posts tagged: invitation

  • INVITATION
For the new exhibition Street Art yesterday and today, Taglialatella Gallery, specialized in Pop Art, announces for the first time a tribute to one the last movement, as such, artistic and contemporary, crossing frontiers and times: The Street Art.
The purpose of the gallery is to show a thread on the current changes since the 80s in NYC until today and to focus on the influence of Pop Art with headlights artists like Keith Haring and Jean-Michel Basquiat. At first the two artists, who did not claimed themselves at the beginning as Street Artists, took on the street for its visibility so they could express themselves with an artistic vision their messages: they became decades later the spiritual fathers of the movement.
The real craze appears in the early 1990s with headlining artists Banksy and Shepard Fairey. The Street art begins to be democratized and be recognized as a fine art. Since that time, the extent of the movement is continuously growing. Street art is an ephemeral art, but claims to be seen and recognized by everyone. With this universal spirit and popular reach, it has many similarities with the Pop Art.
While presenting several Street Art masterpieces, the exhibition highlights the work of the French artist Kouka who is questioning in his painting the individual place in the society. His researches are based on the quest of identity, particularly when he introduces the writing above his canvas drawings. 
Kouka created a lot of sets in order to criticize the western society controlled by consummation and appearances. He denounces the narrow relationship between culture and consumerism and tries to show their dangerous association for the artistic creation. With the return to a “rough” painting, Kouka tries to break those codes of aestheticism and consumerism.
Kouka @ Street Art yesterday and today by Taglialatella Gallery13 Rue de Picardie Paris 3 - 15.03-26.04.2014Images adapted from photos by Philippe Coutellier, Agnès Laurent & Rery
[more Kouka]
  • INVITATION
For the new exhibition Street Art yesterday and today, Taglialatella Gallery, specialized in Pop Art, announces for the first time a tribute to one the last movement, as such, artistic and contemporary, crossing frontiers and times: The Street Art.
The purpose of the gallery is to show a thread on the current changes since the 80s in NYC until today and to focus on the influence of Pop Art with headlights artists like Keith Haring and Jean-Michel Basquiat. At first the two artists, who did not claimed themselves at the beginning as Street Artists, took on the street for its visibility so they could express themselves with an artistic vision their messages: they became decades later the spiritual fathers of the movement.
The real craze appears in the early 1990s with headlining artists Banksy and Shepard Fairey. The Street art begins to be democratized and be recognized as a fine art. Since that time, the extent of the movement is continuously growing. Street art is an ephemeral art, but claims to be seen and recognized by everyone. With this universal spirit and popular reach, it has many similarities with the Pop Art.
While presenting several Street Art masterpieces, the exhibition highlights the work of the French artist Kouka who is questioning in his painting the individual place in the society. His researches are based on the quest of identity, particularly when he introduces the writing above his canvas drawings. 
Kouka created a lot of sets in order to criticize the western society controlled by consummation and appearances. He denounces the narrow relationship between culture and consumerism and tries to show their dangerous association for the artistic creation. With the return to a “rough” painting, Kouka tries to break those codes of aestheticism and consumerism.
Kouka @ Street Art yesterday and today by Taglialatella Gallery13 Rue de Picardie Paris 3 - 15.03-26.04.2014Images adapted from photos by Philippe Coutellier, Agnès Laurent & Rery
[more Kouka]
  • INVITATION
For the new exhibition Street Art yesterday and today, Taglialatella Gallery, specialized in Pop Art, announces for the first time a tribute to one the last movement, as such, artistic and contemporary, crossing frontiers and times: The Street Art.
The purpose of the gallery is to show a thread on the current changes since the 80s in NYC until today and to focus on the influence of Pop Art with headlights artists like Keith Haring and Jean-Michel Basquiat. At first the two artists, who did not claimed themselves at the beginning as Street Artists, took on the street for its visibility so they could express themselves with an artistic vision their messages: they became decades later the spiritual fathers of the movement.
The real craze appears in the early 1990s with headlining artists Banksy and Shepard Fairey. The Street art begins to be democratized and be recognized as a fine art. Since that time, the extent of the movement is continuously growing. Street art is an ephemeral art, but claims to be seen and recognized by everyone. With this universal spirit and popular reach, it has many similarities with the Pop Art.
While presenting several Street Art masterpieces, the exhibition highlights the work of the French artist Kouka who is questioning in his painting the individual place in the society. His researches are based on the quest of identity, particularly when he introduces the writing above his canvas drawings. 
Kouka created a lot of sets in order to criticize the western society controlled by consummation and appearances. He denounces the narrow relationship between culture and consumerism and tries to show their dangerous association for the artistic creation. With the return to a “rough” painting, Kouka tries to break those codes of aestheticism and consumerism.
Kouka @ Street Art yesterday and today by Taglialatella Gallery13 Rue de Picardie Paris 3 - 15.03-26.04.2014Images adapted from photos by Philippe Coutellier, Agnès Laurent & Rery
[more Kouka]
  • INVITATION
For the new exhibition Street Art yesterday and today, Taglialatella Gallery, specialized in Pop Art, announces for the first time a tribute to one the last movement, as such, artistic and contemporary, crossing frontiers and times: The Street Art.
The purpose of the gallery is to show a thread on the current changes since the 80s in NYC until today and to focus on the influence of Pop Art with headlights artists like Keith Haring and Jean-Michel Basquiat. At first the two artists, who did not claimed themselves at the beginning as Street Artists, took on the street for its visibility so they could express themselves with an artistic vision their messages: they became decades later the spiritual fathers of the movement.
The real craze appears in the early 1990s with headlining artists Banksy and Shepard Fairey. The Street art begins to be democratized and be recognized as a fine art. Since that time, the extent of the movement is continuously growing. Street art is an ephemeral art, but claims to be seen and recognized by everyone. With this universal spirit and popular reach, it has many similarities with the Pop Art.
While presenting several Street Art masterpieces, the exhibition highlights the work of the French artist Kouka who is questioning in his painting the individual place in the society. His researches are based on the quest of identity, particularly when he introduces the writing above his canvas drawings. 
Kouka created a lot of sets in order to criticize the western society controlled by consummation and appearances. He denounces the narrow relationship between culture and consumerism and tries to show their dangerous association for the artistic creation. With the return to a “rough” painting, Kouka tries to break those codes of aestheticism and consumerism.
Kouka @ Street Art yesterday and today by Taglialatella Gallery13 Rue de Picardie Paris 3 - 15.03-26.04.2014Images adapted from photos by Philippe Coutellier, Agnès Laurent & Rery
[more Kouka]
  • INVITATION
For the new exhibition Street Art yesterday and today, Taglialatella Gallery, specialized in Pop Art, announces for the first time a tribute to one the last movement, as such, artistic and contemporary, crossing frontiers and times: The Street Art.
The purpose of the gallery is to show a thread on the current changes since the 80s in NYC until today and to focus on the influence of Pop Art with headlights artists like Keith Haring and Jean-Michel Basquiat. At first the two artists, who did not claimed themselves at the beginning as Street Artists, took on the street for its visibility so they could express themselves with an artistic vision their messages: they became decades later the spiritual fathers of the movement.
The real craze appears in the early 1990s with headlining artists Banksy and Shepard Fairey. The Street art begins to be democratized and be recognized as a fine art. Since that time, the extent of the movement is continuously growing. Street art is an ephemeral art, but claims to be seen and recognized by everyone. With this universal spirit and popular reach, it has many similarities with the Pop Art.
While presenting several Street Art masterpieces, the exhibition highlights the work of the French artist Kouka who is questioning in his painting the individual place in the society. His researches are based on the quest of identity, particularly when he introduces the writing above his canvas drawings. 
Kouka created a lot of sets in order to criticize the western society controlled by consummation and appearances. He denounces the narrow relationship between culture and consumerism and tries to show their dangerous association for the artistic creation. With the return to a “rough” painting, Kouka tries to break those codes of aestheticism and consumerism.
Kouka @ Street Art yesterday and today by Taglialatella Gallery13 Rue de Picardie Paris 3 - 15.03-26.04.2014Images adapted from photos by Philippe Coutellier, Agnès Laurent & Rery
[more Kouka]
  • INVITATION
For the new exhibition Street Art yesterday and today, Taglialatella Gallery, specialized in Pop Art, announces for the first time a tribute to one the last movement, as such, artistic and contemporary, crossing frontiers and times: The Street Art.
The purpose of the gallery is to show a thread on the current changes since the 80s in NYC until today and to focus on the influence of Pop Art with headlights artists like Keith Haring and Jean-Michel Basquiat. At first the two artists, who did not claimed themselves at the beginning as Street Artists, took on the street for its visibility so they could express themselves with an artistic vision their messages: they became decades later the spiritual fathers of the movement.
The real craze appears in the early 1990s with headlining artists Banksy and Shepard Fairey. The Street art begins to be democratized and be recognized as a fine art. Since that time, the extent of the movement is continuously growing. Street art is an ephemeral art, but claims to be seen and recognized by everyone. With this universal spirit and popular reach, it has many similarities with the Pop Art.
While presenting several Street Art masterpieces, the exhibition highlights the work of the French artist Kouka who is questioning in his painting the individual place in the society. His researches are based on the quest of identity, particularly when he introduces the writing above his canvas drawings. 
Kouka created a lot of sets in order to criticize the western society controlled by consummation and appearances. He denounces the narrow relationship between culture and consumerism and tries to show their dangerous association for the artistic creation. With the return to a “rough” painting, Kouka tries to break those codes of aestheticism and consumerism.
Kouka @ Street Art yesterday and today by Taglialatella Gallery13 Rue de Picardie Paris 3 - 15.03-26.04.2014Images adapted from photos by Philippe Coutellier, Agnès Laurent & Rery
[more Kouka]
  • INVITATION
For the new exhibition Street Art yesterday and today, Taglialatella Gallery, specialized in Pop Art, announces for the first time a tribute to one the last movement, as such, artistic and contemporary, crossing frontiers and times: The Street Art.
The purpose of the gallery is to show a thread on the current changes since the 80s in NYC until today and to focus on the influence of Pop Art with headlights artists like Keith Haring and Jean-Michel Basquiat. At first the two artists, who did not claimed themselves at the beginning as Street Artists, took on the street for its visibility so they could express themselves with an artistic vision their messages: they became decades later the spiritual fathers of the movement.
The real craze appears in the early 1990s with headlining artists Banksy and Shepard Fairey. The Street art begins to be democratized and be recognized as a fine art. Since that time, the extent of the movement is continuously growing. Street art is an ephemeral art, but claims to be seen and recognized by everyone. With this universal spirit and popular reach, it has many similarities with the Pop Art.
While presenting several Street Art masterpieces, the exhibition highlights the work of the French artist Kouka who is questioning in his painting the individual place in the society. His researches are based on the quest of identity, particularly when he introduces the writing above his canvas drawings. 
