more Qiu Minye] INVITATION
Qiu Minye (b. 1978, China) - My God (2013)
Qiu Minye has found a new way of recording time by removing the identity of an image and creating the exquisite shape, life and texture. The object is floating lightly in a soft space like a song. It equals to the existence itself, which makes us sigh for the nature and thus feel the gratitude to the artist for giving us the opportunity to experience the nature.
My God - Qiu Minye Photography Exhibition Ofoto Gallery - 2F, Building 13, 50 Moganshan Rd. ShanghaiOpening on 25th Oct. 2014 from 4pm © All images courtesy of the artist
[more Qiu Minye]
  • INVITATION
Chuck Sperry (b.1962, USA)
Rock poster designer and screen print virtuoso, Chuck Sperry, is returning to Paris in person from California for a massive new exposition. Inspired and constantly exploring motifs as various as classical mythology, Art Nouveau, early 20th Century and early 1970′s typography, exploring the stars of the Rock universe, and the psychedelic 1960s, Chuck Sperry is able to impose his style upon all these various sources and inspirations.
Extolling femininity and the delicacy of floral motifs, the artist plays with the layering of materials, in a sensual intricacy that the eye can never completely resolve. Whether the subjects of Sperry’s prints are queens of the first word (Alpha and Omega) or indecisive Persephones (Widepsread Panic), Chuck Sperry’s depiction of women truthfully represent figures deeply independent and sensual.
Sperry’s “Pop Époque” Tour in ParisL’Oeil Ouvert Gallery - 74 rue François Miron 75004 Paris - 19.06-13.07.2014 Gallery Oberkampf - 103 rue Saint Maur 75011 Paris - 21.06-04.07.2014 Projection cocktail at l’Oeil Ouvert Gallery Wednesday, July 2 from 18h© All images courtesy of the artist
[more Chuck Sperry]
  • INVITATION
Chuck Sperry (b.1962, USA)
Rock poster designer and screen print virtuoso, Chuck Sperry, is returning to Paris in person from California for a massive new exposition. Inspired and constantly exploring motifs as various as classical mythology, Art Nouveau, early 20th Century and early 1970′s typography, exploring the stars of the Rock universe, and the psychedelic 1960s, Chuck Sperry is able to impose his style upon all these various sources and inspirations.
Extolling femininity and the delicacy of floral motifs, the artist plays with the layering of materials, in a sensual intricacy that the eye can never completely resolve. Whether the subjects of Sperry’s prints are queens of the first word (Alpha and Omega) or indecisive Persephones (Widepsread Panic), Chuck Sperry’s depiction of women truthfully represent figures deeply independent and sensual.
Sperry’s “Pop Époque” Tour in ParisL’Oeil Ouvert Gallery - 74 rue François Miron 75004 Paris - 19.06-13.07.2014 Gallery Oberkampf - 103 rue Saint Maur 75011 Paris - 21.06-04.07.2014 Projection cocktail at l’Oeil Ouvert Gallery Wednesday, July 2 from 18h© All images courtesy of the artist
[more Chuck Sperry]
  • INVITATION
Chuck Sperry (b.1962, USA)
Rock poster designer and screen print virtuoso, Chuck Sperry, is returning to Paris in person from California for a massive new exposition. Inspired and constantly exploring motifs as various as classical mythology, Art Nouveau, early 20th Century and early 1970′s typography, exploring the stars of the Rock universe, and the psychedelic 1960s, Chuck Sperry is able to impose his style upon all these various sources and inspirations.
Extolling femininity and the delicacy of floral motifs, the artist plays with the layering of materials, in a sensual intricacy that the eye can never completely resolve. Whether the subjects of Sperry’s prints are queens of the first word (Alpha and Omega) or indecisive Persephones (Widepsread Panic), Chuck Sperry’s depiction of women truthfully represent figures deeply independent and sensual.
Sperry’s “Pop Époque” Tour in ParisL’Oeil Ouvert Gallery - 74 rue François Miron 75004 Paris - 19.06-13.07.2014 Gallery Oberkampf - 103 rue Saint Maur 75011 Paris - 21.06-04.07.2014 Projection cocktail at l’Oeil Ouvert Gallery Wednesday, July 2 from 18h© All images courtesy of the artist
[more Chuck Sperry]
  • INVITATION
Chuck Sperry (b.1962, USA)
Rock poster designer and screen print virtuoso, Chuck Sperry, is returning to Paris in person from California for a massive new exposition. Inspired and constantly exploring motifs as various as classical mythology, Art Nouveau, early 20th Century and early 1970′s typography, exploring the stars of the Rock universe, and the psychedelic 1960s, Chuck Sperry is able to impose his style upon all these various sources and inspirations.
Extolling femininity and the delicacy of floral motifs, the artist plays with the layering of materials, in a sensual intricacy that the eye can never completely resolve. Whether the subjects of Sperry’s prints are queens of the first word (Alpha and Omega) or indecisive Persephones (Widepsread Panic), Chuck Sperry’s depiction of women truthfully represent figures deeply independent and sensual.
Sperry’s “Pop Époque” Tour in ParisL’Oeil Ouvert Gallery - 74 rue François Miron 75004 Paris - 19.06-13.07.2014 Gallery Oberkampf - 103 rue Saint Maur 75011 Paris - 21.06-04.07.2014 Projection cocktail at l’Oeil Ouvert Gallery Wednesday, July 2 from 18h© All images courtesy of the artist
[more Chuck Sperry]
  • INVITATION
Chuck Sperry (b.1962, USA)
Rock poster designer and screen print virtuoso, Chuck Sperry, is returning to Paris in person from California for a massive new exposition. Inspired and constantly exploring motifs as various as classical mythology, Art Nouveau, early 20th Century and early 1970′s typography, exploring the stars of the Rock universe, and the psychedelic 1960s, Chuck Sperry is able to impose his style upon all these various sources and inspirations.
Extolling femininity and the delicacy of floral motifs, the artist plays with the layering of materials, in a sensual intricacy that the eye can never completely resolve. Whether the subjects of Sperry’s prints are queens of the first word (Alpha and Omega) or indecisive Persephones (Widepsread Panic), Chuck Sperry’s depiction of women truthfully represent figures deeply independent and sensual.
Sperry’s “Pop Époque” Tour in ParisL’Oeil Ouvert Gallery - 74 rue François Miron 75004 Paris - 19.06-13.07.2014 Gallery Oberkampf - 103 rue Saint Maur 75011 Paris - 21.06-04.07.2014 Projection cocktail at l’Oeil Ouvert Gallery Wednesday, July 2 from 18h© All images courtesy of the artist
[more Chuck Sperry]
  • INVITATION
Chuck Sperry (b.1962, USA)
Rock poster designer and screen print virtuoso, Chuck Sperry, is returning to Paris in person from California for a massive new exposition. Inspired and constantly exploring motifs as various as classical mythology, Art Nouveau, early 20th Century and early 1970′s typography, exploring the stars of the Rock universe, and the psychedelic 1960s, Chuck Sperry is able to impose his style upon all these various sources and inspirations.
Extolling femininity and the delicacy of floral motifs, the artist plays with the layering of materials, in a sensual intricacy that the eye can never completely resolve. Whether the subjects of Sperry’s prints are queens of the first word (Alpha and Omega) or indecisive Persephones (Widepsread Panic), Chuck Sperry’s depiction of women truthfully represent figures deeply independent and sensual.
Sperry’s “Pop Époque” Tour in ParisL’Oeil Ouvert Gallery - 74 rue François Miron 75004 Paris - 19.06-13.07.2014 Gallery Oberkampf - 103 rue Saint Maur 75011 Paris - 21.06-04.07.2014 Projection cocktail at l’Oeil Ouvert Gallery Wednesday, July 2 from 18h© All images courtesy of the artist
[more Chuck Sperry]
  • INVITATION
Chuck Sperry (b.1962, USA)
Rock poster designer and screen print virtuoso, Chuck Sperry, is returning to Paris in person from California for a massive new exposition. Inspired and constantly exploring motifs as various as classical mythology, Art Nouveau, early 20th Century and early 1970′s typography, exploring the stars of the Rock universe, and the psychedelic 1960s, Chuck Sperry is able to impose his style upon all these various sources and inspirations.
Extolling femininity and the delicacy of floral motifs, the artist plays with the layering of materials, in a sensual intricacy that the eye can never completely resolve. Whether the subjects of Sperry’s prints are queens of the first word (Alpha and Omega) or indecisive Persephones (Widepsread Panic), Chuck Sperry’s depiction of women truthfully represent figures deeply independent and sensual.
Sperry’s “Pop Époque” Tour in ParisL’Oeil Ouvert Gallery - 74 rue François Miron 75004 Paris - 19.06-13.07.2014 Gallery Oberkampf - 103 rue Saint Maur 75011 Paris - 21.06-04.07.2014 Projection cocktail at l’Oeil Ouvert Gallery Wednesday, July 2 from 18h© All images courtesy of the artist
[more Chuck Sperry]
  • INVITATION
Chuck Sperry (b.1962, USA)
Rock poster designer and screen print virtuoso, Chuck Sperry, is returning to Paris in person from California for a massive new exposition. Inspired and constantly exploring motifs as various as classical mythology, Art Nouveau, early 20th Century and early 1970′s typography, exploring the stars of the Rock universe, and the psychedelic 1960s, Chuck Sperry is able to impose his style upon all these various sources and inspirations.
Extolling femininity and the delicacy of floral motifs, the artist plays with the layering of materials, in a sensual intricacy that the eye can never completely resolve. Whether the subjects of Sperry’s prints are queens of the first word (Alpha and Omega) or indecisive Persephones (Widepsread Panic), Chuck Sperry’s depiction of women truthfully represent figures deeply independent and sensual.
Sperry’s “Pop Époque” Tour in ParisL’Oeil Ouvert Gallery - 74 rue François Miron 75004 Paris - 19.06-13.07.2014 Gallery Oberkampf - 103 rue Saint Maur 75011 Paris - 21.06-04.07.2014 Projection cocktail at l’Oeil Ouvert Gallery Wednesday, July 2 from 18h© All images courtesy of the artist
[more Chuck Sperry]
INVITATION
Chuck Sperry (b.1962, USA)
Rock poster designer and screen print virtuoso, Chuck Sperry, is returning to Paris in person from California for a massive new exposition. Inspired and constantly exploring motifs as various as classical mythology, Art Nouveau, early 20th Century and early 1970′s typography, exploring the stars of the Rock universe, and the psychedelic 1960s, Chuck Sperry is able to impose his style upon all these various sources and inspirations.
Extolling femininity and the delicacy of floral motifs, the artist plays with the layering of materials, in a sensual intricacy that the eye can never completely resolve. Whether the subjects of Sperry’s prints are queens of the first word (Alpha and Omega) or indecisive Persephones (Widepsread Panic), Chuck Sperry’s depiction of women truthfully represent figures deeply independent and sensual.
Sperry’s “Pop Époque” Tour in ParisL’Oeil Ouvert Gallery - 74 rue François Miron 75004 Paris - 19.06-13.07.2014 Gallery Oberkampf - 103 rue Saint Maur 75011 Paris - 21.06-04.07.2014 Projection cocktail at l’Oeil Ouvert Gallery Wednesday, July 2 from 18h© All images courtesy of the artist
[more Chuck Sperry] INVITATION
Chuck Sperry (b.1962, USA)
Rock poster designer and screen print virtuoso, Chuck Sperry, is returning to Paris in person from California for a massive new exposition. Inspired and constantly exploring motifs as various as classical mythology, Art Nouveau, early 20th Century and early 1970′s typography, exploring the stars of the Rock universe, and the psychedelic 1960s, Chuck Sperry is able to impose his style upon all these various sources and inspirations.
Extolling femininity and the delicacy of floral motifs, the artist plays with the layering of materials, in a sensual intricacy that the eye can never completely resolve. Whether the subjects of Sperry’s prints are queens of the first word (Alpha and Omega) or indecisive Persephones (Widepsread Panic), Chuck Sperry’s depiction of women truthfully represent figures deeply independent and sensual.