Kouka created a lot of sets in order to criticize the western society controlled by consummation and appearances. He denounces the narrow relationship between culture and consumerism and tries to show their dangerous association for the artistic creation. With the return to a “rough” painting, Kouka tries to break those codes of aestheticism and consumerism.
Kouka @ Street Art yesterday and today by Taglialatella Gallery13 Rue de Picardie Paris 3 - 15.03-26.04.2014Images adapted from photos by Philippe Coutellier, Agnès Laurent & Rery
[more Kouka]
  • INVITATION
For the new exhibition Street Art yesterday and today, Taglialatella Gallery, specialized in Pop Art, announces for the first time a tribute to one the last movement, as such, artistic and contemporary, crossing frontiers and times: The Street Art.
The purpose of the gallery is to show a thread on the current changes since the 80s in NYC until today and to focus on the influence of Pop Art with headlights artists like Keith Haring and Jean-Michel Basquiat. At first the two artists, who did not claimed themselves at the beginning as Street Artists, took on the street for its visibility so they could express themselves with an artistic vision their messages: they became decades later the spiritual fathers of the movement.
The real craze appears in the early 1990s with headlining artists Banksy and Shepard Fairey. The Street art begins to be democratized and be recognized as a fine art. Since that time, the extent of the movement is continuously growing. Street art is an ephemeral art, but claims to be seen and recognized by everyone. With this universal spirit and popular reach, it has many similarities with the Pop Art.
While presenting several Street Art masterpieces, the exhibition highlights the work of the French artist Kouka who is questioning in his painting the individual place in the society. His researches are based on the quest of identity, particularly when he introduces the writing above his canvas drawings. 
Kouka created a lot of sets in order to criticize the western society controlled by consummation and appearances. He denounces the narrow relationship between culture and consumerism and tries to show their dangerous association for the artistic creation. With the return to a “rough” painting, Kouka tries to break those codes of aestheticism and consumerism.
Kouka @ Street Art yesterday and today by Taglialatella Gallery13 Rue de Picardie Paris 3 - 15.03-26.04.2014Images adapted from photos by Philippe Coutellier, Agnès Laurent & Rery
[more Kouka]
  • INVITATION
For the new exhibition Street Art yesterday and today, Taglialatella Gallery, specialized in Pop Art, announces for the first time a tribute to one the last movement, as such, artistic and contemporary, crossing frontiers and times: The Street Art.
The purpose of the gallery is to show a thread on the current changes since the 80s in NYC until today and to focus on the influence of Pop Art with headlights artists like Keith Haring and Jean-Michel Basquiat. At first the two artists, who did not claimed themselves at the beginning as Street Artists, took on the street for its visibility so they could express themselves with an artistic vision their messages: they became decades later the spiritual fathers of the movement.
The real craze appears in the early 1990s with headlining artists Banksy and Shepard Fairey. The Street art begins to be democratized and be recognized as a fine art. Since that time, the extent of the movement is continuously growing. Street art is an ephemeral art, but claims to be seen and recognized by everyone. With this universal spirit and popular reach, it has many similarities with the Pop Art.
While presenting several Street Art masterpieces, the exhibition highlights the work of the French artist Kouka who is questioning in his painting the individual place in the society. His researches are based on the quest of identity, particularly when he introduces the writing above his canvas drawings. 
Kouka created a lot of sets in order to criticize the western society controlled by consummation and appearances. He denounces the narrow relationship between culture and consumerism and tries to show their dangerous association for the artistic creation. With the return to a “rough” painting, Kouka tries to break those codes of aestheticism and consumerism.
Kouka @ Street Art yesterday and today by Taglialatella Gallery13 Rue de Picardie Paris 3 - 15.03-26.04.2014Images adapted from photos by Philippe Coutellier, Agnès Laurent & Rery
[more Kouka]
  • INVITATION
For the new exhibition Street Art yesterday and today, Taglialatella Gallery, specialized in Pop Art, announces for the first time a tribute to one the last movement, as such, artistic and contemporary, crossing frontiers and times: The Street Art.
The purpose of the gallery is to show a thread on the current changes since the 80s in NYC until today and to focus on the influence of Pop Art with headlights artists like Keith Haring and Jean-Michel Basquiat. At first the two artists, who did not claimed themselves at the beginning as Street Artists, took on the street for its visibility so they could express themselves with an artistic vision their messages: they became decades later the spiritual fathers of the movement.
The real craze appears in the early 1990s with headlining artists Banksy and Shepard Fairey. The Street art begins to be democratized and be recognized as a fine art. Since that time, the extent of the movement is continuously growing. Street art is an ephemeral art, but claims to be seen and recognized by everyone. With this universal spirit and popular reach, it has many similarities with the Pop Art.
While presenting several Street Art masterpieces, the exhibition highlights the work of the French artist Kouka who is questioning in his painting the individual place in the society. His researches are based on the quest of identity, particularly when he introduces the writing above his canvas drawings. 
Kouka created a lot of sets in order to criticize the western society controlled by consummation and appearances. He denounces the narrow relationship between culture and consumerism and tries to show their dangerous association for the artistic creation. With the return to a “rough” painting, Kouka tries to break those codes of aestheticism and consumerism.
Kouka @ Street Art yesterday and today by Taglialatella Gallery13 Rue de Picardie Paris 3 - 15.03-26.04.2014Images adapted from photos by Philippe Coutellier, Agnès Laurent & Rery
[more Kouka]
  • INVITATION
For the new exhibition Street Art yesterday and today, Taglialatella Gallery, specialized in Pop Art, announces for the first time a tribute to one the last movement, as such, artistic and contemporary, crossing frontiers and times: The Street Art.
The purpose of the gallery is to show a thread on the current changes since the 80s in NYC until today and to focus on the influence of Pop Art with headlights artists like Keith Haring and Jean-Michel Basquiat. At first the two artists, who did not claimed themselves at the beginning as Street Artists, took on the street for its visibility so they could express themselves with an artistic vision their messages: they became decades later the spiritual fathers of the movement.
The real craze appears in the early 1990s with headlining artists Banksy and Shepard Fairey. The Street art begins to be democratized and be recognized as a fine art. Since that time, the extent of the movement is continuously growing. Street art is an ephemeral art, but claims to be seen and recognized by everyone. With this universal spirit and popular reach, it has many similarities with the Pop Art.
While presenting several Street Art masterpieces, the exhibition highlights the work of the French artist Kouka who is questioning in his painting the individual place in the society. His researches are based on the quest of identity, particularly when he introduces the writing above his canvas drawings. 
Kouka created a lot of sets in order to criticize the western society controlled by consummation and appearances. He denounces the narrow relationship between culture and consumerism and tries to show their dangerous association for the artistic creation. With the return to a “rough” painting, Kouka tries to break those codes of aestheticism and consumerism.
Kouka @ Street Art yesterday and today by Taglialatella Gallery13 Rue de Picardie Paris 3 - 15.03-26.04.2014Images adapted from photos by Philippe Coutellier, Agnès Laurent & Rery
[more Kouka]
  • INVITATION
For the new exhibition Street Art yesterday and today, Taglialatella Gallery, specialized in Pop Art, announces for the first time a tribute to one the last movement, as such, artistic and contemporary, crossing frontiers and times: The Street Art.
The purpose of the gallery is to show a thread on the current changes since the 80s in NYC until today and to focus on the influence of Pop Art with headlights artists like Keith Haring and Jean-Michel Basquiat. At first the two artists, who did not claimed themselves at the beginning as Street Artists, took on the street for its visibility so they could express themselves with an artistic vision their messages: they became decades later the spiritual fathers of the movement.
The real craze appears in the early 1990s with headlining artists Banksy and Shepard Fairey. The Street art begins to be democratized and be recognized as a fine art. Since that time, the extent of the movement is continuously growing. Street art is an ephemeral art, but claims to be seen and recognized by everyone. With this universal spirit and popular reach, it has many similarities with the Pop Art.
While presenting several Street Art masterpieces, the exhibition highlights the work of the French artist Kouka who is questioning in his painting the individual place in the society. His researches are based on the quest of identity, particularly when he introduces the writing above his canvas drawings. 
Kouka created a lot of sets in order to criticize the western society controlled by consummation and appearances. He denounces the narrow relationship between culture and consumerism and tries to show their dangerous association for the artistic creation. With the return to a “rough” painting, Kouka tries to break those codes of aestheticism and consumerism.
Kouka @ Street Art yesterday and today by Taglialatella Gallery13 Rue de Picardie Paris 3 - 15.03-26.04.2014Images adapted from photos by Philippe Coutellier, Agnès Laurent & Rery
[more Kouka]
INVITATION
For the new exhibition Street Art yesterday and today, Taglialatella Gallery, specialized in Pop Art, announces for the first time a tribute to one the last movement, as such, artistic and contemporary, crossing frontiers and times: The Street Art.
The purpose of the gallery is to show a thread on the current changes since the 80s in NYC until today and to focus on the influence of Pop Art with headlights artists like Keith Haring and Jean-Michel Basquiat. At first the two artists, who did not claimed themselves at the beginning as Street Artists, took on the street for its visibility so they could express themselves with an artistic vision their messages: they became decades later the spiritual fathers of the movement.
The real craze appears in the early 1990s with headlining artists Banksy and Shepard Fairey. The Street art begins to be democratized and be recognized as a fine art. Since that time, the extent of the movement is continuously growing. Street art is an ephemeral art, but claims to be seen and recognized by everyone. With this universal spirit and popular reach, it has many similarities with the Pop Art.
While presenting several Street Art masterpieces, the exhibition highlights the work of the French artist Kouka who is questioning in his painting the individual place in the society. His researches are based on the quest of identity, particularly when he introduces the writing above his canvas drawings. 
Kouka created a lot of sets in order to criticize the western society controlled by consummation and appearances. He denounces the narrow relationship between culture and consumerism and tries to show their dangerous association for the artistic creation. With the return to a “rough” painting, Kouka tries to break those codes of aestheticism and consumerism.
Kouka @ Street Art yesterday and today by Taglialatella Gallery13 Rue de Picardie Paris 3 - 15.03-26.04.2014Images adapted from photos by Philippe Coutellier, Agnès Laurent & Rery
[more Kouka] INVITATION
For the new exhibition Street Art yesterday and today, Taglialatella Gallery, specialized in Pop Art, announces for the first time a tribute to one the last movement, as such, artistic and contemporary, crossing frontiers and times: The Street Art.
The purpose of the gallery is to show a thread on the current changes since the 80s in NYC until today and to focus on the influence of Pop Art with headlights artists like Keith Haring and Jean-Michel Basquiat. At first the two artists, who did not claimed themselves at the beginning as Street Artists, took on the street for its visibility so they could express themselves with an artistic vision their messages: they became decades later the spiritual fathers of the movement.
The real craze appears in the early 1990s with headlining artists Banksy and Shepard Fairey. The Street art begins to be democratized and be recognized as a fine art. Since that time, the extent of the movement is continuously growing. Street art is an ephemeral art, but claims to be seen and recognized by everyone. With this universal spirit and popular reach, it has many similarities with the Pop Art.
While presenting several Street Art masterpieces, the exhibition highlights the work of the French artist Kouka who is questioning in his painting the individual place in the society. His researches are based on the quest of identity, particularly when he introduces the writing above his canvas drawings. 
Kouka created a lot of sets in order to criticize the western society controlled by consummation and appearances. He denounces the narrow relationship between culture and consumerism and tries to show their dangerous association for the artistic creation. With the return to a “rough” painting, Kouka tries to break those codes of aestheticism and consumerism.
Kouka @ Street Art yesterday and today by Taglialatella Gallery13 Rue de Picardie Paris 3 - 15.03-26.04.2014Images adapted from photos by Philippe Coutellier, Agnès Laurent & Rery
[more Kouka] INVITATION
For the new exhibition Street Art yesterday and today, Taglialatella Gallery, specialized in Pop Art, announces for the first time a tribute to one the last movement, as such, artistic and contemporary, crossing frontiers and times: The Street Art.
The purpose of the gallery is to show a thread on the current changes since the 80s in NYC until today and to focus on the influence of Pop Art with headlights artists like Keith Haring and Jean-Michel Basquiat. At first the two artists, who did not claimed themselves at the beginning as Street Artists, took on the street for its visibility so they could express themselves with an artistic vision their messages: they became decades later the spiritual fathers of the movement.
The real craze appears in the early 1990s with headlining artists Banksy and Shepard Fairey. The Street art begins to be democratized and be recognized as a fine art. Since that time, the extent of the movement is continuously growing. Street art is an ephemeral art, but claims to be seen and recognized by everyone. With this universal spirit and popular reach, it has many similarities with the Pop Art.
While presenting several Street Art masterpieces, the exhibition highlights the work of the French artist Kouka who is questioning in his painting the individual place in the society. His researches are based on the quest of identity, particularly when he introduces the writing above his canvas drawings. 
Kouka created a lot of sets in order to criticize the western society controlled by consummation and appearances. He denounces the narrow relationship between culture and consumerism and tries to show their dangerous association for the artistic creation. With the return to a “rough” painting, Kouka tries to break those codes of aestheticism and consumerism.
Kouka @ Street Art yesterday and today by Taglialatella Gallery13 Rue de Picardie Paris 3 - 15.03-26.04.2014Images adapted from photos by Philippe Coutellier, Agnès Laurent & Rery
[more Kouka] INVITATION
For the new exhibition Street Art yesterday and today, Taglialatella Gallery, specialized in Pop Art, announces for the first time a tribute to one the last movement, as such, artistic and contemporary, crossing frontiers and times: The Street Art.
The purpose of the gallery is to show a thread on the current changes since the 80s in NYC until today and to focus on the influence of Pop Art with headlights artists like Keith Haring and Jean-Michel Basquiat. At first the two artists, who did not claimed themselves at the beginning as Street Artists, took on the street for its visibility so they could express themselves with an artistic vision their messages: they became decades later the spiritual fathers of the movement.
The real craze appears in the early 1990s with headlining artists Banksy and Shepard Fairey. The Street art begins to be democratized and be recognized as a fine art. Since that time, the extent of the movement is continuously growing. Street art is an ephemeral art, but claims to be seen and recognized by everyone. With this universal spirit and popular reach, it has many similarities with the Pop Art.
While presenting several Street Art masterpieces, the exhibition highlights the work of the French artist Kouka who is questioning in his painting the individual place in the society. His researches are based on the quest of identity, particularly when he introduces the writing above his canvas drawings. 
Kouka created a lot of sets in order to criticize the western society controlled by consummation and appearances. He denounces the narrow relationship between culture and consumerism and tries to show their dangerous association for the artistic creation. With the return to a “rough” painting, Kouka tries to break those codes of aestheticism and consumerism.
Kouka @ Street Art yesterday and today by Taglialatella Gallery13 Rue de Picardie Paris 3 - 15.03-26.04.2014Images adapted from photos by Philippe Coutellier, Agnès Laurent & Rery
[more Kouka] INVITATION
For the new exhibition Street Art yesterday and today, Taglialatella Gallery, specialized in Pop Art, announces for the first time a tribute to one the last movement, as such, artistic and contemporary, crossing frontiers and times: The Street Art.
The purpose of the gallery is to show a thread on the current changes since the 80s in NYC until today and to focus on the influence of Pop Art with headlights artists like Keith Haring and Jean-Michel Basquiat. At first the two artists, who did not claimed themselves at the beginning as Street Artists, took on the street for its visibility so they could express themselves with an artistic vision their messages: they became decades later the spiritual fathers of the movement.
The real craze appears in the early 1990s with headlining artists Banksy and Shepard Fairey. The Street art begins to be democratized and be recognized as a fine art. Since that time, the extent of the movement is continuously growing. Street art is an ephemeral art, but claims to be seen and recognized by everyone. With this universal spirit and popular reach, it has many similarities with the Pop Art.
While presenting several Street Art masterpieces, the exhibition highlights the work of the French artist Kouka who is questioning in his painting the individual place in the society. His researches are based on the quest of identity, particularly when he introduces the writing above his canvas drawings. 
Kouka created a lot of sets in order to criticize the western society controlled by consummation and appearances. He denounces the narrow relationship between culture and consumerism and tries to show their dangerous association for the artistic creation. With the return to a “rough” painting, Kouka tries to break those codes of aestheticism and consumerism.
Kouka @ Street Art yesterday and today by Taglialatella Gallery13 Rue de Picardie Paris 3 - 15.03-26.04.2014Images adapted from photos by Philippe Coutellier, Agnès Laurent & Rery
[more Kouka] INVITATION
For the new exhibition Street Art yesterday and today, Taglialatella Gallery, specialized in Pop Art, announces for the first time a tribute to one the last movement, as such, artistic and contemporary, crossing frontiers and times: The Street Art.
The purpose of the gallery is to show a thread on the current changes since the 80s in NYC until today and to focus on the influence of Pop Art with headlights artists like Keith Haring and Jean-Michel Basquiat. At first the two artists, who did not claimed themselves at the beginning as Street Artists, took on the street for its visibility so they could express themselves with an artistic vision their messages: they became decades later the spiritual fathers of the movement.
The real craze appears in the early 1990s with headlining artists Banksy and Shepard Fairey. The Street art begins to be democratized and be recognized as a fine art. Since that time, the extent of the movement is continuously growing. Street art is an ephemeral art, but claims to be seen and recognized by everyone. With this universal spirit and popular reach, it has many similarities with the Pop Art.
While presenting several Street Art masterpieces, the exhibition highlights the work of the French artist Kouka who is questioning in his painting the individual place in the society. His researches are based on the quest of identity, particularly when he introduces the writing above his canvas drawings. 
Kouka created a lot of sets in order to criticize the western society controlled by consummation and appearances. He denounces the narrow relationship between culture and consumerism and tries to show their dangerous association for the artistic creation. With the return to a “rough” painting, Kouka tries to break those codes of aestheticism and consumerism.
Kouka @ Street Art yesterday and today by Taglialatella Gallery13 Rue de Picardie Paris 3 - 15.03-26.04.2014Images adapted from photos by Philippe Coutellier, Agnès Laurent & Rery
[more Kouka]
  • INVITATION
Marion Tivital (France)
French artist Marion Tivital paints the “remains” of industrial development in landscapes, all the factories, warehouses, silos that literally took place in the surroundings and became part of landscapes such as huts and fences, fields and pathways. In Tivital’s works, painted in a reduced style with minimalistic forms and muted colours, these structures develop an intriguing, almost meditative quality – a reference to her introspective approach: She tries to capture and re-create emotions and sensations, memories and thoughts which she encounters when outdoors. Furthermore it is the relationship between light and shadow which she is exploring tirelessly. She says: “I appreciate the poetry of the commonplace, the motionless and the invisible. I am interested in what stands humbly in the shadows, what we do not notice. The topics that inspire me are evident in the world where you live, but you don’t notice them anymore. I love taking the time to contemplate and discover their hidden beauty.” (Text by Simone Kraft) Marion currently works and resides in Paris and will be having a solo show at GNG Gallery, Paris.
images © Marion Tivital provided by Artist
Marion Tivital @ GNG Gallery5 December to 4 January 20143 rue Visconti 75006 ParisOpening cocktail with the artist present on Thursday 5 December from 7PM
[more Marion Tivital]
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Marion Tivital (France)
French artist Marion Tivital paints the “remains” of industrial development in landscapes, all the factories, warehouses, silos that literally took place in the surroundings and became part of landscapes such as huts and fences, fields and pathways. In Tivital’s works, painted in a reduced style with minimalistic forms and muted colours, these structures develop an intriguing, almost meditative quality – a reference to her introspective approach: She tries to capture and re-create emotions and sensations, memories and thoughts which she encounters when outdoors. Furthermore it is the relationship between light and shadow which she is exploring tirelessly. She says: “I appreciate the poetry of the commonplace, the motionless and the invisible. I am interested in what stands humbly in the shadows, what we do not notice. The topics that inspire me are evident in the world where you live, but you don’t notice them anymore. I love taking the time to contemplate and discover their hidden beauty.” (Text by Simone Kraft) Marion currently works and resides in Paris and will be having a solo show at GNG Gallery, Paris.
images © Marion Tivital provided by Artist
Marion Tivital @ GNG Gallery5 December to 4 January 20143 rue Visconti 75006 ParisOpening cocktail with the artist present on Thursday 5 December from 7PM
[more Marion Tivital]
  • INVITATION
Marion Tivital (France)
French artist Marion Tivital paints the “remains” of industrial development in landscapes, all the factories, warehouses, silos that literally took place in the surroundings and became part of landscapes such as huts and fences, fields and pathways. In Tivital’s works, painted in a reduced style with minimalistic forms and muted colours, these structures develop an intriguing, almost meditative quality – a reference to her introspective approach: She tries to capture and re-create emotions and sensations, memories and thoughts which she encounters when outdoors. Furthermore it is the relationship between light and shadow which she is exploring tirelessly. She says: “I appreciate the poetry of the commonplace, the motionless and the invisible. I am interested in what stands humbly in the shadows, what we do not notice. The topics that inspire me are evident in the world where you live, but you don’t notice them anymore. I love taking the time to contemplate and discover their hidden beauty.” (Text by Simone Kraft) Marion currently works and resides in Paris and will be having a solo show at GNG Gallery, Paris.