Sperry’s “Pop Époque” Tour in ParisL’Oeil Ouvert Gallery - 74 rue François Miron 75004 Paris - 19.06-13.07.2014 Gallery Oberkampf - 103 rue Saint Maur 75011 Paris - 21.06-04.07.2014 Projection cocktail at l’Oeil Ouvert Gallery Wednesday, July 2 from 18h© All images courtesy of the artist
[more Chuck Sperry] INVITATION
Chuck Sperry (b.1962, USA)
Rock poster designer and screen print virtuoso, Chuck Sperry, is returning to Paris in person from California for a massive new exposition. Inspired and constantly exploring motifs as various as classical mythology, Art Nouveau, early 20th Century and early 1970′s typography, exploring the stars of the Rock universe, and the psychedelic 1960s, Chuck Sperry is able to impose his style upon all these various sources and inspirations.
Extolling femininity and the delicacy of floral motifs, the artist plays with the layering of materials, in a sensual intricacy that the eye can never completely resolve. Whether the subjects of Sperry’s prints are queens of the first word (Alpha and Omega) or indecisive Persephones (Widepsread Panic), Chuck Sperry’s depiction of women truthfully represent figures deeply independent and sensual.
Sperry’s “Pop Époque” Tour in ParisL’Oeil Ouvert Gallery - 74 rue François Miron 75004 Paris - 19.06-13.07.2014 Gallery Oberkampf - 103 rue Saint Maur 75011 Paris - 21.06-04.07.2014 Projection cocktail at l’Oeil Ouvert Gallery Wednesday, July 2 from 18h© All images courtesy of the artist
[more Chuck Sperry] INVITATION
Chuck Sperry (b.1962, USA)
Rock poster designer and screen print virtuoso, Chuck Sperry, is returning to Paris in person from California for a massive new exposition. Inspired and constantly exploring motifs as various as classical mythology, Art Nouveau, early 20th Century and early 1970′s typography, exploring the stars of the Rock universe, and the psychedelic 1960s, Chuck Sperry is able to impose his style upon all these various sources and inspirations.
Extolling femininity and the delicacy of floral motifs, the artist plays with the layering of materials, in a sensual intricacy that the eye can never completely resolve. Whether the subjects of Sperry’s prints are queens of the first word (Alpha and Omega) or indecisive Persephones (Widepsread Panic), Chuck Sperry’s depiction of women truthfully represent figures deeply independent and sensual.
Sperry’s “Pop Époque” Tour in ParisL’Oeil Ouvert Gallery - 74 rue François Miron 75004 Paris - 19.06-13.07.2014 Gallery Oberkampf - 103 rue Saint Maur 75011 Paris - 21.06-04.07.2014 Projection cocktail at l’Oeil Ouvert Gallery Wednesday, July 2 from 18h© All images courtesy of the artist
[more Chuck Sperry]
  • INVITATION
Eric Roux-Fontaine (b.1966, France) - Outbond (2014)
How do lost worlds survive? What do they draw on to come back to life? On the memories and dreams which had lingered before setting off again in a swarm.
Eric Roux-Fontaine knows this only too well. He has lived in a different world. There is no suggestion that we were not there too, nor that we were incapable of lending an ear or feasting our eyes on it as he has; but he is more closely attuned to it than we. More than anyone else, he can capture the precise interplay of whispers and warm resonances so as to heighten the colors of these lost worlds and revive the rough drafts, allowing gentle jungles to wrest back control of worn out kingdoms.
Roux-Fontaine works in layers of matter and sensation, with a happy collision of texture and transparency. He does not mask or disguise. His only cosmetics are pigment and marble dust enabling the artist to delve deep into what lies behind matter and revive its reflections. A lake, an impatient roiling sky, a burning shack in the blazing light of an icy sun. The painter savors an opaque transparency. He cannot resist it. In this deep-breathing plant world, icebergs rise up like ghostly steamers, preserving a secret ovulation mechanism within their hulls. The Moon too harbors secrets, and without it, dreams are impossible. Mirroring its chilly incandescence, swimming pools yield to the whims of towering trees. The husks of bridges or fairground temples encircle the foliage like bracelets. In this recast synthetic Eden, animals reassert their rights and live in harmony.  A sudden flight of birds. An encounter with an elephant. The not-so-still life portrait of a hare. All lulled by a pervasive gentleness.
When a human form surfaces, it is ultimately transitory, with no sure promise of integration, merely passing through these virgin surroundings. Children swing upward again toward dizzy heights, but without stirring the air. Man, with his curious adventures, his lust for disorder, and his appetite for havoc, is no longer the prime mover in this world. The dazzlingly dense paths open to him here require a leap of faith. Artists today must borrow techniques from the animal world. Let them scent out the world with an inquisitive soul. Eric Roux-Fontaine is one of this new breed. (text by Pierre Vavasseur)
Solo exhibition Outbond @ Galerie Felli 127 rue Vieille du Temple 75003 Paris - 15.05-20.06.2014 Opening cocktail Thursday May 15, 2014 from 19h© All images courtesy the artist
[more Eric Roux-Fontaine]
  • INVITATION
Eric Roux-Fontaine (b.1966, France) - Outbond (2014)
How do lost worlds survive? What do they draw on to come back to life? On the memories and dreams which had lingered before setting off again in a swarm.
Eric Roux-Fontaine knows this only too well. He has lived in a different world. There is no suggestion that we were not there too, nor that we were incapable of lending an ear or feasting our eyes on it as he has; but he is more closely attuned to it than we. More than anyone else, he can capture the precise interplay of whispers and warm resonances so as to heighten the colors of these lost worlds and revive the rough drafts, allowing gentle jungles to wrest back control of worn out kingdoms.
Roux-Fontaine works in layers of matter and sensation, with a happy collision of texture and transparency. He does not mask or disguise. His only cosmetics are pigment and marble dust enabling the artist to delve deep into what lies behind matter and revive its reflections. A lake, an impatient roiling sky, a burning shack in the blazing light of an icy sun. The painter savors an opaque transparency. He cannot resist it. In this deep-breathing plant world, icebergs rise up like ghostly steamers, preserving a secret ovulation mechanism within their hulls. The Moon too harbors secrets, and without it, dreams are impossible. Mirroring its chilly incandescence, swimming pools yield to the whims of towering trees. The husks of bridges or fairground temples encircle the foliage like bracelets. In this recast synthetic Eden, animals reassert their rights and live in harmony.  A sudden flight of birds. An encounter with an elephant. The not-so-still life portrait of a hare. All lulled by a pervasive gentleness.
When a human form surfaces, it is ultimately transitory, with no sure promise of integration, merely passing through these virgin surroundings. Children swing upward again toward dizzy heights, but without stirring the air. Man, with his curious adventures, his lust for disorder, and his appetite for havoc, is no longer the prime mover in this world. The dazzlingly dense paths open to him here require a leap of faith. Artists today must borrow techniques from the animal world. Let them scent out the world with an inquisitive soul. Eric Roux-Fontaine is one of this new breed. (text by Pierre Vavasseur)
Solo exhibition Outbond @ Galerie Felli 127 rue Vieille du Temple 75003 Paris - 15.05-20.06.2014 Opening cocktail Thursday May 15, 2014 from 19h© All images courtesy the artist
[more Eric Roux-Fontaine]
  • INVITATION
Eric Roux-Fontaine (b.1966, France) - Outbond (2014)
How do lost worlds survive? What do they draw on to come back to life? On the memories and dreams which had lingered before setting off again in a swarm.
Eric Roux-Fontaine knows this only too well. He has lived in a different world. There is no suggestion that we were not there too, nor that we were incapable of lending an ear or feasting our eyes on it as he has; but he is more closely attuned to it than we. More than anyone else, he can capture the precise interplay of whispers and warm resonances so as to heighten the colors of these lost worlds and revive the rough drafts, allowing gentle jungles to wrest back control of worn out kingdoms.
Roux-Fontaine works in layers of matter and sensation, with a happy collision of texture and transparency. He does not mask or disguise. His only cosmetics are pigment and marble dust enabling the artist to delve deep into what lies behind matter and revive its reflections. A lake, an impatient roiling sky, a burning shack in the blazing light of an icy sun. The painter savors an opaque transparency. He cannot resist it. In this deep-breathing plant world, icebergs rise up like ghostly steamers, preserving a secret ovulation mechanism within their hulls. The Moon too harbors secrets, and without it, dreams are impossible. Mirroring its chilly incandescence, swimming pools yield to the whims of towering trees. The husks of bridges or fairground temples encircle the foliage like bracelets. In this recast synthetic Eden, animals reassert their rights and live in harmony.  A sudden flight of birds. An encounter with an elephant. The not-so-still life portrait of a hare. All lulled by a pervasive gentleness.
When a human form surfaces, it is ultimately transitory, with no sure promise of integration, merely passing through these virgin surroundings. Children swing upward again toward dizzy heights, but without stirring the air. Man, with his curious adventures, his lust for disorder, and his appetite for havoc, is no longer the prime mover in this world. The dazzlingly dense paths open to him here require a leap of faith. Artists today must borrow techniques from the animal world. Let them scent out the world with an inquisitive soul. Eric Roux-Fontaine is one of this new breed. (text by Pierre Vavasseur)
Solo exhibition Outbond @ Galerie Felli 127 rue Vieille du Temple 75003 Paris - 15.05-20.06.2014 Opening cocktail Thursday May 15, 2014 from 19h© All images courtesy the artist
[more Eric Roux-Fontaine]
  • INVITATION
Eric Roux-Fontaine (b.1966, France) - Outbond (2014)
How do lost worlds survive? What do they draw on to come back to life? On the memories and dreams which had lingered before setting off again in a swarm.
Eric Roux-Fontaine knows this only too well. He has lived in a different world. There is no suggestion that we were not there too, nor that we were incapable of lending an ear or feasting our eyes on it as he has; but he is more closely attuned to it than we. More than anyone else, he can capture the precise interplay of whispers and warm resonances so as to heighten the colors of these lost worlds and revive the rough drafts, allowing gentle jungles to wrest back control of worn out kingdoms.
Roux-Fontaine works in layers of matter and sensation, with a happy collision of texture and transparency. He does not mask or disguise. His only cosmetics are pigment and marble dust enabling the artist to delve deep into what lies behind matter and revive its reflections. A lake, an impatient roiling sky, a burning shack in the blazing light of an icy sun. The painter savors an opaque transparency. He cannot resist it. In this deep-breathing plant world, icebergs rise up like ghostly steamers, preserving a secret ovulation mechanism within their hulls. The Moon too harbors secrets, and without it, dreams are impossible. Mirroring its chilly incandescence, swimming pools yield to the whims of towering trees. The husks of bridges or fairground temples encircle the foliage like bracelets. In this recast synthetic Eden, animals reassert their rights and live in harmony.  A sudden flight of birds. An encounter with an elephant. The not-so-still life portrait of a hare. All lulled by a pervasive gentleness.
When a human form surfaces, it is ultimately transitory, with no sure promise of integration, merely passing through these virgin surroundings. Children swing upward again toward dizzy heights, but without stirring the air. Man, with his curious adventures, his lust for disorder, and his appetite for havoc, is no longer the prime mover in this world. The dazzlingly dense paths open to him here require a leap of faith. Artists today must borrow techniques from the animal world. Let them scent out the world with an inquisitive soul. Eric Roux-Fontaine is one of this new breed. (text by Pierre Vavasseur)
Solo exhibition Outbond @ Galerie Felli 127 rue Vieille du Temple 75003 Paris - 15.05-20.06.2014 Opening cocktail Thursday May 15, 2014 from 19h© All images courtesy the artist
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Eric Roux-Fontaine (b.1966, France) - Outbond (2014)
How do lost worlds survive? What do they draw on to come back to life? On the memories and dreams which had lingered before setting off again in a swarm.
Eric Roux-Fontaine knows this only too well. He has lived in a different world. There is no suggestion that we were not there too, nor that we were incapable of lending an ear or feasting our eyes on it as he has; but he is more closely attuned to it than we. More than anyone else, he can capture the precise interplay of whispers and warm resonances so as to heighten the colors of these lost worlds and revive the rough drafts, allowing gentle jungles to wrest back control of worn out kingdoms.
Roux-Fontaine works in layers of matter and sensation, with a happy collision of texture and transparency. He does not mask or disguise. His only cosmetics are pigment and marble dust enabling the artist to delve deep into what lies behind matter and revive its reflections. A lake, an impatient roiling sky, a burning shack in the blazing light of an icy sun. The painter savors an opaque transparency. He cannot resist it. In this deep-breathing plant world, icebergs rise up like ghostly steamers, preserving a secret ovulation mechanism within their hulls. The Moon too harbors secrets, and without it, dreams are impossible. Mirroring its chilly incandescence, swimming pools yield to the whims of towering trees. The husks of bridges or fairground temples encircle the foliage like bracelets. In this recast synthetic Eden, animals reassert their rights and live in harmony.  A sudden flight of birds. An encounter with an elephant. The not-so-still life portrait of a hare. All lulled by a pervasive gentleness.
When a human form surfaces, it is ultimately transitory, with no sure promise of integration, merely passing through these virgin surroundings. Children swing upward again toward dizzy heights, but without stirring the air. Man, with his curious adventures, his lust for disorder, and his appetite for havoc, is no longer the prime mover in this world. The dazzlingly dense paths open to him here require a leap of faith. Artists today must borrow techniques from the animal world. Let them scent out the world with an inquisitive soul. Eric Roux-Fontaine is one of this new breed. (text by Pierre Vavasseur)
Solo exhibition Outbond @ Galerie Felli 127 rue Vieille du Temple 75003 Paris - 15.05-20.06.2014 Opening cocktail Thursday May 15, 2014 from 19h© All images courtesy the artist
[more Eric Roux-Fontaine]
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Eric Roux-Fontaine (b.1966, France) - Outbond (2014)
How do lost worlds survive? What do they draw on to come back to life? On the memories and dreams which had lingered before setting off again in a swarm.
Eric Roux-Fontaine knows this only too well. He has lived in a different world. There is no suggestion that we were not there too, nor that we were incapable of lending an ear or feasting our eyes on it as he has; but he is more closely attuned to it than we. More than anyone else, he can capture the precise interplay of whispers and warm resonances so as to heighten the colors of these lost worlds and revive the rough drafts, allowing gentle jungles to wrest back control of worn out kingdoms.
Roux-Fontaine works in layers of matter and sensation, with a happy collision of texture and transparency. He does not mask or disguise. His only cosmetics are pigment and marble dust enabling the artist to delve deep into what lies behind matter and revive its reflections. A lake, an impatient roiling sky, a burning shack in the blazing light of an icy sun. The painter savors an opaque transparency. He cannot resist it. In this deep-breathing plant world, icebergs rise up like ghostly steamers, preserving a secret ovulation mechanism within their hulls. The Moon too harbors secrets, and without it, dreams are impossible. Mirroring its chilly incandescence, swimming pools yield to the whims of towering trees. The husks of bridges or fairground temples encircle the foliage like bracelets. In this recast synthetic Eden, animals reassert their rights and live in harmony.  A sudden flight of birds. An encounter with an elephant. The not-so-still life portrait of a hare. All lulled by a pervasive gentleness.
When a human form surfaces, it is ultimately transitory, with no sure promise of integration, merely passing through these virgin surroundings. Children swing upward again toward dizzy heights, but without stirring the air. Man, with his curious adventures, his lust for disorder, and his appetite for havoc, is no longer the prime mover in this world. The dazzlingly dense paths open to him here require a leap of faith. Artists today must borrow techniques from the animal world. Let them scent out the world with an inquisitive soul. Eric Roux-Fontaine is one of this new breed. (text by Pierre Vavasseur)
Solo exhibition Outbond @ Galerie Felli 127 rue Vieille du Temple 75003 Paris - 15.05-20.06.2014 Opening cocktail Thursday May 15, 2014 from 19h© All images courtesy the artist
[more Eric Roux-Fontaine]
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Eric Roux-Fontaine (b.1966, France) - Outbond (2014)
How do lost worlds survive? What do they draw on to come back to life? On the memories and dreams which had lingered before setting off again in a swarm.
Eric Roux-Fontaine knows this only too well. He has lived in a different world. There is no suggestion that we were not there too, nor that we were incapable of lending an ear or feasting our eyes on it as he has; but he is more closely attuned to it than we. More than anyone else, he can capture the precise interplay of whispers and warm resonances so as to heighten the colors of these lost worlds and revive the rough drafts, allowing gentle jungles to wrest back control of worn out kingdoms.
Roux-Fontaine works in layers of matter and sensation, with a happy collision of texture and transparency. He does not mask or disguise. His only cosmetics are pigment and marble dust enabling the artist to delve deep into what lies behind matter and revive its reflections. A lake, an impatient roiling sky, a burning shack in the blazing light of an icy sun. The painter savors an opaque transparency. He cannot resist it. In this deep-breathing plant world, icebergs rise up like ghostly steamers, preserving a secret ovulation mechanism within their hulls. The Moon too harbors secrets, and without it, dreams are impossible. Mirroring its chilly incandescence, swimming pools yield to the whims of towering trees. The husks of bridges or fairground temples encircle the foliage like bracelets. In this recast synthetic Eden, animals reassert their rights and live in harmony.  A sudden flight of birds. An encounter with an elephant. The not-so-still life portrait of a hare. All lulled by a pervasive gentleness.
When a human form surfaces, it is ultimately transitory, with no sure promise of integration, merely passing through these virgin surroundings. Children swing upward again toward dizzy heights, but without stirring the air. Man, with his curious adventures, his lust for disorder, and his appetite for havoc, is no longer the prime mover in this world. The dazzlingly dense paths open to him here require a leap of faith. Artists today must borrow techniques from the animal world. Let them scent out the world with an inquisitive soul. Eric Roux-Fontaine is one of this new breed. (text by Pierre Vavasseur)
Solo exhibition Outbond @ Galerie Felli 127 rue Vieille du Temple 75003 Paris - 15.05-20.06.2014 Opening cocktail Thursday May 15, 2014 from 19h© All images courtesy the artist
[more Eric Roux-Fontaine]
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Eric Roux-Fontaine (b.1966, France) - Outbond (2014)
How do lost worlds survive? What do they draw on to come back to life? On the memories and dreams which had lingered before setting off again in a swarm.
Eric Roux-Fontaine knows this only too well. He has lived in a different world. There is no suggestion that we were not there too, nor that we were incapable of lending an ear or feasting our eyes on it as he has; but he is more closely attuned to it than we. More than anyone else, he can capture the precise interplay of whispers and warm resonances so as to heighten the colors of these lost worlds and revive the rough drafts, allowing gentle jungles to wrest back control of worn out kingdoms.
Roux-Fontaine works in layers of matter and sensation, with a happy collision of texture and transparency. He does not mask or disguise. His only cosmetics are pigment and marble dust enabling the artist to delve deep into what lies behind matter and revive its reflections. A lake, an impatient roiling sky, a burning shack in the blazing light of an icy sun. The painter savors an opaque transparency. He cannot resist it. In this deep-breathing plant world, icebergs rise up like ghostly steamers, preserving a secret ovulation mechanism within their hulls. The Moon too harbors secrets, and without it, dreams are impossible. Mirroring its chilly incandescence, swimming pools yield to the whims of towering trees. The husks of bridges or fairground temples encircle the foliage like bracelets. In this recast synthetic Eden, animals reassert their rights and live in harmony.  A sudden flight of birds. An encounter with an elephant. The not-so-still life portrait of a hare. All lulled by a pervasive gentleness.
When a human form surfaces, it is ultimately transitory, with no sure promise of integration, merely passing through these virgin surroundings. Children swing upward again toward dizzy heights, but without stirring the air. Man, with his curious adventures, his lust for disorder, and his appetite for havoc, is no longer the prime mover in this world. The dazzlingly dense paths open to him here require a leap of faith. Artists today must borrow techniques from the animal world. Let them scent out the world with an inquisitive soul. Eric Roux-Fontaine is one of this new breed. (text by Pierre Vavasseur)
Solo exhibition Outbond @ Galerie Felli 127 rue Vieille du Temple 75003 Paris - 15.05-20.06.2014 Opening cocktail Thursday May 15, 2014 from 19h© All images courtesy the artist
[more Eric Roux-Fontaine]
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Eric Roux-Fontaine (b.1966, France) - Outbond (2014)
How do lost worlds survive? What do they draw on to come back to life? On the memories and dreams which had lingered before setting off again in a swarm.
Eric Roux-Fontaine knows this only too well. He has lived in a different world. There is no suggestion that we were not there too, nor that we were incapable of lending an ear or feasting our eyes on it as he has; but he is more closely attuned to it than we. More than anyone else, he can capture the precise interplay of whispers and warm resonances so as to heighten the colors of these lost worlds and revive the rough drafts, allowing gentle jungles to wrest back control of worn out kingdoms.
Roux-Fontaine works in layers of matter and sensation, with a happy collision of texture and transparency. He does not mask or disguise. His only cosmetics are pigment and marble dust enabling the artist to delve deep into what lies behind matter and revive its reflections. A lake, an impatient roiling sky, a burning shack in the blazing light of an icy sun. The painter savors an opaque transparency. He cannot resist it. In this deep-breathing plant world, icebergs rise up like ghostly steamers, preserving a secret ovulation mechanism within their hulls. The Moon too harbors secrets, and without it, dreams are impossible. Mirroring its chilly incandescence, swimming pools yield to the whims of towering trees. The husks of bridges or fairground temples encircle the foliage like bracelets. In this recast synthetic Eden, animals reassert their rights and live in harmony.  A sudden flight of birds. An encounter with an elephant. The not-so-still life portrait of a hare. All lulled by a pervasive gentleness.
When a human form surfaces, it is ultimately transitory, with no sure promise of integration, merely passing through these virgin surroundings. Children swing upward again toward dizzy heights, but without stirring the air. Man, with his curious adventures, his lust for disorder, and his appetite for havoc, is no longer the prime mover in this world. The dazzlingly dense paths open to him here require a leap of faith. Artists today must borrow techniques from the animal world. Let them scent out the world with an inquisitive soul. Eric Roux-Fontaine is one of this new breed. (text by Pierre Vavasseur)
Solo exhibition Outbond @ Galerie Felli 127 rue Vieille du Temple 75003 Paris - 15.05-20.06.2014 Opening cocktail Thursday May 15, 2014 from 19h© All images courtesy the artist
[more Eric Roux-Fontaine]
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Eric Roux-Fontaine (b.1966, France) - Outbond (2014)
How do lost worlds survive? What do they draw on to come back to life? On the memories and dreams which had lingered before setting off again in a swarm.
Eric Roux-Fontaine knows this only too well. He has lived in a different world. There is no suggestion that we were not there too, nor that we were incapable of lending an ear or feasting our eyes on it as he has; but he is more closely attuned to it than we. More than anyone else, he can capture the precise interplay of whispers and warm resonances so as to heighten the colors of these lost worlds and revive the rough drafts, allowing gentle jungles to wrest back control of worn out kingdoms.
Roux-Fontaine works in layers of matter and sensation, with a happy collision of texture and transparency. He does not mask or disguise. His only cosmetics are pigment and marble dust enabling the artist to delve deep into what lies behind matter and revive its reflections. A lake, an impatient roiling sky, a burning shack in the blazing light of an icy sun. The painter savors an opaque transparency. He cannot resist it. In this deep-breathing plant world, icebergs rise up like ghostly steamers, preserving a secret ovulation mechanism within their hulls. The Moon too harbors secrets, and without it, dreams are impossible. Mirroring its chilly incandescence, swimming pools yield to the whims of towering trees. The husks of bridges or fairground temples encircle the foliage like bracelets. In this recast synthetic Eden, animals reassert their rights and live in harmony.  A sudden flight of birds. An encounter with an elephant. The not-so-still life portrait of a hare. All lulled by a pervasive gentleness.