images © Marion Tivital provided by Artist
Marion Tivital @ GNG Gallery5 December to 4 January 20143 rue Visconti 75006 ParisOpening cocktail with the artist present on Thursday 5 December from 7PM
[more Marion Tivital]
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Marion Tivital (France)
French artist Marion Tivital paints the “remains” of industrial development in landscapes, all the factories, warehouses, silos that literally took place in the surroundings and became part of landscapes such as huts and fences, fields and pathways. In Tivital’s works, painted in a reduced style with minimalistic forms and muted colours, these structures develop an intriguing, almost meditative quality – a reference to her introspective approach: She tries to capture and re-create emotions and sensations, memories and thoughts which she encounters when outdoors. Furthermore it is the relationship between light and shadow which she is exploring tirelessly. She says: “I appreciate the poetry of the commonplace, the motionless and the invisible. I am interested in what stands humbly in the shadows, what we do not notice. The topics that inspire me are evident in the world where you live, but you don’t notice them anymore. I love taking the time to contemplate and discover their hidden beauty.” (Text by Simone Kraft) Marion currently works and resides in Paris and will be having a solo show at GNG Gallery, Paris.
images © Marion Tivital provided by Artist
Marion Tivital @ GNG Gallery5 December to 4 January 20143 rue Visconti 75006 ParisOpening cocktail with the artist present on Thursday 5 December from 7PM
[more Marion Tivital]
  • INVITATION
Marion Tivital (France)
French artist Marion Tivital paints the “remains” of industrial development in landscapes, all the factories, warehouses, silos that literally took place in the surroundings and became part of landscapes such as huts and fences, fields and pathways. In Tivital’s works, painted in a reduced style with minimalistic forms and muted colours, these structures develop an intriguing, almost meditative quality – a reference to her introspective approach: She tries to capture and re-create emotions and sensations, memories and thoughts which she encounters when outdoors. Furthermore it is the relationship between light and shadow which she is exploring tirelessly. She says: “I appreciate the poetry of the commonplace, the motionless and the invisible. I am interested in what stands humbly in the shadows, what we do not notice. The topics that inspire me are evident in the world where you live, but you don’t notice them anymore. I love taking the time to contemplate and discover their hidden beauty.” (Text by Simone Kraft) Marion currently works and resides in Paris and will be having a solo show at GNG Gallery, Paris.
images © Marion Tivital provided by Artist
Marion Tivital @ GNG Gallery5 December to 4 January 20143 rue Visconti 75006 ParisOpening cocktail with the artist present on Thursday 5 December from 7PM
[more Marion Tivital]
  • INVITATION
Marion Tivital (France)
French artist Marion Tivital paints the “remains” of industrial development in landscapes, all the factories, warehouses, silos that literally took place in the surroundings and became part of landscapes such as huts and fences, fields and pathways. In Tivital’s works, painted in a reduced style with minimalistic forms and muted colours, these structures develop an intriguing, almost meditative quality – a reference to her introspective approach: She tries to capture and re-create emotions and sensations, memories and thoughts which she encounters when outdoors. Furthermore it is the relationship between light and shadow which she is exploring tirelessly. She says: “I appreciate the poetry of the commonplace, the motionless and the invisible. I am interested in what stands humbly in the shadows, what we do not notice. The topics that inspire me are evident in the world where you live, but you don’t notice them anymore. I love taking the time to contemplate and discover their hidden beauty.” (Text by Simone Kraft) Marion currently works and resides in Paris and will be having a solo show at GNG Gallery, Paris.
images © Marion Tivital provided by Artist
Marion Tivital @ GNG Gallery5 December to 4 January 20143 rue Visconti 75006 ParisOpening cocktail with the artist present on Thursday 5 December from 7PM
[more Marion Tivital]
  • INVITATION
Marion Tivital (France)
French artist Marion Tivital paints the “remains” of industrial development in landscapes, all the factories, warehouses, silos that literally took place in the surroundings and became part of landscapes such as huts and fences, fields and pathways. In Tivital’s works, painted in a reduced style with minimalistic forms and muted colours, these structures develop an intriguing, almost meditative quality – a reference to her introspective approach: She tries to capture and re-create emotions and sensations, memories and thoughts which she encounters when outdoors. Furthermore it is the relationship between light and shadow which she is exploring tirelessly. She says: “I appreciate the poetry of the commonplace, the motionless and the invisible. I am interested in what stands humbly in the shadows, what we do not notice. The topics that inspire me are evident in the world where you live, but you don’t notice them anymore. I love taking the time to contemplate and discover their hidden beauty.” (Text by Simone Kraft) Marion currently works and resides in Paris and will be having a solo show at GNG Gallery, Paris.
images © Marion Tivital provided by Artist
Marion Tivital @ GNG Gallery5 December to 4 January 20143 rue Visconti 75006 ParisOpening cocktail with the artist present on Thursday 5 December from 7PM
[more Marion Tivital]
  • INVITATION
Marion Tivital (France)
French artist Marion Tivital paints the “remains” of industrial development in landscapes, all the factories, warehouses, silos that literally took place in the surroundings and became part of landscapes such as huts and fences, fields and pathways. In Tivital’s works, painted in a reduced style with minimalistic forms and muted colours, these structures develop an intriguing, almost meditative quality – a reference to her introspective approach: She tries to capture and re-create emotions and sensations, memories and thoughts which she encounters when outdoors. Furthermore it is the relationship between light and shadow which she is exploring tirelessly. She says: “I appreciate the poetry of the commonplace, the motionless and the invisible. I am interested in what stands humbly in the shadows, what we do not notice. The topics that inspire me are evident in the world where you live, but you don’t notice them anymore. I love taking the time to contemplate and discover their hidden beauty.” (Text by Simone Kraft) Marion currently works and resides in Paris and will be having a solo show at GNG Gallery, Paris.
images © Marion Tivital provided by Artist
Marion Tivital @ GNG Gallery5 December to 4 January 20143 rue Visconti 75006 ParisOpening cocktail with the artist present on Thursday 5 December from 7PM
[more Marion Tivital]
INVITATION
Marion Tivital (France)
French artist Marion Tivital paints the “remains” of industrial development in landscapes, all the factories, warehouses, silos that literally took place in the surroundings and became part of landscapes such as huts and fences, fields and pathways. In Tivital’s works, painted in a reduced style with minimalistic forms and muted colours, these structures develop an intriguing, almost meditative quality – a reference to her introspective approach: She tries to capture and re-create emotions and sensations, memories and thoughts which she encounters when outdoors. Furthermore it is the relationship between light and shadow which she is exploring tirelessly. She says: “I appreciate the poetry of the commonplace, the motionless and the invisible. I am interested in what stands humbly in the shadows, what we do not notice. The topics that inspire me are evident in the world where you live, but you don’t notice them anymore. I love taking the time to contemplate and discover their hidden beauty.” (Text by Simone Kraft) Marion currently works and resides in Paris and will be having a solo show at GNG Gallery, Paris.
images © Marion Tivital provided by Artist
Marion Tivital @ GNG Gallery5 December to 4 January 20143 rue Visconti 75006 ParisOpening cocktail with the artist present on Thursday 5 December from 7PM
[more Marion Tivital] INVITATION
Marion Tivital (France)
French artist Marion Tivital paints the “remains” of industrial development in landscapes, all the factories, warehouses, silos that literally took place in the surroundings and became part of landscapes such as huts and fences, fields and pathways. In Tivital’s works, painted in a reduced style with minimalistic forms and muted colours, these structures develop an intriguing, almost meditative quality – a reference to her introspective approach: She tries to capture and re-create emotions and sensations, memories and thoughts which she encounters when outdoors. Furthermore it is the relationship between light and shadow which she is exploring tirelessly. She says: “I appreciate the poetry of the commonplace, the motionless and the invisible. I am interested in what stands humbly in the shadows, what we do not notice. The topics that inspire me are evident in the world where you live, but you don’t notice them anymore. I love taking the time to contemplate and discover their hidden beauty.” (Text by Simone Kraft) Marion currently works and resides in Paris and will be having a solo show at GNG Gallery, Paris.
images © Marion Tivital provided by Artist
Marion Tivital @ GNG Gallery5 December to 4 January 20143 rue Visconti 75006 ParisOpening cocktail with the artist present on Thursday 5 December from 7PM
[more Marion Tivital] INVITATION
Marion Tivital (France)
French artist Marion Tivital paints the “remains” of industrial development in landscapes, all the factories, warehouses, silos that literally took place in the surroundings and became part of landscapes such as huts and fences, fields and pathways. In Tivital’s works, painted in a reduced style with minimalistic forms and muted colours, these structures develop an intriguing, almost meditative quality – a reference to her introspective approach: She tries to capture and re-create emotions and sensations, memories and thoughts which she encounters when outdoors. Furthermore it is the relationship between light and shadow which she is exploring tirelessly. She says: “I appreciate the poetry of the commonplace, the motionless and the invisible. I am interested in what stands humbly in the shadows, what we do not notice. The topics that inspire me are evident in the world where you live, but you don’t notice them anymore. I love taking the time to contemplate and discover their hidden beauty.” (Text by Simone Kraft) Marion currently works and resides in Paris and will be having a solo show at GNG Gallery, Paris.
images © Marion Tivital provided by Artist
Marion Tivital @ GNG Gallery5 December to 4 January 20143 rue Visconti 75006 ParisOpening cocktail with the artist present on Thursday 5 December from 7PM
[more Marion Tivital] INVITATION
Marion Tivital (France)
French artist Marion Tivital paints the “remains” of industrial development in landscapes, all the factories, warehouses, silos that literally took place in the surroundings and became part of landscapes such as huts and fences, fields and pathways. In Tivital’s works, painted in a reduced style with minimalistic forms and muted colours, these structures develop an intriguing, almost meditative quality – a reference to her introspective approach: She tries to capture and re-create emotions and sensations, memories and thoughts which she encounters when outdoors. Furthermore it is the relationship between light and shadow which she is exploring tirelessly. She says: “I appreciate the poetry of the commonplace, the motionless and the invisible. I am interested in what stands humbly in the shadows, what we do not notice. The topics that inspire me are evident in the world where you live, but you don’t notice them anymore. I love taking the time to contemplate and discover their hidden beauty.” (Text by Simone Kraft) Marion currently works and resides in Paris and will be having a solo show at GNG Gallery, Paris.