When a human form surfaces, it is ultimately transitory, with no sure promise of integration, merely passing through these virgin surroundings. Children swing upward again toward dizzy heights, but without stirring the air. Man, with his curious adventures, his lust for disorder, and his appetite for havoc, is no longer the prime mover in this world. The dazzlingly dense paths open to him here require a leap of faith. Artists today must borrow techniques from the animal world. Let them scent out the world with an inquisitive soul. Eric Roux-Fontaine is one of this new breed. (text by Pierre Vavasseur)
Solo exhibition Outbond @ Galerie Felli 127 rue Vieille du Temple 75003 Paris - 15.05-20.06.2014 Opening cocktail Thursday May 15, 2014 from 19h© All images courtesy the artist
[more Eric Roux-Fontaine]
INVITATION
Eric Roux-Fontaine (b.1966, France) - Outbond (2014)
How do lost worlds survive? What do they draw on to come back to life? On the memories and dreams which had lingered before setting off again in a swarm.
Eric Roux-Fontaine knows this only too well. He has lived in a different world. There is no suggestion that we were not there too, nor that we were incapable of lending an ear or feasting our eyes on it as he has; but he is more closely attuned to it than we. More than anyone else, he can capture the precise interplay of whispers and warm resonances so as to heighten the colors of these lost worlds and revive the rough drafts, allowing gentle jungles to wrest back control of worn out kingdoms.
Roux-Fontaine works in layers of matter and sensation, with a happy collision of texture and transparency. He does not mask or disguise. His only cosmetics are pigment and marble dust enabling the artist to delve deep into what lies behind matter and revive its reflections. A lake, an impatient roiling sky, a burning shack in the blazing light of an icy sun. The painter savors an opaque transparency. He cannot resist it. In this deep-breathing plant world, icebergs rise up like ghostly steamers, preserving a secret ovulation mechanism within their hulls. The Moon too harbors secrets, and without it, dreams are impossible. Mirroring its chilly incandescence, swimming pools yield to the whims of towering trees. The husks of bridges or fairground temples encircle the foliage like bracelets. In this recast synthetic Eden, animals reassert their rights and live in harmony.  A sudden flight of birds. An encounter with an elephant. The not-so-still life portrait of a hare. All lulled by a pervasive gentleness.
When a human form surfaces, it is ultimately transitory, with no sure promise of integration, merely passing through these virgin surroundings. Children swing upward again toward dizzy heights, but without stirring the air. Man, with his curious adventures, his lust for disorder, and his appetite for havoc, is no longer the prime mover in this world. The dazzlingly dense paths open to him here require a leap of faith. Artists today must borrow techniques from the animal world. Let them scent out the world with an inquisitive soul. Eric Roux-Fontaine is one of this new breed. (text by Pierre Vavasseur)
Solo exhibition Outbond @ Galerie Felli 127 rue Vieille du Temple 75003 Paris - 15.05-20.06.2014 Opening cocktail Thursday May 15, 2014 from 19h© All images courtesy the artist
[more Eric Roux-Fontaine] INVITATION
Eric Roux-Fontaine (b.1966, France) - Outbond (2014)
How do lost worlds survive? What do they draw on to come back to life? On the memories and dreams which had lingered before setting off again in a swarm.
Eric Roux-Fontaine knows this only too well. He has lived in a different world. There is no suggestion that we were not there too, nor that we were incapable of lending an ear or feasting our eyes on it as he has; but he is more closely attuned to it than we. More than anyone else, he can capture the precise interplay of whispers and warm resonances so as to heighten the colors of these lost worlds and revive the rough drafts, allowing gentle jungles to wrest back control of worn out kingdoms.
Roux-Fontaine works in layers of matter and sensation, with a happy collision of texture and transparency. He does not mask or disguise. His only cosmetics are pigment and marble dust enabling the artist to delve deep into what lies behind matter and revive its reflections. A lake, an impatient roiling sky, a burning shack in the blazing light of an icy sun. The painter savors an opaque transparency. He cannot resist it. In this deep-breathing plant world, icebergs rise up like ghostly steamers, preserving a secret ovulation mechanism within their hulls. The Moon too harbors secrets, and without it, dreams are impossible. Mirroring its chilly incandescence, swimming pools yield to the whims of towering trees. The husks of bridges or fairground temples encircle the foliage like bracelets. In this recast synthetic Eden, animals reassert their rights and live in harmony.  A sudden flight of birds. An encounter with an elephant. The not-so-still life portrait of a hare. All lulled by a pervasive gentleness.
When a human form surfaces, it is ultimately transitory, with no sure promise of integration, merely passing through these virgin surroundings. Children swing upward again toward dizzy heights, but without stirring the air. Man, with his curious adventures, his lust for disorder, and his appetite for havoc, is no longer the prime mover in this world. The dazzlingly dense paths open to him here require a leap of faith. Artists today must borrow techniques from the animal world. Let them scent out the world with an inquisitive soul. Eric Roux-Fontaine is one of this new breed. (text by Pierre Vavasseur)
Solo exhibition Outbond @ Galerie Felli 127 rue Vieille du Temple 75003 Paris - 15.05-20.06.2014 Opening cocktail Thursday May 15, 2014 from 19h© All images courtesy the artist
[more Eric Roux-Fontaine] INVITATION
Eric Roux-Fontaine (b.1966, France) - Outbond (2014)
How do lost worlds survive? What do they draw on to come back to life? On the memories and dreams which had lingered before setting off again in a swarm.
Eric Roux-Fontaine knows this only too well. He has lived in a different world. There is no suggestion that we were not there too, nor that we were incapable of lending an ear or feasting our eyes on it as he has; but he is more closely attuned to it than we. More than anyone else, he can capture the precise interplay of whispers and warm resonances so as to heighten the colors of these lost worlds and revive the rough drafts, allowing gentle jungles to wrest back control of worn out kingdoms.
Roux-Fontaine works in layers of matter and sensation, with a happy collision of texture and transparency. He does not mask or disguise. His only cosmetics are pigment and marble dust enabling the artist to delve deep into what lies behind matter and revive its reflections. A lake, an impatient roiling sky, a burning shack in the blazing light of an icy sun. The painter savors an opaque transparency. He cannot resist it. In this deep-breathing plant world, icebergs rise up like ghostly steamers, preserving a secret ovulation mechanism within their hulls. The Moon too harbors secrets, and without it, dreams are impossible. Mirroring its chilly incandescence, swimming pools yield to the whims of towering trees. The husks of bridges or fairground temples encircle the foliage like bracelets. In this recast synthetic Eden, animals reassert their rights and live in harmony.  A sudden flight of birds. An encounter with an elephant. The not-so-still life portrait of a hare. All lulled by a pervasive gentleness.
When a human form surfaces, it is ultimately transitory, with no sure promise of integration, merely passing through these virgin surroundings. Children swing upward again toward dizzy heights, but without stirring the air. Man, with his curious adventures, his lust for disorder, and his appetite for havoc, is no longer the prime mover in this world. The dazzlingly dense paths open to him here require a leap of faith. Artists today must borrow techniques from the animal world. Let them scent out the world with an inquisitive soul. Eric Roux-Fontaine is one of this new breed. (text by Pierre Vavasseur)
Solo exhibition Outbond @ Galerie Felli 127 rue Vieille du Temple 75003 Paris - 15.05-20.06.2014 Opening cocktail Thursday May 15, 2014 from 19h© All images courtesy the artist
[more Eric Roux-Fontaine] INVITATION
Eric Roux-Fontaine (b.1966, France) - Outbond (2014)
How do lost worlds survive? What do they draw on to come back to life? On the memories and dreams which had lingered before setting off again in a swarm.
Eric Roux-Fontaine knows this only too well. He has lived in a different world. There is no suggestion that we were not there too, nor that we were incapable of lending an ear or feasting our eyes on it as he has; but he is more closely attuned to it than we. More than anyone else, he can capture the precise interplay of whispers and warm resonances so as to heighten the colors of these lost worlds and revive the rough drafts, allowing gentle jungles to wrest back control of worn out kingdoms.
Roux-Fontaine works in layers of matter and sensation, with a happy collision of texture and transparency. He does not mask or disguise. His only cosmetics are pigment and marble dust enabling the artist to delve deep into what lies behind matter and revive its reflections. A lake, an impatient roiling sky, a burning shack in the blazing light of an icy sun. The painter savors an opaque transparency. He cannot resist it. In this deep-breathing plant world, icebergs rise up like ghostly steamers, preserving a secret ovulation mechanism within their hulls. The Moon too harbors secrets, and without it, dreams are impossible. Mirroring its chilly incandescence, swimming pools yield to the whims of towering trees. The husks of bridges or fairground temples encircle the foliage like bracelets. In this recast synthetic Eden, animals reassert their rights and live in harmony.  A sudden flight of birds. An encounter with an elephant. The not-so-still life portrait of a hare. All lulled by a pervasive gentleness.
When a human form surfaces, it is ultimately transitory, with no sure promise of integration, merely passing through these virgin surroundings. Children swing upward again toward dizzy heights, but without stirring the air. Man, with his curious adventures, his lust for disorder, and his appetite for havoc, is no longer the prime mover in this world. The dazzlingly dense paths open to him here require a leap of faith. Artists today must borrow techniques from the animal world. Let them scent out the world with an inquisitive soul. Eric Roux-Fontaine is one of this new breed. (text by Pierre Vavasseur)
Solo exhibition Outbond @ Galerie Felli 127 rue Vieille du Temple 75003 Paris - 15.05-20.06.2014 Opening cocktail Thursday May 15, 2014 from 19h© All images courtesy the artist
[more Eric Roux-Fontaine] INVITATION
Eric Roux-Fontaine (b.1966, France) - Outbond (2014)
How do lost worlds survive? What do they draw on to come back to life? On the memories and dreams which had lingered before setting off again in a swarm.
Eric Roux-Fontaine knows this only too well. He has lived in a different world. There is no suggestion that we were not there too, nor that we were incapable of lending an ear or feasting our eyes on it as he has; but he is more closely attuned to it than we. More than anyone else, he can capture the precise interplay of whispers and warm resonances so as to heighten the colors of these lost worlds and revive the rough drafts, allowing gentle jungles to wrest back control of worn out kingdoms.
Roux-Fontaine works in layers of matter and sensation, with a happy collision of texture and transparency. He does not mask or disguise. His only cosmetics are pigment and marble dust enabling the artist to delve deep into what lies behind matter and revive its reflections. A lake, an impatient roiling sky, a burning shack in the blazing light of an icy sun. The painter savors an opaque transparency. He cannot resist it. In this deep-breathing plant world, icebergs rise up like ghostly steamers, preserving a secret ovulation mechanism within their hulls. The Moon too harbors secrets, and without it, dreams are impossible. Mirroring its chilly incandescence, swimming pools yield to the whims of towering trees. The husks of bridges or fairground temples encircle the foliage like bracelets. In this recast synthetic Eden, animals reassert their rights and live in harmony.  A sudden flight of birds. An encounter with an elephant. The not-so-still life portrait of a hare. All lulled by a pervasive gentleness.
When a human form surfaces, it is ultimately transitory, with no sure promise of integration, merely passing through these virgin surroundings. Children swing upward again toward dizzy heights, but without stirring the air. Man, with his curious adventures, his lust for disorder, and his appetite for havoc, is no longer the prime mover in this world. The dazzlingly dense paths open to him here require a leap of faith. Artists today must borrow techniques from the animal world. Let them scent out the world with an inquisitive soul. Eric Roux-Fontaine is one of this new breed. (text by Pierre Vavasseur)
Solo exhibition Outbond @ Galerie Felli 127 rue Vieille du Temple 75003 Paris - 15.05-20.06.2014 Opening cocktail Thursday May 15, 2014 from 19h© All images courtesy the artist
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For the new exhibition Street Art yesterday and today, Taglialatella Gallery, specialized in Pop Art, announces for the first time a tribute to one the last movement, as such, artistic and contemporary, crossing frontiers and times: The Street Art.
The purpose of the gallery is to show a thread on the current changes since the 80s in NYC until today and to focus on the influence of Pop Art with headlights artists like Keith Haring and Jean-Michel Basquiat. At first the two artists, who did not claimed themselves at the beginning as Street Artists, took on the street for its visibility so they could express themselves with an artistic vision their messages: they became decades later the spiritual fathers of the movement.