images © Marion Tivital provided by Artist
Marion Tivital @ GNG Gallery5 December to 4 January 20143 rue Visconti 75006 ParisOpening cocktail with the artist present on Thursday 5 December from 7PM
[more Marion Tivital]
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François Réau (b.1978, France) - La forme précise du rêve en exposition
Penumbra II. Mine de plomb sur papier, 56,5×76,5 cm (2012)Sans titre. Mine de plomb sur papier, 76,5×56,5 cm (2013)Sans titre, reflets. Mine de plomb sur papier, 46×38 cm (2013)Photographie Fanny Bégoin
François Réau @ Galerie Felli14 November - 6 December 2013127 rue Vieille du Temple 75003 ParisOpening cocktail on Thursday 14 November from 7PM
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François Réau (b.1978, France) - La forme précise du rêve en exposition
Penumbra II. Mine de plomb sur papier, 56,5×76,5 cm (2012)Sans titre. Mine de plomb sur papier, 76,5×56,5 cm (2013)Sans titre, reflets. Mine de plomb sur papier, 46×38 cm (2013)Photographie Fanny Bégoin
François Réau @ Galerie Felli14 November - 6 December 2013127 rue Vieille du Temple 75003 ParisOpening cocktail on Thursday 14 November from 7PM
[more François Réau]
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François Réau (b.1978, France) - La forme précise du rêve en exposition
Penumbra II. Mine de plomb sur papier, 56,5×76,5 cm (2012)Sans titre. Mine de plomb sur papier, 76,5×56,5 cm (2013)Sans titre, reflets. Mine de plomb sur papier, 46×38 cm (2013)Photographie Fanny Bégoin
François Réau @ Galerie Felli14 November - 6 December 2013127 rue Vieille du Temple 75003 ParisOpening cocktail on Thursday 14 November from 7PM
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François Réau (b.1978, France) - La forme précise du rêve en exposition
Penumbra II. Mine de plomb sur papier, 56,5×76,5 cm (2012)Sans titre. Mine de plomb sur papier, 76,5×56,5 cm (2013)Sans titre, reflets. Mine de plomb sur papier, 46×38 cm (2013)Photographie Fanny Bégoin
François Réau @ Galerie Felli14 November - 6 December 2013127 rue Vieille du Temple 75003 ParisOpening cocktail on Thursday 14 November from 7PM
[more François Réau]
  • INVITATION
François Réau (b.1978, France) - La forme précise du rêve en exposition
Penumbra II. Mine de plomb sur papier, 56,5×76,5 cm (2012)Sans titre. Mine de plomb sur papier, 76,5×56,5 cm (2013)Sans titre, reflets. Mine de plomb sur papier, 46×38 cm (2013)Photographie Fanny Bégoin
François Réau @ Galerie Felli14 November - 6 December 2013127 rue Vieille du Temple 75003 ParisOpening cocktail on Thursday 14 November from 7PM
[more François Réau]
  • INVITATION
François Réau (b.1978, France) - La forme précise du rêve en exposition
Penumbra II. Mine de plomb sur papier, 56,5×76,5 cm (2012)Sans titre. Mine de plomb sur papier, 76,5×56,5 cm (2013)Sans titre, reflets. Mine de plomb sur papier, 46×38 cm (2013)Photographie Fanny Bégoin
François Réau @ Galerie Felli14 November - 6 December 2013127 rue Vieille du Temple 75003 ParisOpening cocktail on Thursday 14 November from 7PM
[more François Réau]
  • INVITATION
François Réau (b.1978, France) - La forme précise du rêve en exposition
Penumbra II. Mine de plomb sur papier, 56,5×76,5 cm (2012)Sans titre. Mine de plomb sur papier, 76,5×56,5 cm (2013)Sans titre, reflets. Mine de plomb sur papier, 46×38 cm (2013)Photographie Fanny Bégoin
François Réau @ Galerie Felli14 November - 6 December 2013127 rue Vieille du Temple 75003 ParisOpening cocktail on Thursday 14 November from 7PM
[more François Réau]
  • INVITATION
François Réau (b.1978, France) - La forme précise du rêve en exposition
Penumbra II. Mine de plomb sur papier, 56,5×76,5 cm (2012)Sans titre. Mine de plomb sur papier, 76,5×56,5 cm (2013)Sans titre, reflets. Mine de plomb sur papier, 46×38 cm (2013)Photographie Fanny Bégoin
François Réau @ Galerie Felli14 November - 6 December 2013127 rue Vieille du Temple 75003 ParisOpening cocktail on Thursday 14 November from 7PM
[more François Réau]
INVITATION
François Réau (b.1978, France) - La forme précise du rêve en exposition
Penumbra II. Mine de plomb sur papier, 56,5×76,5 cm (2012)Sans titre. Mine de plomb sur papier, 76,5×56,5 cm (2013)Sans titre, reflets. Mine de plomb sur papier, 46×38 cm (2013)Photographie Fanny Bégoin
François Réau @ Galerie Felli14 November - 6 December 2013127 rue Vieille du Temple 75003 ParisOpening cocktail on Thursday 14 November from 7PM
[more François Réau] INVITATION
François Réau (b.1978, France) - La forme précise du rêve en exposition
Penumbra II. Mine de plomb sur papier, 56,5×76,5 cm (2012)Sans titre. Mine de plomb sur papier, 76,5×56,5 cm (2013)Sans titre, reflets. Mine de plomb sur papier, 46×38 cm (2013)Photographie Fanny Bégoin
François Réau @ Galerie Felli14 November - 6 December 2013127 rue Vieille du Temple 75003 ParisOpening cocktail on Thursday 14 November from 7PM
[more François Réau] INVITATION
François Réau (b.1978, France) - La forme précise du rêve en exposition
Penumbra II. Mine de plomb sur papier, 56,5×76,5 cm (2012)Sans titre. Mine de plomb sur papier, 76,5×56,5 cm (2013)Sans titre, reflets. Mine de plomb sur papier, 46×38 cm (2013)Photographie Fanny Bégoin
François Réau @ Galerie Felli14 November - 6 December 2013127 rue Vieille du Temple 75003 ParisOpening cocktail on Thursday 14 November from 7PM
[more François Réau] INVITATION
François Réau (b.1978, France) - La forme précise du rêve en exposition
Penumbra II. Mine de plomb sur papier, 56,5×76,5 cm (2012)Sans titre. Mine de plomb sur papier, 76,5×56,5 cm (2013)Sans titre, reflets. Mine de plomb sur papier, 46×38 cm (2013)Photographie Fanny Bégoin
François Réau @ Galerie Felli14 November - 6 December 2013127 rue Vieille du Temple 75003 ParisOpening cocktail on Thursday 14 November from 7PM
[more François Réau]
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Philipp Haager (b.1974, Germany) - Paramountscope in exhibition
Witterungsgespinst. Indian ink on canvas, 180x210 cm. Private collection (2006)Near Field, Phase 8. Indian ink on canvas, 190x210 cm. Private collection (2010/2011)Near Field, Phase 10. Indian ink on linen, 210x270 cm. Private collection (2012)Near Field, Phase 13. Indian ink on canvas, 180x220 cm. Courtesy Strzelski Gallery (2013) Artchipel exclsive - image provided by Artist
For years, Haager’s usually large-format paintings have been created in an almost loving process of accumulation of material, through patient application of India ink on canvas and the subtraction of matter, through systematic washing away of the ink with repeated sprays of water. Long drying periods are always followed by renewed waterings – a rhythm that dictates the essence of the picture just as do light and shadow, condensing and breaking up. His pictures glide on a current of constant change and are borne by the desire to arrive, even using the simplest of means – i.e. as an ink painter using “dirty water” – at a holistic-seeming view of an “existence.” Whether this is even possible within the medium of painting is the question at the heart of all his work. (source: Frank-Thorsten Moll, Dark black depths - The questions of faith as asked in painting, Philipp Haager PHASIS; translated by Jennifer Taylor) 
“Paramountscope” shows Haager’s recent works, which incorporate a return to the reduction found in his early ink drawings along with constant questioning of the meaning of the image itself: What we see and how we see, the changing nature of our gaze. The exhibition title alludes both to the dramatic, cinematic aspect of large-format pictures as well as to an inquiry into the visual essence of our media-attuned perception as reflected in painting. Similar to double exposures in photography, or the restoration and digitalisation of old (film) material, the artist has reworked what are in some cases older works that have already been exhibited under a different title or in a different format and rearranged them for this show. (source: Strzelski Galerie)
9 November - 5 January 2014Strzelski GalerieRotebühlplatz 30 Stuttgart GermanyOpening cocktail on Friday 8th November from 7PM
[more Philipp Haager]
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Philipp Haager (b.1974, Germany) - Paramountscope in exhibition
Witterungsgespinst. Indian ink on canvas, 180x210 cm. Private collection (2006)Near Field, Phase 8. Indian ink on canvas, 190x210 cm. Private collection (2010/2011)Near Field, Phase 10. Indian ink on linen, 210x270 cm. Private collection (2012)Near Field, Phase 13. Indian ink on canvas, 180x220 cm. Courtesy Strzelski Gallery (2013) Artchipel exclsive - image provided by Artist
For years, Haager’s usually large-format paintings have been created in an almost loving process of accumulation of material, through patient application of India ink on canvas and the subtraction of matter, through systematic washing away of the ink with repeated sprays of water. Long drying periods are always followed by renewed waterings – a rhythm that dictates the essence of the picture just as do light and shadow, condensing and breaking up. His pictures glide on a current of constant change and are borne by the desire to arrive, even using the simplest of means – i.e. as an ink painter using “dirty water” – at a holistic-seeming view of an “existence.” Whether this is even possible within the medium of painting is the question at the heart of all his work. (source: Frank-Thorsten Moll, Dark black depths - The questions of faith as asked in painting, Philipp Haager PHASIS; translated by Jennifer Taylor) 
“Paramountscope” shows Haager’s recent works, which incorporate a return to the reduction found in his early ink drawings along with constant questioning of the meaning of the image itself: What we see and how we see, the changing nature of our gaze. The exhibition title alludes both to the dramatic, cinematic aspect of large-format pictures as well as to an inquiry into the visual essence of our media-attuned perception as reflected in painting. Similar to double exposures in photography, or the restoration and digitalisation of old (film) material, the artist has reworked what are in some cases older works that have already been exhibited under a different title or in a different format and rearranged them for this show. (source: Strzelski Galerie)
9 November - 5 January 2014Strzelski GalerieRotebühlplatz 30 Stuttgart GermanyOpening cocktail on Friday 8th November from 7PM
[more Philipp Haager]
  • INVITATION
Philipp Haager (b.1974, Germany) - Paramountscope in exhibition
Witterungsgespinst. Indian ink on canvas, 180x210 cm. Private collection (2006)Near Field, Phase 8. Indian ink on canvas, 190x210 cm. Private collection (2010/2011)Near Field, Phase 10. Indian ink on linen, 210x270 cm. Private collection (2012)Near Field, Phase 13. Indian ink on canvas, 180x220 cm. Courtesy Strzelski Gallery (2013) Artchipel exclsive - image provided by Artist
For years, Haager’s usually large-format paintings have been created in an almost loving process of accumulation of material, through patient application of India ink on canvas and the subtraction of matter, through systematic washing away of the ink with repeated sprays of water. Long drying periods are always followed by renewed waterings – a rhythm that dictates the essence of the picture just as do light and shadow, condensing and breaking up. His pictures glide on a current of constant change and are borne by the desire to arrive, even using the simplest of means – i.e. as an ink painter using “dirty water” – at a holistic-seeming view of an “existence.” Whether this is even possible within the medium of painting is the question at the heart of all his work. (source: Frank-Thorsten Moll, Dark black depths - The questions of faith as asked in painting, Philipp Haager PHASIS; translated by Jennifer Taylor) 
“Paramountscope” shows Haager’s recent works, which incorporate a return to the reduction found in his early ink drawings along with constant questioning of the meaning of the image itself: What we see and how we see, the changing nature of our gaze. The exhibition title alludes both to the dramatic, cinematic aspect of large-format pictures as well as to an inquiry into the visual essence of our media-attuned perception as reflected in painting. Similar to double exposures in photography, or the restoration and digitalisation of old (film) material, the artist has reworked what are in some cases older works that have already been exhibited under a different title or in a different format and rearranged them for this show. (source: Strzelski Galerie)
9 November - 5 January 2014Strzelski GalerieRotebühlplatz 30 Stuttgart GermanyOpening cocktail on Friday 8th November from 7PM
[more Philipp Haager]
  • INVITATION
Philipp Haager (b.1974, Germany) - Paramountscope in exhibition
Witterungsgespinst. Indian ink on canvas, 180x210 cm. Private collection (2006)Near Field, Phase 8. Indian ink on canvas, 190x210 cm. Private collection (2010/2011)Near Field, Phase 10. Indian ink on linen, 210x270 cm. Private collection (2012)Near Field, Phase 13. Indian ink on canvas, 180x220 cm. Courtesy Strzelski Gallery (2013) Artchipel exclsive - image provided by Artist
For years, Haager’s usually large-format paintings have been created in an almost loving process of accumulation of material, through patient application of India ink on canvas and the subtraction of matter, through systematic washing away of the ink with repeated sprays of water. Long drying periods are always followed by renewed waterings – a rhythm that dictates the essence of the picture just as do light and shadow, condensing and breaking up. His pictures glide on a current of constant change and are borne by the desire to arrive, even using the simplest of means – i.e. as an ink painter using “dirty water” – at a holistic-seeming view of an “existence.” Whether this is even possible within the medium of painting is the question at the heart of all his work. (source: Frank-Thorsten Moll, Dark black depths - The questions of faith as asked in painting, Philipp Haager PHASIS; translated by Jennifer Taylor) 
“Paramountscope” shows Haager’s recent works, which incorporate a return to the reduction found in his early ink drawings along with constant questioning of the meaning of the image itself: What we see and how we see, the changing nature of our gaze. The exhibition title alludes both to the dramatic, cinematic aspect of large-format pictures as well as to an inquiry into the visual essence of our media-attuned perception as reflected in painting. Similar to double exposures in photography, or the restoration and digitalisation of old (film) material, the artist has reworked what are in some cases older works that have already been exhibited under a different title or in a different format and rearranged them for this show. (source: Strzelski Galerie)
9 November - 5 January 2014Strzelski GalerieRotebühlplatz 30 Stuttgart GermanyOpening cocktail on Friday 8th November from 7PM
[more Philipp Haager]
  • INVITATION
Philipp Haager (b.1974, Germany) - Paramountscope in exhibition
Witterungsgespinst. Indian ink on canvas, 180x210 cm. Private collection (2006)Near Field, Phase 8. Indian ink on canvas, 190x210 cm. Private collection (2010/2011)Near Field, Phase 10. Indian ink on linen, 210x270 cm. Private collection (2012)Near Field, Phase 13. Indian ink on canvas, 180x220 cm. Courtesy Strzelski Gallery (2013) Artchipel exclsive - image provided by Artist
For years, Haager’s usually large-format paintings have been created in an almost loving process of accumulation of material, through patient application of India ink on canvas and the subtraction of matter, through systematic washing away of the ink with repeated sprays of water. Long drying periods are always followed by renewed waterings – a rhythm that dictates the essence of the picture just as do light and shadow, condensing and breaking up. His pictures glide on a current of constant change and are borne by the desire to arrive, even using the simplest of means – i.e. as an ink painter using “dirty water” – at a holistic-seeming view of an “existence.” Whether this is even possible within the medium of painting is the question at the heart of all his work. (source: Frank-Thorsten Moll, Dark black depths - The questions of faith as asked in painting, Philipp Haager PHASIS; translated by Jennifer Taylor) 
“Paramountscope” shows Haager’s recent works, which incorporate a return to the reduction found in his early ink drawings along with constant questioning of the meaning of the image itself: What we see and how we see, the changing nature of our gaze. The exhibition title alludes both to the dramatic, cinematic aspect of large-format pictures as well as to an inquiry into the visual essence of our media-attuned perception as reflected in painting. Similar to double exposures in photography, or the restoration and digitalisation of old (film) material, the artist has reworked what are in some cases older works that have already been exhibited under a different title or in a different format and rearranged them for this show. (source: Strzelski Galerie)
9 November - 5 January 2014Strzelski GalerieRotebühlplatz 30 Stuttgart GermanyOpening cocktail on Friday 8th November from 7PM
[more Philipp Haager]
  • INVITATION
Philipp Haager (b.1974, Germany) - Paramountscope in exhibition
Witterungsgespinst. Indian ink on canvas, 180x210 cm. Private collection (2006)Near Field, Phase 8. Indian ink on canvas, 190x210 cm. Private collection (2010/2011)Near Field, Phase 10. Indian ink on linen, 210x270 cm. Private collection (2012)Near Field, Phase 13. Indian ink on canvas, 180x220 cm. Courtesy Strzelski Gallery (2013) Artchipel exclsive - image provided by Artist
For years, Haager’s usually large-format paintings have been created in an almost loving process of accumulation of material, through patient application of India ink on canvas and the subtraction of matter, through systematic washing away of the ink with repeated sprays of water. Long drying periods are always followed by renewed waterings – a rhythm that dictates the essence of the picture just as do light and shadow, condensing and breaking up. His pictures glide on a current of constant change and are borne by the desire to arrive, even using the simplest of means – i.e. as an ink painter using “dirty water” – at a holistic-seeming view of an “existence.” Whether this is even possible within the medium of painting is the question at the heart of all his work. (source: Frank-Thorsten Moll, Dark black depths - The questions of faith as asked in painting, Philipp Haager PHASIS; translated by Jennifer Taylor) 
“Paramountscope” shows Haager’s recent works, which incorporate a return to the reduction found in his early ink drawings along with constant questioning of the meaning of the image itself: What we see and how we see, the changing nature of our gaze. The exhibition title alludes both to the dramatic, cinematic aspect of large-format pictures as well as to an inquiry into the visual essence of our media-attuned perception as reflected in painting. Similar to double exposures in photography, or the restoration and digitalisation of old (film) material, the artist has reworked what are in some cases older works that have already been exhibited under a different title or in a different format and rearranged them for this show. (source: Strzelski Galerie)
9 November - 5 January 2014Strzelski GalerieRotebühlplatz 30 Stuttgart GermanyOpening cocktail on Friday 8th November from 7PM
[more Philipp Haager]
  • INVITATION
Philipp Haager (b.1974, Germany) - Paramountscope in exhibition
Witterungsgespinst. Indian ink on canvas, 180x210 cm. Private collection (2006)Near Field, Phase 8. Indian ink on canvas, 190x210 cm. Private collection (2010/2011)Near Field, Phase 10. Indian ink on linen, 210x270 cm. Private collection (2012)Near Field, Phase 13. Indian ink on canvas, 180x220 cm. Courtesy Strzelski Gallery (2013) Artchipel exclsive - image provided by Artist
For years, Haager’s usually large-format paintings have been created in an almost loving process of accumulation of material, through patient application of India ink on canvas and the subtraction of matter, through systematic washing away of the ink with repeated sprays of water. Long drying periods are always followed by renewed waterings – a rhythm that dictates the essence of the picture just as do light and shadow, condensing and breaking up. His pictures glide on a current of constant change and are borne by the desire to arrive, even using the simplest of means – i.e. as an ink painter using “dirty water” – at a holistic-seeming view of an “existence.” Whether this is even possible within the medium of painting is the question at the heart of all his work. (source: Frank-Thorsten Moll, Dark black depths - The questions of faith as asked in painting, Philipp Haager PHASIS; translated by Jennifer Taylor) 
“Paramountscope” shows Haager’s recent works, which incorporate a return to the reduction found in his early ink drawings along with constant questioning of the meaning of the image itself: What we see and how we see, the changing nature of our gaze. The exhibition title alludes both to the dramatic, cinematic aspect of large-format pictures as well as to an inquiry into the visual essence of our media-attuned perception as reflected in painting. Similar to double exposures in photography, or the restoration and digitalisation of old (film) material, the artist has reworked what are in some cases older works that have already been exhibited under a different title or in a different format and rearranged them for this show. (source: Strzelski Galerie)
9 November - 5 January 2014Strzelski GalerieRotebühlplatz 30 Stuttgart GermanyOpening cocktail on Friday 8th November from 7PM
[more Philipp Haager]
  • INVITATION
Philipp Haager (b.1974, Germany) - Paramountscope in exhibition
Witterungsgespinst. Indian ink on canvas, 180x210 cm. Private collection (2006)Near Field, Phase 8. Indian ink on canvas, 190x210 cm. Private collection (2010/2011)Near Field, Phase 10. Indian ink on linen, 210x270 cm. Private collection (2012)Near Field, Phase 13. Indian ink on canvas, 180x220 cm. Courtesy Strzelski Gallery (2013) Artchipel exclsive - image provided by Artist
For years, Haager’s usually large-format paintings have been created in an almost loving process of accumulation of material, through patient application of India ink on canvas and the subtraction of matter, through systematic washing away of the ink with repeated sprays of water. Long drying periods are always followed by renewed waterings – a rhythm that dictates the essence of the picture just as do light and shadow, condensing and breaking up. His pictures glide on a current of constant change and are borne by the desire to arrive, even using the simplest of means – i.e. as an ink painter using “dirty water” – at a holistic-seeming view of an “existence.” Whether this is even possible within the medium of painting is the question at the heart of all his work. (source: Frank-Thorsten Moll, Dark black depths - The questions of faith as asked in painting, Philipp Haager PHASIS; translated by Jennifer Taylor) 
“Paramountscope” shows Haager’s recent works, which incorporate a return to the reduction found in his early ink drawings along with constant questioning of the meaning of the image itself: What we see and how we see, the changing nature of our gaze. The exhibition title alludes both to the dramatic, cinematic aspect of large-format pictures as well as to an inquiry into the visual essence of our media-attuned perception as reflected in painting. Similar to double exposures in photography, or the restoration and digitalisation of old (film) material, the artist has reworked what are in some cases older works that have already been exhibited under a different title or in a different format and rearranged them for this show. (source: Strzelski Galerie)