The real craze appears in the early 1990s with headlining artists Banksy and Shepard Fairey. The Street art begins to be democratized and be recognized as a fine art. Since that time, the extent of the movement is continuously growing. Street art is an ephemeral art, but claims to be seen and recognized by everyone. With this universal spirit and popular reach, it has many similarities with the Pop Art.
While presenting several Street Art masterpieces, the exhibition highlights the work of the French artist Kouka who is questioning in his painting the individual place in the society. His researches are based on the quest of identity, particularly when he introduces the writing above his canvas drawings. 
Kouka created a lot of sets in order to criticize the western society controlled by consummation and appearances. He denounces the narrow relationship between culture and consumerism and tries to show their dangerous association for the artistic creation. With the return to a “rough” painting, Kouka tries to break those codes of aestheticism and consumerism.
Kouka @ Street Art yesterday and today by Taglialatella Gallery13 Rue de Picardie Paris 3 - 15.03-26.04.2014Images adapted from photos by Philippe Coutellier, Agnès Laurent & Rery
[more Kouka]
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For the new exhibition Street Art yesterday and today, Taglialatella Gallery, specialized in Pop Art, announces for the first time a tribute to one the last movement, as such, artistic and contemporary, crossing frontiers and times: The Street Art.
The purpose of the gallery is to show a thread on the current changes since the 80s in NYC until today and to focus on the influence of Pop Art with headlights artists like Keith Haring and Jean-Michel Basquiat. At first the two artists, who did not claimed themselves at the beginning as Street Artists, took on the street for its visibility so they could express themselves with an artistic vision their messages: they became decades later the spiritual fathers of the movement.
The real craze appears in the early 1990s with headlining artists Banksy and Shepard Fairey. The Street art begins to be democratized and be recognized as a fine art. Since that time, the extent of the movement is continuously growing. Street art is an ephemeral art, but claims to be seen and recognized by everyone. With this universal spirit and popular reach, it has many similarities with the Pop Art.
While presenting several Street Art masterpieces, the exhibition highlights the work of the French artist Kouka who is questioning in his painting the individual place in the society. His researches are based on the quest of identity, particularly when he introduces the writing above his canvas drawings. 
Kouka created a lot of sets in order to criticize the western society controlled by consummation and appearances. He denounces the narrow relationship between culture and consumerism and tries to show their dangerous association for the artistic creation. With the return to a “rough” painting, Kouka tries to break those codes of aestheticism and consumerism.
Kouka @ Street Art yesterday and today by Taglialatella Gallery13 Rue de Picardie Paris 3 - 15.03-26.04.2014Images adapted from photos by Philippe Coutellier, Agnès Laurent & Rery
[more Kouka]
  • INVITATION
For the new exhibition Street Art yesterday and today, Taglialatella Gallery, specialized in Pop Art, announces for the first time a tribute to one the last movement, as such, artistic and contemporary, crossing frontiers and times: The Street Art.
The purpose of the gallery is to show a thread on the current changes since the 80s in NYC until today and to focus on the influence of Pop Art with headlights artists like Keith Haring and Jean-Michel Basquiat. At first the two artists, who did not claimed themselves at the beginning as Street Artists, took on the street for its visibility so they could express themselves with an artistic vision their messages: they became decades later the spiritual fathers of the movement.
The real craze appears in the early 1990s with headlining artists Banksy and Shepard Fairey. The Street art begins to be democratized and be recognized as a fine art. Since that time, the extent of the movement is continuously growing. Street art is an ephemeral art, but claims to be seen and recognized by everyone. With this universal spirit and popular reach, it has many similarities with the Pop Art.
While presenting several Street Art masterpieces, the exhibition highlights the work of the French artist Kouka who is questioning in his painting the individual place in the society. His researches are based on the quest of identity, particularly when he introduces the writing above his canvas drawings. 
Kouka created a lot of sets in order to criticize the western society controlled by consummation and appearances. He denounces the narrow relationship between culture and consumerism and tries to show their dangerous association for the artistic creation. With the return to a “rough” painting, Kouka tries to break those codes of aestheticism and consumerism.
Kouka @ Street Art yesterday and today by Taglialatella Gallery13 Rue de Picardie Paris 3 - 15.03-26.04.2014Images adapted from photos by Philippe Coutellier, Agnès Laurent & Rery
[more Kouka]
  • INVITATION
For the new exhibition Street Art yesterday and today, Taglialatella Gallery, specialized in Pop Art, announces for the first time a tribute to one the last movement, as such, artistic and contemporary, crossing frontiers and times: The Street Art.
The purpose of the gallery is to show a thread on the current changes since the 80s in NYC until today and to focus on the influence of Pop Art with headlights artists like Keith Haring and Jean-Michel Basquiat. At first the two artists, who did not claimed themselves at the beginning as Street Artists, took on the street for its visibility so they could express themselves with an artistic vision their messages: they became decades later the spiritual fathers of the movement.
The real craze appears in the early 1990s with headlining artists Banksy and Shepard Fairey. The Street art begins to be democratized and be recognized as a fine art. Since that time, the extent of the movement is continuously growing. Street art is an ephemeral art, but claims to be seen and recognized by everyone. With this universal spirit and popular reach, it has many similarities with the Pop Art.
While presenting several Street Art masterpieces, the exhibition highlights the work of the French artist Kouka who is questioning in his painting the individual place in the society. His researches are based on the quest of identity, particularly when he introduces the writing above his canvas drawings. 
Kouka created a lot of sets in order to criticize the western society controlled by consummation and appearances. He denounces the narrow relationship between culture and consumerism and tries to show their dangerous association for the artistic creation. With the return to a “rough” painting, Kouka tries to break those codes of aestheticism and consumerism.
Kouka @ Street Art yesterday and today by Taglialatella Gallery13 Rue de Picardie Paris 3 - 15.03-26.04.2014Images adapted from photos by Philippe Coutellier, Agnès Laurent & Rery
[more Kouka]
  • INVITATION
For the new exhibition Street Art yesterday and today, Taglialatella Gallery, specialized in Pop Art, announces for the first time a tribute to one the last movement, as such, artistic and contemporary, crossing frontiers and times: The Street Art.
The purpose of the gallery is to show a thread on the current changes since the 80s in NYC until today and to focus on the influence of Pop Art with headlights artists like Keith Haring and Jean-Michel Basquiat. At first the two artists, who did not claimed themselves at the beginning as Street Artists, took on the street for its visibility so they could express themselves with an artistic vision their messages: they became decades later the spiritual fathers of the movement.
The real craze appears in the early 1990s with headlining artists Banksy and Shepard Fairey. The Street art begins to be democratized and be recognized as a fine art. Since that time, the extent of the movement is continuously growing. Street art is an ephemeral art, but claims to be seen and recognized by everyone. With this universal spirit and popular reach, it has many similarities with the Pop Art.
While presenting several Street Art masterpieces, the exhibition highlights the work of the French artist Kouka who is questioning in his painting the individual place in the society. His researches are based on the quest of identity, particularly when he introduces the writing above his canvas drawings. 
Kouka created a lot of sets in order to criticize the western society controlled by consummation and appearances. He denounces the narrow relationship between culture and consumerism and tries to show their dangerous association for the artistic creation. With the return to a “rough” painting, Kouka tries to break those codes of aestheticism and consumerism.
Kouka @ Street Art yesterday and today by Taglialatella Gallery13 Rue de Picardie Paris 3 - 15.03-26.04.2014Images adapted from photos by Philippe Coutellier, Agnès Laurent & Rery
[more Kouka]
  • INVITATION
For the new exhibition Street Art yesterday and today, Taglialatella Gallery, specialized in Pop Art, announces for the first time a tribute to one the last movement, as such, artistic and contemporary, crossing frontiers and times: The Street Art.
The purpose of the gallery is to show a thread on the current changes since the 80s in NYC until today and to focus on the influence of Pop Art with headlights artists like Keith Haring and Jean-Michel Basquiat. At first the two artists, who did not claimed themselves at the beginning as Street Artists, took on the street for its visibility so they could express themselves with an artistic vision their messages: they became decades later the spiritual fathers of the movement.
The real craze appears in the early 1990s with headlining artists Banksy and Shepard Fairey. The Street art begins to be democratized and be recognized as a fine art. Since that time, the extent of the movement is continuously growing. Street art is an ephemeral art, but claims to be seen and recognized by everyone. With this universal spirit and popular reach, it has many similarities with the Pop Art.
While presenting several Street Art masterpieces, the exhibition highlights the work of the French artist Kouka who is questioning in his painting the individual place in the society. His researches are based on the quest of identity, particularly when he introduces the writing above his canvas drawings. 
Kouka created a lot of sets in order to criticize the western society controlled by consummation and appearances. He denounces the narrow relationship between culture and consumerism and tries to show their dangerous association for the artistic creation. With the return to a “rough” painting, Kouka tries to break those codes of aestheticism and consumerism.
Kouka @ Street Art yesterday and today by Taglialatella Gallery13 Rue de Picardie Paris 3 - 15.03-26.04.2014Images adapted from photos by Philippe Coutellier, Agnès Laurent & Rery
[more Kouka]
  • INVITATION
For the new exhibition Street Art yesterday and today, Taglialatella Gallery, specialized in Pop Art, announces for the first time a tribute to one the last movement, as such, artistic and contemporary, crossing frontiers and times: The Street Art.
The purpose of the gallery is to show a thread on the current changes since the 80s in NYC until today and to focus on the influence of Pop Art with headlights artists like Keith Haring and Jean-Michel Basquiat. At first the two artists, who did not claimed themselves at the beginning as Street Artists, took on the street for its visibility so they could express themselves with an artistic vision their messages: they became decades later the spiritual fathers of the movement.
The real craze appears in the early 1990s with headlining artists Banksy and Shepard Fairey. The Street art begins to be democratized and be recognized as a fine art. Since that time, the extent of the movement is continuously growing. Street art is an ephemeral art, but claims to be seen and recognized by everyone. With this universal spirit and popular reach, it has many similarities with the Pop Art.
While presenting several Street Art masterpieces, the exhibition highlights the work of the French artist Kouka who is questioning in his painting the individual place in the society. His researches are based on the quest of identity, particularly when he introduces the writing above his canvas drawings. 
Kouka created a lot of sets in order to criticize the western society controlled by consummation and appearances. He denounces the narrow relationship between culture and consumerism and tries to show their dangerous association for the artistic creation. With the return to a “rough” painting, Kouka tries to break those codes of aestheticism and consumerism.
Kouka @ Street Art yesterday and today by Taglialatella Gallery13 Rue de Picardie Paris 3 - 15.03-26.04.2014Images adapted from photos by Philippe Coutellier, Agnès Laurent & Rery
[more Kouka]
  • INVITATION
For the new exhibition Street Art yesterday and today, Taglialatella Gallery, specialized in Pop Art, announces for the first time a tribute to one the last movement, as such, artistic and contemporary, crossing frontiers and times: The Street Art.
The purpose of the gallery is to show a thread on the current changes since the 80s in NYC until today and to focus on the influence of Pop Art with headlights artists like Keith Haring and Jean-Michel Basquiat. At first the two artists, who did not claimed themselves at the beginning as Street Artists, took on the street for its visibility so they could express themselves with an artistic vision their messages: they became decades later the spiritual fathers of the movement.
The real craze appears in the early 1990s with headlining artists Banksy and Shepard Fairey. The Street art begins to be democratized and be recognized as a fine art. Since that time, the extent of the movement is continuously growing. Street art is an ephemeral art, but claims to be seen and recognized by everyone. With this universal spirit and popular reach, it has many similarities with the Pop Art.
While presenting several Street Art masterpieces, the exhibition highlights the work of the French artist Kouka who is questioning in his painting the individual place in the society. His researches are based on the quest of identity, particularly when he introduces the writing above his canvas drawings. 
Kouka created a lot of sets in order to criticize the western society controlled by consummation and appearances. He denounces the narrow relationship between culture and consumerism and tries to show their dangerous association for the artistic creation. With the return to a “rough” painting, Kouka tries to break those codes of aestheticism and consumerism.
Kouka @ Street Art yesterday and today by Taglialatella Gallery13 Rue de Picardie Paris 3 - 15.03-26.04.2014Images adapted from photos by Philippe Coutellier, Agnès Laurent & Rery
[more Kouka]
  • INVITATION
For the new exhibition Street Art yesterday and today, Taglialatella Gallery, specialized in Pop Art, announces for the first time a tribute to one the last movement, as such, artistic and contemporary, crossing frontiers and times: The Street Art.
The purpose of the gallery is to show a thread on the current changes since the 80s in NYC until today and to focus on the influence of Pop Art with headlights artists like Keith Haring and Jean-Michel Basquiat. At first the two artists, who did not claimed themselves at the beginning as Street Artists, took on the street for its visibility so they could express themselves with an artistic vision their messages: they became decades later the spiritual fathers of the movement.
The real craze appears in the early 1990s with headlining artists Banksy and Shepard Fairey. The Street art begins to be democratized and be recognized as a fine art. Since that time, the extent of the movement is continuously growing. Street art is an ephemeral art, but claims to be seen and recognized by everyone. With this universal spirit and popular reach, it has many similarities with the Pop Art.
While presenting several Street Art masterpieces, the exhibition highlights the work of the French artist Kouka who is questioning in his painting the individual place in the society. His researches are based on the quest of identity, particularly when he introduces the writing above his canvas drawings. 
Kouka created a lot of sets in order to criticize the western society controlled by consummation and appearances. He denounces the narrow relationship between culture and consumerism and tries to show their dangerous association for the artistic creation. With the return to a “rough” painting, Kouka tries to break those codes of aestheticism and consumerism.
Kouka @ Street Art yesterday and today by Taglialatella Gallery13 Rue de Picardie Paris 3 - 15.03-26.04.2014Images adapted from photos by Philippe Coutellier, Agnès Laurent & Rery
[more Kouka]
  • INVITATION
For the new exhibition Street Art yesterday and today, Taglialatella Gallery, specialized in Pop Art, announces for the first time a tribute to one the last movement, as such, artistic and contemporary, crossing frontiers and times: The Street Art.
The purpose of the gallery is to show a thread on the current changes since the 80s in NYC until today and to focus on the influence of Pop Art with headlights artists like Keith Haring and Jean-Michel Basquiat. At first the two artists, who did not claimed themselves at the beginning as Street Artists, took on the street for its visibility so they could express themselves with an artistic vision their messages: they became decades later the spiritual fathers of the movement.
The real craze appears in the early 1990s with headlining artists Banksy and Shepard Fairey. The Street art begins to be democratized and be recognized as a fine art. Since that time, the extent of the movement is continuously growing. Street art is an ephemeral art, but claims to be seen and recognized by everyone. With this universal spirit and popular reach, it has many similarities with the Pop Art.
While presenting several Street Art masterpieces, the exhibition highlights the work of the French artist Kouka who is questioning in his painting the individual place in the society. His researches are based on the quest of identity, particularly when he introduces the writing above his canvas drawings. 
Kouka created a lot of sets in order to criticize the western society controlled by consummation and appearances. He denounces the narrow relationship between culture and consumerism and tries to show their dangerous association for the artistic creation. With the return to a “rough” painting, Kouka tries to break those codes of aestheticism and consumerism.
Kouka @ Street Art yesterday and today by Taglialatella Gallery13 Rue de Picardie Paris 3 - 15.03-26.04.2014Images adapted from photos by Philippe Coutellier, Agnès Laurent & Rery
[more Kouka]
  • INVITATION
For the new exhibition Street Art yesterday and today, Taglialatella Gallery, specialized in Pop Art, announces for the first time a tribute to one the last movement, as such, artistic and contemporary, crossing frontiers and times: The Street Art.
The purpose of the gallery is to show a thread on the current changes since the 80s in NYC until today and to focus on the influence of Pop Art with headlights artists like Keith Haring and Jean-Michel Basquiat. At first the two artists, who did not claimed themselves at the beginning as Street Artists, took on the street for its visibility so they could express themselves with an artistic vision their messages: they became decades later the spiritual fathers of the movement.
The real craze appears in the early 1990s with headlining artists Banksy and Shepard Fairey. The Street art begins to be democratized and be recognized as a fine art. Since that time, the extent of the movement is continuously growing. Street art is an ephemeral art, but claims to be seen and recognized by everyone. With this universal spirit and popular reach, it has many similarities with the Pop Art.
While presenting several Street Art masterpieces, the exhibition highlights the work of the French artist Kouka who is questioning in his painting the individual place in the society. His researches are based on the quest of identity, particularly when he introduces the writing above his canvas drawings. 
Kouka created a lot of sets in order to criticize the western society controlled by consummation and appearances. He denounces the narrow relationship between culture and consumerism and tries to show their dangerous association for the artistic creation. With the return to a “rough” painting, Kouka tries to break those codes of aestheticism and consumerism.
Kouka @ Street Art yesterday and today by Taglialatella Gallery13 Rue de Picardie Paris 3 - 15.03-26.04.2014Images adapted from photos by Philippe Coutellier, Agnès Laurent & Rery
[more Kouka]
  • INVITATION
For the new exhibition Street Art yesterday and today, Taglialatella Gallery, specialized in Pop Art, announces for the first time a tribute to one the last movement, as such, artistic and contemporary, crossing frontiers and times: The Street Art.
The purpose of the gallery is to show a thread on the current changes since the 80s in NYC until today and to focus on the influence of Pop Art with headlights artists like Keith Haring and Jean-Michel Basquiat. At first the two artists, who did not claimed themselves at the beginning as Street Artists, took on the street for its visibility so they could express themselves with an artistic vision their messages: they became decades later the spiritual fathers of the movement.
The real craze appears in the early 1990s with headlining artists Banksy and Shepard Fairey. The Street art begins to be democratized and be recognized as a fine art. Since that time, the extent of the movement is continuously growing. Street art is an ephemeral art, but claims to be seen and recognized by everyone. With this universal spirit and popular reach, it has many similarities with the Pop Art.
While presenting several Street Art masterpieces, the exhibition highlights the work of the French artist Kouka who is questioning in his painting the individual place in the society. His researches are based on the quest of identity, particularly when he introduces the writing above his canvas drawings. 
Kouka created a lot of sets in order to criticize the western society controlled by consummation and appearances. He denounces the narrow relationship between culture and consumerism and tries to show their dangerous association for the artistic creation. With the return to a “rough” painting, Kouka tries to break those codes of aestheticism and consumerism.
Kouka @ Street Art yesterday and today by Taglialatella Gallery13 Rue de Picardie Paris 3 - 15.03-26.04.2014Images adapted from photos by Philippe Coutellier, Agnès Laurent & Rery
[more Kouka]
INVITATION
For the new exhibition Street Art yesterday and today, Taglialatella Gallery, specialized in Pop Art, announces for the first time a tribute to one the last movement, as such, artistic and contemporary, crossing frontiers and times: The Street Art.
The purpose of the gallery is to show a thread on the current changes since the 80s in NYC until today and to focus on the influence of Pop Art with headlights artists like Keith Haring and Jean-Michel Basquiat. At first the two artists, who did not claimed themselves at the beginning as Street Artists, took on the street for its visibility so they could express themselves with an artistic vision their messages: they became decades later the spiritual fathers of the movement.
The real craze appears in the early 1990s with headlining artists Banksy and Shepard Fairey. The Street art begins to be democratized and be recognized as a fine art. Since that time, the extent of the movement is continuously growing. Street art is an ephemeral art, but claims to be seen and recognized by everyone. With this universal spirit and popular reach, it has many similarities with the Pop Art.
While presenting several Street Art masterpieces, the exhibition highlights the work of the French artist Kouka who is questioning in his painting the individual place in the society. His researches are based on the quest of identity, particularly when he introduces the writing above his canvas drawings. 
Kouka created a lot of sets in order to criticize the western society controlled by consummation and appearances. He denounces the narrow relationship between culture and consumerism and tries to show their dangerous association for the artistic creation. With the return to a “rough” painting, Kouka tries to break those codes of aestheticism and consumerism.
Kouka @ Street Art yesterday and today by Taglialatella Gallery13 Rue de Picardie Paris 3 - 15.03-26.04.2014Images adapted from photos by Philippe Coutellier, Agnès Laurent & Rery
[more Kouka] INVITATION
For the new exhibition Street Art yesterday and today, Taglialatella Gallery, specialized in Pop Art, announces for the first time a tribute to one the last movement, as such, artistic and contemporary, crossing frontiers and times: The Street Art.
The purpose of the gallery is to show a thread on the current changes since the 80s in NYC until today and to focus on the influence of Pop Art with headlights artists like Keith Haring and Jean-Michel Basquiat. At first the two artists, who did not claimed themselves at the beginning as Street Artists, took on the street for its visibility so they could express themselves with an artistic vision their messages: they became decades later the spiritual fathers of the movement.
The real craze appears in the early 1990s with headlining artists Banksy and Shepard Fairey. The Street art begins to be democratized and be recognized as a fine art. Since that time, the extent of the movement is continuously growing. Street art is an ephemeral art, but claims to be seen and recognized by everyone. With this universal spirit and popular reach, it has many similarities with the Pop Art.
While presenting several Street Art masterpieces, the exhibition highlights the work of the French artist Kouka who is questioning in his painting the individual place in the society. His researches are based on the quest of identity, particularly when he introduces the writing above his canvas drawings. 
Kouka created a lot of sets in order to criticize the western society controlled by consummation and appearances. He denounces the narrow relationship between culture and consumerism and tries to show their dangerous association for the artistic creation. With the return to a “rough” painting, Kouka tries to break those codes of aestheticism and consumerism.
Kouka @ Street Art yesterday and today by Taglialatella Gallery13 Rue de Picardie Paris 3 - 15.03-26.04.2014Images adapted from photos by Philippe Coutellier, Agnès Laurent & Rery
[more Kouka] INVITATION
For the new exhibition Street Art yesterday and today, Taglialatella Gallery, specialized in Pop Art, announces for the first time a tribute to one the last movement, as such, artistic and contemporary, crossing frontiers and times: The Street Art.
The purpose of the gallery is to show a thread on the current changes since the 80s in NYC until today and to focus on the influence of Pop Art with headlights artists like Keith Haring and Jean-Michel Basquiat. At first the two artists, who did not claimed themselves at the beginning as Street Artists, took on the street for its visibility so they could express themselves with an artistic vision their messages: they became decades later the spiritual fathers of the movement.
The real craze appears in the early 1990s with headlining artists Banksy and Shepard Fairey. The Street art begins to be democratized and be recognized as a fine art. Since that time, the extent of the movement is continuously growing. Street art is an ephemeral art, but claims to be seen and recognized by everyone. With this universal spirit and popular reach, it has many similarities with the Pop Art.
While presenting several Street Art masterpieces, the exhibition highlights the work of the French artist Kouka who is questioning in his painting the individual place in the society. His researches are based on the quest of identity, particularly when he introduces the writing above his canvas drawings. 
Kouka created a lot of sets in order to criticize the western society controlled by consummation and appearances. He denounces the narrow relationship between culture and consumerism and tries to show their dangerous association for the artistic creation. With the return to a “rough” painting, Kouka tries to break those codes of aestheticism and consumerism.
Kouka @ Street Art yesterday and today by Taglialatella Gallery13 Rue de Picardie Paris 3 - 15.03-26.04.2014Images adapted from photos by Philippe Coutellier, Agnès Laurent & Rery
[more Kouka] INVITATION
For the new exhibition Street Art yesterday and today, Taglialatella Gallery, specialized in Pop Art, announces for the first time a tribute to one the last movement, as such, artistic and contemporary, crossing frontiers and times: The Street Art.
The purpose of the gallery is to show a thread on the current changes since the 80s in NYC until today and to focus on the influence of Pop Art with headlights artists like Keith Haring and Jean-Michel Basquiat. At first the two artists, who did not claimed themselves at the beginning as Street Artists, took on the street for its visibility so they could express themselves with an artistic vision their messages: they became decades later the spiritual fathers of the movement.
The real craze appears in the early 1990s with headlining artists Banksy and Shepard Fairey. The Street art begins to be democratized and be recognized as a fine art. Since that time, the extent of the movement is continuously growing. Street art is an ephemeral art, but claims to be seen and recognized by everyone. With this universal spirit and popular reach, it has many similarities with the Pop Art.