9 November - 5 January 2014Strzelski GalerieRotebühlplatz 30 Stuttgart GermanyOpening cocktail on Friday 8th November from 7PM
[more Philipp Haager]
  • INVITATION
Philipp Haager (b.1974, Germany) - Paramountscope in exhibition
Witterungsgespinst. Indian ink on canvas, 180x210 cm. Private collection (2006)Near Field, Phase 8. Indian ink on canvas, 190x210 cm. Private collection (2010/2011)Near Field, Phase 10. Indian ink on linen, 210x270 cm. Private collection (2012)Near Field, Phase 13. Indian ink on canvas, 180x220 cm. Courtesy Strzelski Gallery (2013) Artchipel exclsive - image provided by Artist
For years, Haager’s usually large-format paintings have been created in an almost loving process of accumulation of material, through patient application of India ink on canvas and the subtraction of matter, through systematic washing away of the ink with repeated sprays of water. Long drying periods are always followed by renewed waterings – a rhythm that dictates the essence of the picture just as do light and shadow, condensing and breaking up. His pictures glide on a current of constant change and are borne by the desire to arrive, even using the simplest of means – i.e. as an ink painter using “dirty water” – at a holistic-seeming view of an “existence.” Whether this is even possible within the medium of painting is the question at the heart of all his work. (source: Frank-Thorsten Moll, Dark black depths - The questions of faith as asked in painting, Philipp Haager PHASIS; translated by Jennifer Taylor) 
“Paramountscope” shows Haager’s recent works, which incorporate a return to the reduction found in his early ink drawings along with constant questioning of the meaning of the image itself: What we see and how we see, the changing nature of our gaze. The exhibition title alludes both to the dramatic, cinematic aspect of large-format pictures as well as to an inquiry into the visual essence of our media-attuned perception as reflected in painting. Similar to double exposures in photography, or the restoration and digitalisation of old (film) material, the artist has reworked what are in some cases older works that have already been exhibited under a different title or in a different format and rearranged them for this show. (source: Strzelski Galerie)
9 November - 5 January 2014Strzelski GalerieRotebühlplatz 30 Stuttgart GermanyOpening cocktail on Friday 8th November from 7PM
[more Philipp Haager]
  • INVITATION
Philipp Haager (b.1974, Germany) - Paramountscope in exhibition
Witterungsgespinst. Indian ink on canvas, 180x210 cm. Private collection (2006)Near Field, Phase 8. Indian ink on canvas, 190x210 cm. Private collection (2010/2011)Near Field, Phase 10. Indian ink on linen, 210x270 cm. Private collection (2012)Near Field, Phase 13. Indian ink on canvas, 180x220 cm. Courtesy Strzelski Gallery (2013) Artchipel exclsive - image provided by Artist
For years, Haager’s usually large-format paintings have been created in an almost loving process of accumulation of material, through patient application of India ink on canvas and the subtraction of matter, through systematic washing away of the ink with repeated sprays of water. Long drying periods are always followed by renewed waterings – a rhythm that dictates the essence of the picture just as do light and shadow, condensing and breaking up. His pictures glide on a current of constant change and are borne by the desire to arrive, even using the simplest of means – i.e. as an ink painter using “dirty water” – at a holistic-seeming view of an “existence.” Whether this is even possible within the medium of painting is the question at the heart of all his work. (source: Frank-Thorsten Moll, Dark black depths - The questions of faith as asked in painting, Philipp Haager PHASIS; translated by Jennifer Taylor) 
“Paramountscope” shows Haager’s recent works, which incorporate a return to the reduction found in his early ink drawings along with constant questioning of the meaning of the image itself: What we see and how we see, the changing nature of our gaze. The exhibition title alludes both to the dramatic, cinematic aspect of large-format pictures as well as to an inquiry into the visual essence of our media-attuned perception as reflected in painting. Similar to double exposures in photography, or the restoration and digitalisation of old (film) material, the artist has reworked what are in some cases older works that have already been exhibited under a different title or in a different format and rearranged them for this show. (source: Strzelski Galerie)
9 November - 5 January 2014Strzelski GalerieRotebühlplatz 30 Stuttgart GermanyOpening cocktail on Friday 8th November from 7PM
[more Philipp Haager]
INVITATION
Philipp Haager (b.1974, Germany) - Paramountscope in exhibition
Witterungsgespinst. Indian ink on canvas, 180x210 cm. Private collection (2006)Near Field, Phase 8. Indian ink on canvas, 190x210 cm. Private collection (2010/2011)Near Field, Phase 10. Indian ink on linen, 210x270 cm. Private collection (2012)Near Field, Phase 13. Indian ink on canvas, 180x220 cm. Courtesy Strzelski Gallery (2013) Artchipel exclsive - image provided by Artist
For years, Haager’s usually large-format paintings have been created in an almost loving process of accumulation of material, through patient application of India ink on canvas and the subtraction of matter, through systematic washing away of the ink with repeated sprays of water. Long drying periods are always followed by renewed waterings – a rhythm that dictates the essence of the picture just as do light and shadow, condensing and breaking up. His pictures glide on a current of constant change and are borne by the desire to arrive, even using the simplest of means – i.e. as an ink painter using “dirty water” – at a holistic-seeming view of an “existence.” Whether this is even possible within the medium of painting is the question at the heart of all his work. (source: Frank-Thorsten Moll, Dark black depths - The questions of faith as asked in painting, Philipp Haager PHASIS; translated by Jennifer Taylor) 
“Paramountscope” shows Haager’s recent works, which incorporate a return to the reduction found in his early ink drawings along with constant questioning of the meaning of the image itself: What we see and how we see, the changing nature of our gaze. The exhibition title alludes both to the dramatic, cinematic aspect of large-format pictures as well as to an inquiry into the visual essence of our media-attuned perception as reflected in painting. Similar to double exposures in photography, or the restoration and digitalisation of old (film) material, the artist has reworked what are in some cases older works that have already been exhibited under a different title or in a different format and rearranged them for this show. (source: Strzelski Galerie)
9 November - 5 January 2014Strzelski GalerieRotebühlplatz 30 Stuttgart GermanyOpening cocktail on Friday 8th November from 7PM
[more Philipp Haager] INVITATION
Philipp Haager (b.1974, Germany) - Paramountscope in exhibition
Witterungsgespinst. Indian ink on canvas, 180x210 cm. Private collection (2006)Near Field, Phase 8. Indian ink on canvas, 190x210 cm. Private collection (2010/2011)Near Field, Phase 10. Indian ink on linen, 210x270 cm. Private collection (2012)Near Field, Phase 13. Indian ink on canvas, 180x220 cm. Courtesy Strzelski Gallery (2013) Artchipel exclsive - image provided by Artist
For years, Haager’s usually large-format paintings have been created in an almost loving process of accumulation of material, through patient application of India ink on canvas and the subtraction of matter, through systematic washing away of the ink with repeated sprays of water. Long drying periods are always followed by renewed waterings – a rhythm that dictates the essence of the picture just as do light and shadow, condensing and breaking up. His pictures glide on a current of constant change and are borne by the desire to arrive, even using the simplest of means – i.e. as an ink painter using “dirty water” – at a holistic-seeming view of an “existence.” Whether this is even possible within the medium of painting is the question at the heart of all his work. (source: Frank-Thorsten Moll, Dark black depths - The questions of faith as asked in painting, Philipp Haager PHASIS; translated by Jennifer Taylor) 
“Paramountscope” shows Haager’s recent works, which incorporate a return to the reduction found in his early ink drawings along with constant questioning of the meaning of the image itself: What we see and how we see, the changing nature of our gaze. The exhibition title alludes both to the dramatic, cinematic aspect of large-format pictures as well as to an inquiry into the visual essence of our media-attuned perception as reflected in painting. Similar to double exposures in photography, or the restoration and digitalisation of old (film) material, the artist has reworked what are in some cases older works that have already been exhibited under a different title or in a different format and rearranged them for this show. (source: Strzelski Galerie)
9 November - 5 January 2014Strzelski GalerieRotebühlplatz 30 Stuttgart GermanyOpening cocktail on Friday 8th November from 7PM
[more Philipp Haager] INVITATION
Philipp Haager (b.1974, Germany) - Paramountscope in exhibition
Witterungsgespinst. Indian ink on canvas, 180x210 cm. Private collection (2006)Near Field, Phase 8. Indian ink on canvas, 190x210 cm. Private collection (2010/2011)Near Field, Phase 10. Indian ink on linen, 210x270 cm. Private collection (2012)Near Field, Phase 13. Indian ink on canvas, 180x220 cm. Courtesy Strzelski Gallery (2013) Artchipel exclsive - image provided by Artist
For years, Haager’s usually large-format paintings have been created in an almost loving process of accumulation of material, through patient application of India ink on canvas and the subtraction of matter, through systematic washing away of the ink with repeated sprays of water. Long drying periods are always followed by renewed waterings – a rhythm that dictates the essence of the picture just as do light and shadow, condensing and breaking up. His pictures glide on a current of constant change and are borne by the desire to arrive, even using the simplest of means – i.e. as an ink painter using “dirty water” – at a holistic-seeming view of an “existence.” Whether this is even possible within the medium of painting is the question at the heart of all his work. (source: Frank-Thorsten Moll, Dark black depths - The questions of faith as asked in painting, Philipp Haager PHASIS; translated by Jennifer Taylor) 
“Paramountscope” shows Haager’s recent works, which incorporate a return to the reduction found in his early ink drawings along with constant questioning of the meaning of the image itself: What we see and how we see, the changing nature of our gaze. The exhibition title alludes both to the dramatic, cinematic aspect of large-format pictures as well as to an inquiry into the visual essence of our media-attuned perception as reflected in painting. Similar to double exposures in photography, or the restoration and digitalisation of old (film) material, the artist has reworked what are in some cases older works that have already been exhibited under a different title or in a different format and rearranged them for this show. (source: Strzelski Galerie)
9 November - 5 January 2014Strzelski GalerieRotebühlplatz 30 Stuttgart GermanyOpening cocktail on Friday 8th November from 7PM
[more Philipp Haager] INVITATION
Philipp Haager (b.1974, Germany) - Paramountscope in exhibition
Witterungsgespinst. Indian ink on canvas, 180x210 cm. Private collection (2006)Near Field, Phase 8. Indian ink on canvas, 190x210 cm. Private collection (2010/2011)Near Field, Phase 10. Indian ink on linen, 210x270 cm. Private collection (2012)Near Field, Phase 13. Indian ink on canvas, 180x220 cm. Courtesy Strzelski Gallery (2013) Artchipel exclsive - image provided by Artist