While presenting several Street Art masterpieces, the exhibition highlights the work of the French artist Kouka who is questioning in his painting the individual place in the society. His researches are based on the quest of identity, particularly when he introduces the writing above his canvas drawings. 
Kouka created a lot of sets in order to criticize the western society controlled by consummation and appearances. He denounces the narrow relationship between culture and consumerism and tries to show their dangerous association for the artistic creation. With the return to a “rough” painting, Kouka tries to break those codes of aestheticism and consumerism.
Kouka @ Street Art yesterday and today by Taglialatella Gallery13 Rue de Picardie Paris 3 - 15.03-26.04.2014Images adapted from photos by Philippe Coutellier, Agnès Laurent & Rery
[more Kouka] INVITATION
For the new exhibition Street Art yesterday and today, Taglialatella Gallery, specialized in Pop Art, announces for the first time a tribute to one the last movement, as such, artistic and contemporary, crossing frontiers and times: The Street Art.
The purpose of the gallery is to show a thread on the current changes since the 80s in NYC until today and to focus on the influence of Pop Art with headlights artists like Keith Haring and Jean-Michel Basquiat. At first the two artists, who did not claimed themselves at the beginning as Street Artists, took on the street for its visibility so they could express themselves with an artistic vision their messages: they became decades later the spiritual fathers of the movement.
The real craze appears in the early 1990s with headlining artists Banksy and Shepard Fairey. The Street art begins to be democratized and be recognized as a fine art. Since that time, the extent of the movement is continuously growing. Street art is an ephemeral art, but claims to be seen and recognized by everyone. With this universal spirit and popular reach, it has many similarities with the Pop Art.
While presenting several Street Art masterpieces, the exhibition highlights the work of the French artist Kouka who is questioning in his painting the individual place in the society. His researches are based on the quest of identity, particularly when he introduces the writing above his canvas drawings. 
Kouka created a lot of sets in order to criticize the western society controlled by consummation and appearances. He denounces the narrow relationship between culture and consumerism and tries to show their dangerous association for the artistic creation. With the return to a “rough” painting, Kouka tries to break those codes of aestheticism and consumerism.
Kouka @ Street Art yesterday and today by Taglialatella Gallery13 Rue de Picardie Paris 3 - 15.03-26.04.2014Images adapted from photos by Philippe Coutellier, Agnès Laurent & Rery
[more Kouka] INVITATION
For the new exhibition Street Art yesterday and today, Taglialatella Gallery, specialized in Pop Art, announces for the first time a tribute to one the last movement, as such, artistic and contemporary, crossing frontiers and times: The Street Art.
The purpose of the gallery is to show a thread on the current changes since the 80s in NYC until today and to focus on the influence of Pop Art with headlights artists like Keith Haring and Jean-Michel Basquiat. At first the two artists, who did not claimed themselves at the beginning as Street Artists, took on the street for its visibility so they could express themselves with an artistic vision their messages: they became decades later the spiritual fathers of the movement.
The real craze appears in the early 1990s with headlining artists Banksy and Shepard Fairey. The Street art begins to be democratized and be recognized as a fine art. Since that time, the extent of the movement is continuously growing. Street art is an ephemeral art, but claims to be seen and recognized by everyone. With this universal spirit and popular reach, it has many similarities with the Pop Art.
While presenting several Street Art masterpieces, the exhibition highlights the work of the French artist Kouka who is questioning in his painting the individual place in the society. His researches are based on the quest of identity, particularly when he introduces the writing above his canvas drawings. 
Kouka created a lot of sets in order to criticize the western society controlled by consummation and appearances. He denounces the narrow relationship between culture and consumerism and tries to show their dangerous association for the artistic creation. With the return to a “rough” painting, Kouka tries to break those codes of aestheticism and consumerism.
Kouka @ Street Art yesterday and today by Taglialatella Gallery13 Rue de Picardie Paris 3 - 15.03-26.04.2014Images adapted from photos by Philippe Coutellier, Agnès Laurent & Rery
[more Kouka]
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Marion Tivital (France)
French artist Marion Tivital paints the “remains” of industrial development in landscapes, all the factories, warehouses, silos that literally took place in the surroundings and became part of landscapes such as huts and fences, fields and pathways. In Tivital’s works, painted in a reduced style with minimalistic forms and muted colours, these structures develop an intriguing, almost meditative quality – a reference to her introspective approach: She tries to capture and re-create emotions and sensations, memories and thoughts which she encounters when outdoors. Furthermore it is the relationship between light and shadow which she is exploring tirelessly. She says: “I appreciate the poetry of the commonplace, the motionless and the invisible. I am interested in what stands humbly in the shadows, what we do not notice. The topics that inspire me are evident in the world where you live, but you don’t notice them anymore. I love taking the time to contemplate and discover their hidden beauty.” (Text by Simone Kraft) Marion currently works and resides in Paris and will be having a solo show at GNG Gallery, Paris.
images © Marion Tivital provided by Artist
Marion Tivital @ GNG Gallery5 December to 4 January 20143 rue Visconti 75006 ParisOpening cocktail with the artist present on Thursday 5 December from 7PM
[more Marion Tivital]
  • INVITATION
Marion Tivital (France)
French artist Marion Tivital paints the “remains” of industrial development in landscapes, all the factories, warehouses, silos that literally took place in the surroundings and became part of landscapes such as huts and fences, fields and pathways. In Tivital’s works, painted in a reduced style with minimalistic forms and muted colours, these structures develop an intriguing, almost meditative quality – a reference to her introspective approach: She tries to capture and re-create emotions and sensations, memories and thoughts which she encounters when outdoors. Furthermore it is the relationship between light and shadow which she is exploring tirelessly. She says: “I appreciate the poetry of the commonplace, the motionless and the invisible. I am interested in what stands humbly in the shadows, what we do not notice. The topics that inspire me are evident in the world where you live, but you don’t notice them anymore. I love taking the time to contemplate and discover their hidden beauty.” (Text by Simone Kraft) Marion currently works and resides in Paris and will be having a solo show at GNG Gallery, Paris.
images © Marion Tivital provided by Artist
Marion Tivital @ GNG Gallery5 December to 4 January 20143 rue Visconti 75006 ParisOpening cocktail with the artist present on Thursday 5 December from 7PM
[more Marion Tivital]
  • INVITATION
Marion Tivital (France)
French artist Marion Tivital paints the “remains” of industrial development in landscapes, all the factories, warehouses, silos that literally took place in the surroundings and became part of landscapes such as huts and fences, fields and pathways. In Tivital’s works, painted in a reduced style with minimalistic forms and muted colours, these structures develop an intriguing, almost meditative quality – a reference to her introspective approach: She tries to capture and re-create emotions and sensations, memories and thoughts which she encounters when outdoors. Furthermore it is the relationship between light and shadow which she is exploring tirelessly. She says: “I appreciate the poetry of the commonplace, the motionless and the invisible. I am interested in what stands humbly in the shadows, what we do not notice. The topics that inspire me are evident in the world where you live, but you don’t notice them anymore. I love taking the time to contemplate and discover their hidden beauty.” (Text by Simone Kraft) Marion currently works and resides in Paris and will be having a solo show at GNG Gallery, Paris.
images © Marion Tivital provided by Artist
Marion Tivital @ GNG Gallery5 December to 4 January 20143 rue Visconti 75006 ParisOpening cocktail with the artist present on Thursday 5 December from 7PM
[more Marion Tivital]
  • INVITATION
Marion Tivital (France)
French artist Marion Tivital paints the “remains” of industrial development in landscapes, all the factories, warehouses, silos that literally took place in the surroundings and became part of landscapes such as huts and fences, fields and pathways. In Tivital’s works, painted in a reduced style with minimalistic forms and muted colours, these structures develop an intriguing, almost meditative quality – a reference to her introspective approach: She tries to capture and re-create emotions and sensations, memories and thoughts which she encounters when outdoors. Furthermore it is the relationship between light and shadow which she is exploring tirelessly. She says: “I appreciate the poetry of the commonplace, the motionless and the invisible. I am interested in what stands humbly in the shadows, what we do not notice. The topics that inspire me are evident in the world where you live, but you don’t notice them anymore. I love taking the time to contemplate and discover their hidden beauty.” (Text by Simone Kraft) Marion currently works and resides in Paris and will be having a solo show at GNG Gallery, Paris.
images © Marion Tivital provided by Artist
Marion Tivital @ GNG Gallery5 December to 4 January 20143 rue Visconti 75006 ParisOpening cocktail with the artist present on Thursday 5 December from 7PM
[more Marion Tivital]
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Marion Tivital (France)
French artist Marion Tivital paints the “remains” of industrial development in landscapes, all the factories, warehouses, silos that literally took place in the surroundings and became part of landscapes such as huts and fences, fields and pathways. In Tivital’s works, painted in a reduced style with minimalistic forms and muted colours, these structures develop an intriguing, almost meditative quality – a reference to her introspective approach: She tries to capture and re-create emotions and sensations, memories and thoughts which she encounters when outdoors. Furthermore it is the relationship between light and shadow which she is exploring tirelessly. She says: “I appreciate the poetry of the commonplace, the motionless and the invisible. I am interested in what stands humbly in the shadows, what we do not notice. The topics that inspire me are evident in the world where you live, but you don’t notice them anymore. I love taking the time to contemplate and discover their hidden beauty.” (Text by Simone Kraft) Marion currently works and resides in Paris and will be having a solo show at GNG Gallery, Paris.
images © Marion Tivital provided by Artist
Marion Tivital @ GNG Gallery5 December to 4 January 20143 rue Visconti 75006 ParisOpening cocktail with the artist present on Thursday 5 December from 7PM
[more Marion Tivital]
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Marion Tivital (France)
French artist Marion Tivital paints the “remains” of industrial development in landscapes, all the factories, warehouses, silos that literally took place in the surroundings and became part of landscapes such as huts and fences, fields and pathways. In Tivital’s works, painted in a reduced style with minimalistic forms and muted colours, these structures develop an intriguing, almost meditative quality – a reference to her introspective approach: She tries to capture and re-create emotions and sensations, memories and thoughts which she encounters when outdoors. Furthermore it is the relationship between light and shadow which she is exploring tirelessly. She says: “I appreciate the poetry of the commonplace, the motionless and the invisible. I am interested in what stands humbly in the shadows, what we do not notice. The topics that inspire me are evident in the world where you live, but you don’t notice them anymore. I love taking the time to contemplate and discover their hidden beauty.” (Text by Simone Kraft) Marion currently works and resides in Paris and will be having a solo show at GNG Gallery, Paris.
images © Marion Tivital provided by Artist
Marion Tivital @ GNG Gallery5 December to 4 January 20143 rue Visconti 75006 ParisOpening cocktail with the artist present on Thursday 5 December from 7PM
[more Marion Tivital]
  • INVITATION
Marion Tivital (France)
French artist Marion Tivital paints the “remains” of industrial development in landscapes, all the factories, warehouses, silos that literally took place in the surroundings and became part of landscapes such as huts and fences, fields and pathways. In Tivital’s works, painted in a reduced style with minimalistic forms and muted colours, these structures develop an intriguing, almost meditative quality – a reference to her introspective approach: She tries to capture and re-create emotions and sensations, memories and thoughts which she encounters when outdoors. Furthermore it is the relationship between light and shadow which she is exploring tirelessly. She says: “I appreciate the poetry of the commonplace, the motionless and the invisible. I am interested in what stands humbly in the shadows, what we do not notice. The topics that inspire me are evident in the world where you live, but you don’t notice them anymore. I love taking the time to contemplate and discover their hidden beauty.” (Text by Simone Kraft) Marion currently works and resides in Paris and will be having a solo show at GNG Gallery, Paris.
images © Marion Tivital provided by Artist
Marion Tivital @ GNG Gallery5 December to 4 January 20143 rue Visconti 75006 ParisOpening cocktail with the artist present on Thursday 5 December from 7PM
[more Marion Tivital]
  • INVITATION
Marion Tivital (France)
French artist Marion Tivital paints the “remains” of industrial development in landscapes, all the factories, warehouses, silos that literally took place in the surroundings and became part of landscapes such as huts and fences, fields and pathways. In Tivital’s works, painted in a reduced style with minimalistic forms and muted colours, these structures develop an intriguing, almost meditative quality – a reference to her introspective approach: She tries to capture and re-create emotions and sensations, memories and thoughts which she encounters when outdoors. Furthermore it is the relationship between light and shadow which she is exploring tirelessly. She says: “I appreciate the poetry of the commonplace, the motionless and the invisible. I am interested in what stands humbly in the shadows, what we do not notice. The topics that inspire me are evident in the world where you live, but you don’t notice them anymore. I love taking the time to contemplate and discover their hidden beauty.” (Text by Simone Kraft) Marion currently works and resides in Paris and will be having a solo show at GNG Gallery, Paris.
images © Marion Tivital provided by Artist
Marion Tivital @ GNG Gallery5 December to 4 January 20143 rue Visconti 75006 ParisOpening cocktail with the artist present on Thursday 5 December from 7PM
[more Marion Tivital]
INVITATION
Marion Tivital (France)
French artist Marion Tivital paints the “remains” of industrial development in landscapes, all the factories, warehouses, silos that literally took place in the surroundings and became part of landscapes such as huts and fences, fields and pathways. In Tivital’s works, painted in a reduced style with minimalistic forms and muted colours, these structures develop an intriguing, almost meditative quality – a reference to her introspective approach: She tries to capture and re-create emotions and sensations, memories and thoughts which she encounters when outdoors. Furthermore it is the relationship between light and shadow which she is exploring tirelessly. She says: “I appreciate the poetry of the commonplace, the motionless and the invisible. I am interested in what stands humbly in the shadows, what we do not notice. The topics that inspire me are evident in the world where you live, but you don’t notice them anymore. I love taking the time to contemplate and discover their hidden beauty.” (Text by Simone Kraft) Marion currently works and resides in Paris and will be having a solo show at GNG Gallery, Paris.
images © Marion Tivital provided by Artist
Marion Tivital @ GNG Gallery5 December to 4 January 20143 rue Visconti 75006 ParisOpening cocktail with the artist present on Thursday 5 December from 7PM
[more Marion Tivital] INVITATION
Marion Tivital (France)
French artist Marion Tivital paints the “remains” of industrial development in landscapes, all the factories, warehouses, silos that literally took place in the surroundings and became part of landscapes such as huts and fences, fields and pathways. In Tivital’s works, painted in a reduced style with minimalistic forms and muted colours, these structures develop an intriguing, almost meditative quality – a reference to her introspective approach: She tries to capture and re-create emotions and sensations, memories and thoughts which she encounters when outdoors. Furthermore it is the relationship between light and shadow which she is exploring tirelessly. She says: “I appreciate the poetry of the commonplace, the motionless and the invisible. I am interested in what stands humbly in the shadows, what we do not notice. The topics that inspire me are evident in the world where you live, but you don’t notice them anymore. I love taking the time to contemplate and discover their hidden beauty.” (Text by Simone Kraft) Marion currently works and resides in Paris and will be having a solo show at GNG Gallery, Paris.
images © Marion Tivital provided by Artist
Marion Tivital @ GNG Gallery5 December to 4 January 20143 rue Visconti 75006 ParisOpening cocktail with the artist present on Thursday 5 December from 7PM
[more Marion Tivital] INVITATION
Marion Tivital (France)
French artist Marion Tivital paints the “remains” of industrial development in landscapes, all the factories, warehouses, silos that literally took place in the surroundings and became part of landscapes such as huts and fences, fields and pathways. In Tivital’s works, painted in a reduced style with minimalistic forms and muted colours, these structures develop an intriguing, almost meditative quality – a reference to her introspective approach: She tries to capture and re-create emotions and sensations, memories and thoughts which she encounters when outdoors. Furthermore it is the relationship between light and shadow which she is exploring tirelessly. She says: “I appreciate the poetry of the commonplace, the motionless and the invisible. I am interested in what stands humbly in the shadows, what we do not notice. The topics that inspire me are evident in the world where you live, but you don’t notice them anymore. I love taking the time to contemplate and discover their hidden beauty.” (Text by Simone Kraft) Marion currently works and resides in Paris and will be having a solo show at GNG Gallery, Paris.
images © Marion Tivital provided by Artist
Marion Tivital @ GNG Gallery5 December to 4 January 20143 rue Visconti 75006 ParisOpening cocktail with the artist present on Thursday 5 December from 7PM
[more Marion Tivital] INVITATION
Marion Tivital (France)
French artist Marion Tivital paints the “remains” of industrial development in landscapes, all the factories, warehouses, silos that literally took place in the surroundings and became part of landscapes such as huts and fences, fields and pathways. In Tivital’s works, painted in a reduced style with minimalistic forms and muted colours, these structures develop an intriguing, almost meditative quality – a reference to her introspective approach: She tries to capture and re-create emotions and sensations, memories and thoughts which she encounters when outdoors. Furthermore it is the relationship between light and shadow which she is exploring tirelessly. She says: “I appreciate the poetry of the commonplace, the motionless and the invisible. I am interested in what stands humbly in the shadows, what we do not notice. The topics that inspire me are evident in the world where you live, but you don’t notice them anymore. I love taking the time to contemplate and discover their hidden beauty.” (Text by Simone Kraft) Marion currently works and resides in Paris and will be having a solo show at GNG Gallery, Paris.
images © Marion Tivital provided by Artist
Marion Tivital @ GNG Gallery5 December to 4 January 20143 rue Visconti 75006 ParisOpening cocktail with the artist present on Thursday 5 December from 7PM
[more Marion Tivital]
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François Réau (b.1978, France) - La forme précise du rêve en exposition
Penumbra II. Mine de plomb sur papier, 56,5×76,5 cm (2012)Sans titre. Mine de plomb sur papier, 76,5×56,5 cm (2013)Sans titre, reflets. Mine de plomb sur papier, 46×38 cm (2013)Photographie Fanny Bégoin
François Réau @ Galerie Felli14 November - 6 December 2013127 rue Vieille du Temple 75003 ParisOpening cocktail on Thursday 14 November from 7PM
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François Réau (b.1978, France) - La forme précise du rêve en exposition
Penumbra II. Mine de plomb sur papier, 56,5×76,5 cm (2012)Sans titre. Mine de plomb sur papier, 76,5×56,5 cm (2013)Sans titre, reflets. Mine de plomb sur papier, 46×38 cm (2013)Photographie Fanny Bégoin
François Réau @ Galerie Felli14 November - 6 December 2013127 rue Vieille du Temple 75003 ParisOpening cocktail on Thursday 14 November from 7PM
[more François Réau]
  • INVITATION
François Réau (b.1978, France) - La forme précise du rêve en exposition
Penumbra II. Mine de plomb sur papier, 56,5×76,5 cm (2012)Sans titre. Mine de plomb sur papier, 76,5×56,5 cm (2013)Sans titre, reflets. Mine de plomb sur papier, 46×38 cm (2013)Photographie Fanny Bégoin
François Réau @ Galerie Felli14 November - 6 December 2013127 rue Vieille du Temple 75003 ParisOpening cocktail on Thursday 14 November from 7PM
[more François Réau]
  • INVITATION
François Réau (b.1978, France) - La forme précise du rêve en exposition
Penumbra II. Mine de plomb sur papier, 56,5×76,5 cm (2012)Sans titre. Mine de plomb sur papier, 76,5×56,5 cm (2013)Sans titre, reflets. Mine de plomb sur papier, 46×38 cm (2013)Photographie Fanny Bégoin
François Réau @ Galerie Felli14 November - 6 December 2013127 rue Vieille du Temple 75003 ParisOpening cocktail on Thursday 14 November from 7PM
[more François Réau]
  • INVITATION
François Réau (b.1978, France) - La forme précise du rêve en exposition
Penumbra II. Mine de plomb sur papier, 56,5×76,5 cm (2012)Sans titre. Mine de plomb sur papier, 76,5×56,5 cm (2013)Sans titre, reflets. Mine de plomb sur papier, 46×38 cm (2013)Photographie Fanny Bégoin
François Réau @ Galerie Felli14 November - 6 December 2013127 rue Vieille du Temple 75003 ParisOpening cocktail on Thursday 14 November from 7PM
[more François Réau]
  • INVITATION
François Réau (b.1978, France) - La forme précise du rêve en exposition
Penumbra II. Mine de plomb sur papier, 56,5×76,5 cm (2012)Sans titre. Mine de plomb sur papier, 76,5×56,5 cm (2013)Sans titre, reflets. Mine de plomb sur papier, 46×38 cm (2013)Photographie Fanny Bégoin
François Réau @ Galerie Felli14 November - 6 December 2013127 rue Vieille du Temple 75003 ParisOpening cocktail on Thursday 14 November from 7PM
[more François Réau]
  • INVITATION
François Réau (b.1978, France) - La forme précise du rêve en exposition
Penumbra II. Mine de plomb sur papier, 56,5×76,5 cm (2012)Sans titre. Mine de plomb sur papier, 76,5×56,5 cm (2013)Sans titre, reflets. Mine de plomb sur papier, 46×38 cm (2013)Photographie Fanny Bégoin
François Réau @ Galerie Felli14 November - 6 December 2013127 rue Vieille du Temple 75003 ParisOpening cocktail on Thursday 14 November from 7PM
[more François Réau]
  • INVITATION
François Réau (b.1978, France) - La forme précise du rêve en exposition
Penumbra II. Mine de plomb sur papier, 56,5×76,5 cm (2012)Sans titre. Mine de plomb sur papier, 76,5×56,5 cm (2013)Sans titre, reflets. Mine de plomb sur papier, 46×38 cm (2013)Photographie Fanny Bégoin
François Réau @ Galerie Felli14 November - 6 December 2013127 rue Vieille du Temple 75003 ParisOpening cocktail on Thursday 14 November from 7PM
[more François Réau]
INVITATION
François Réau (b.1978, France) - La forme précise du rêve en exposition
Penumbra II. Mine de plomb sur papier, 56,5×76,5 cm (2012)Sans titre. Mine de plomb sur papier, 76,5×56,5 cm (2013)Sans titre, reflets. Mine de plomb sur papier, 46×38 cm (2013)Photographie Fanny Bégoin
François Réau @ Galerie Felli14 November - 6 December 2013127 rue Vieille du Temple 75003 ParisOpening cocktail on Thursday 14 November from 7PM
[more François Réau] INVITATION
François Réau (b.1978, France) - La forme précise du rêve en exposition
Penumbra II. Mine de plomb sur papier, 56,5×76,5 cm (2012)Sans titre. Mine de plomb sur papier, 76,5×56,5 cm (2013)Sans titre, reflets. Mine de plomb sur papier, 46×38 cm (2013)Photographie Fanny Bégoin
François Réau @ Galerie Felli14 November - 6 December 2013127 rue Vieille du Temple 75003 ParisOpening cocktail on Thursday 14 November from 7PM
[more François Réau] INVITATION
François Réau (b.1978, France) - La forme précise du rêve en exposition
Penumbra II. Mine de plomb sur papier, 56,5×76,5 cm (2012)Sans titre. Mine de plomb sur papier, 76,5×56,5 cm (2013)Sans titre, reflets. Mine de plomb sur papier, 46×38 cm (2013)Photographie Fanny Bégoin
François Réau @ Galerie Felli14 November - 6 December 2013127 rue Vieille du Temple 75003 ParisOpening cocktail on Thursday 14 November from 7PM
[more François Réau] INVITATION
François Réau (b.1978, France) - La forme précise du rêve en exposition
Penumbra II. Mine de plomb sur papier, 56,5×76,5 cm (2012)Sans titre. Mine de plomb sur papier, 76,5×56,5 cm (2013)Sans titre, reflets. Mine de plomb sur papier, 46×38 cm (2013)Photographie Fanny Bégoin
François Réau @ Galerie Felli14 November - 6 December 2013127 rue Vieille du Temple 75003 ParisOpening cocktail on Thursday 14 November from 7PM
[more François Réau]