For years, Haager’s usually large-format paintings have been created in an almost loving process of accumulation of material, through patient application of India ink on canvas and the subtraction of matter, through systematic washing away of the ink with repeated sprays of water. Long drying periods are always followed by renewed waterings – a rhythm that dictates the essence of the picture just as do light and shadow, condensing and breaking up. His pictures glide on a current of constant change and are borne by the desire to arrive, even using the simplest of means – i.e. as an ink painter using “dirty water” – at a holistic-seeming view of an “existence.” Whether this is even possible within the medium of painting is the question at the heart of all his work. (source: Frank-Thorsten Moll, Dark black depths - The questions of faith as asked in painting, Philipp Haager PHASIS; translated by Jennifer Taylor) 
“Paramountscope” shows Haager’s recent works, which incorporate a return to the reduction found in his early ink drawings along with constant questioning of the meaning of the image itself: What we see and how we see, the changing nature of our gaze. The exhibition title alludes both to the dramatic, cinematic aspect of large-format pictures as well as to an inquiry into the visual essence of our media-attuned perception as reflected in painting. Similar to double exposures in photography, or the restoration and digitalisation of old (film) material, the artist has reworked what are in some cases older works that have already been exhibited under a different title or in a different format and rearranged them for this show. (source: Strzelski Galerie)
9 November - 5 January 2014Strzelski GalerieRotebühlplatz 30 Stuttgart GermanyOpening cocktail on Friday 8th November from 7PM
[more Philipp Haager] INVITATION
Philipp Haager (b.1974, Germany) - Paramountscope in exhibition
Witterungsgespinst. Indian ink on canvas, 180x210 cm. Private collection (2006)Near Field, Phase 8. Indian ink on canvas, 190x210 cm. Private collection (2010/2011)Near Field, Phase 10. Indian ink on linen, 210x270 cm. Private collection (2012)Near Field, Phase 13. Indian ink on canvas, 180x220 cm. Courtesy Strzelski Gallery (2013) Artchipel exclsive - image provided by Artist
For years, Haager’s usually large-format paintings have been created in an almost loving process of accumulation of material, through patient application of India ink on canvas and the subtraction of matter, through systematic washing away of the ink with repeated sprays of water. Long drying periods are always followed by renewed waterings – a rhythm that dictates the essence of the picture just as do light and shadow, condensing and breaking up. His pictures glide on a current of constant change and are borne by the desire to arrive, even using the simplest of means – i.e. as an ink painter using “dirty water” – at a holistic-seeming view of an “existence.” Whether this is even possible within the medium of painting is the question at the heart of all his work. (source: Frank-Thorsten Moll, Dark black depths - The questions of faith as asked in painting, Philipp Haager PHASIS; translated by Jennifer Taylor) 
“Paramountscope” shows Haager’s recent works, which incorporate a return to the reduction found in his early ink drawings along with constant questioning of the meaning of the image itself: What we see and how we see, the changing nature of our gaze. The exhibition title alludes both to the dramatic, cinematic aspect of large-format pictures as well as to an inquiry into the visual essence of our media-attuned perception as reflected in painting. Similar to double exposures in photography, or the restoration and digitalisation of old (film) material, the artist has reworked what are in some cases older works that have already been exhibited under a different title or in a different format and rearranged them for this show. (source: Strzelski Galerie)
9 November - 5 January 2014Strzelski GalerieRotebühlplatz 30 Stuttgart GermanyOpening cocktail on Friday 8th November from 7PM
[more Philipp Haager]
  • INVITATION - Tumblr Artist
Gaëlle Faure | on Tumblr - in exhibition
Anatomies & Portraits de famille 7 - 30 November 2013La librairie-galerie L’Imagigraphe84 rue Oberkampf Paris 11Opening cocktail on Thursday 7th November from 7PM
[more Gaëlle Faure]
  • INVITATION - Tumblr Artist
Gaëlle Faure | on Tumblr - in exhibition
Anatomies & Portraits de famille 7 - 30 November 2013La librairie-galerie L’Imagigraphe84 rue Oberkampf Paris 11Opening cocktail on Thursday 7th November from 7PM
[more Gaëlle Faure]
  • INVITATION - Tumblr Artist
Gaëlle Faure | on Tumblr - in exhibition
Anatomies & Portraits de famille 7 - 30 November 2013La librairie-galerie L’Imagigraphe84 rue Oberkampf Paris 11Opening cocktail on Thursday 7th November from 7PM
[more Gaëlle Faure]
  • INVITATION - Tumblr Artist
Gaëlle Faure | on Tumblr - in exhibition
Anatomies & Portraits de famille 7 - 30 November 2013La librairie-galerie L’Imagigraphe84 rue Oberkampf Paris 11Opening cocktail on Thursday 7th November from 7PM
[more Gaëlle Faure]
  • INVITATION - Tumblr Artist
Gaëlle Faure | on Tumblr - in exhibition
Anatomies & Portraits de famille 7 - 30 November 2013La librairie-galerie L’Imagigraphe84 rue Oberkampf Paris 11Opening cocktail on Thursday 7th November from 7PM
[more Gaëlle Faure]
  • INVITATION - Tumblr Artist
Gaëlle Faure | on Tumblr - in exhibition
Anatomies & Portraits de famille 7 - 30 November 2013La librairie-galerie L’Imagigraphe84 rue Oberkampf Paris 11Opening cocktail on Thursday 7th November from 7PM
[more Gaëlle Faure]
  • INVITATION - Tumblr Artist
Gaëlle Faure | on Tumblr - in exhibition
Anatomies & Portraits de famille 7 - 30 November 2013La librairie-galerie L’Imagigraphe84 rue Oberkampf Paris 11Opening cocktail on Thursday 7th November from 7PM
[more Gaëlle Faure]
  • INVITATION - Tumblr Artist
Gaëlle Faure | on Tumblr - in exhibition
Anatomies & Portraits de famille 7 - 30 November 2013La librairie-galerie L’Imagigraphe84 rue Oberkampf Paris 11Opening cocktail on Thursday 7th November from 7PM
[more Gaëlle Faure]
INVITATION - Tumblr Artist
Gaëlle Faure | on Tumblr - in exhibition
Anatomies & Portraits de famille 7 - 30 November 2013La librairie-galerie L’Imagigraphe84 rue Oberkampf Paris 11Opening cocktail on Thursday 7th November from 7PM
[more Gaëlle Faure] INVITATION - Tumblr Artist
Gaëlle Faure | on Tumblr - in exhibition
Anatomies & Portraits de famille 7 - 30 November 2013La librairie-galerie L’Imagigraphe84 rue Oberkampf Paris 11Opening cocktail on Thursday 7th November from 7PM
[more Gaëlle Faure] INVITATION - Tumblr Artist
Gaëlle Faure | on Tumblr - in exhibition
Anatomies & Portraits de famille 7 - 30 November 2013La librairie-galerie L’Imagigraphe84 rue Oberkampf Paris 11Opening cocktail on Thursday 7th November from 7PM
[more Gaëlle Faure] INVITATION - Tumblr Artist
Gaëlle Faure | on Tumblr - in exhibition
Anatomies & Portraits de famille 7 - 30 November 2013La librairie-galerie L’Imagigraphe84 rue Oberkampf Paris 11Opening cocktail on Thursday 7th November from 7PM
[more Gaëlle Faure]
  • INVITATION
Yan Pei-Ming 严培明 (b.1960, China/France) - Help! in exhibition
Galerie Thaddaeus Ropac is pleased to announce its first exhibition by Chinese-born French artist Yan Pei-Ming. It is several years now since his work was last presented in a French gallery. The exhibition titled Help! will be constructed around several axes characteristic of the artist’s practice. The portrait, the history painting and the vanity will be presented on the three floors of the gallery in the Marais. In a dialectical and pictorial relation, the secular theme of war and peace enter into confrontation in the main gallery space whereas the icon embodied in the portrait genre and the works on paper will be presented on the other two floors of the gallery.
Yan Pei-Ming @ Galerie Thaddaeus Ropac21 October to 23 November 20137 Rue Debelleyme 75003 ParisOpening with the artist present on Monday 21 October 6-8PM
[more Yan Pei-Ming 严培明]
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Yan Pei-Ming 严培明 (b.1960, China/France) - Help! in exhibition
Galerie Thaddaeus Ropac is pleased to announce its first exhibition by Chinese-born French artist Yan Pei-Ming. It is several years now since his work was last presented in a French gallery. The exhibition titled Help! will be constructed around several axes characteristic of the artist’s practice. The portrait, the history painting and the vanity will be presented on the three floors of the gallery in the Marais. In a dialectical and pictorial relation, the secular theme of war and peace enter into confrontation in the main gallery space whereas the icon embodied in the portrait genre and the works on paper will be presented on the other two floors of the gallery.
Yan Pei-Ming @ Galerie Thaddaeus Ropac21 October to 23 November 20137 Rue Debelleyme 75003 ParisOpening with the artist present on Monday 21 October 6-8PM
[more Yan Pei-Ming 严培明]
  • INVITATION
Yan Pei-Ming 严培明 (b.1960, China/France) - Help! in exhibition
Galerie Thaddaeus Ropac is pleased to announce its first exhibition by Chinese-born French artist Yan Pei-Ming. It is several years now since his work was last presented in a French gallery. The exhibition titled Help! will be constructed around several axes characteristic of the artist’s practice. The portrait, the history painting and the vanity will be presented on the three floors of the gallery in the Marais. In a dialectical and pictorial relation, the secular theme of war and peace enter into confrontation in the main gallery space whereas the icon embodied in the portrait genre and the works on paper will be presented on the other two floors of the gallery.
Yan Pei-Ming @ Galerie Thaddaeus Ropac21 October to 23 November 20137 Rue Debelleyme 75003 ParisOpening with the artist present on Monday 21 October 6-8PM
[more Yan Pei-Ming 严培明]
  • INVITATION
Yan Pei-Ming 严培明 (b.1960, China/France) - Help! in exhibition
Galerie Thaddaeus Ropac is pleased to announce its first exhibition by Chinese-born French artist Yan Pei-Ming. It is several years now since his work was last presented in a French gallery. The exhibition titled Help! will be constructed around several axes characteristic of the artist’s practice. The portrait, the history painting and the vanity will be presented on the three floors of the gallery in the Marais. In a dialectical and pictorial relation, the secular theme of war and peace enter into confrontation in the main gallery space whereas the icon embodied in the portrait genre and the works on paper will be presented on the other two floors of the gallery.
Yan Pei-Ming @ Galerie Thaddaeus Ropac21 October to 23 November 20137 Rue Debelleyme 75003 ParisOpening with the artist present on Monday 21 October 6-8PM
[more Yan Pei-Ming 严培明]
  • INVITATION
Yan Pei-Ming 严培明 (b.1960, China/France) - Help! in exhibition
Galerie Thaddaeus Ropac is pleased to announce its first exhibition by Chinese-born French artist Yan Pei-Ming. It is several years now since his work was last presented in a French gallery. The exhibition titled Help! will be constructed around several axes characteristic of the artist’s practice. The portrait, the history painting and the vanity will be presented on the three floors of the gallery in the Marais. In a dialectical and pictorial relation, the secular theme of war and peace enter into confrontation in the main gallery space whereas the icon embodied in the portrait genre and the works on paper will be presented on the other two floors of the gallery.
Yan Pei-Ming @ Galerie Thaddaeus Ropac21 October to 23 November 20137 Rue Debelleyme 75003 ParisOpening with the artist present on Monday 21 October 6-8PM
[more Yan Pei-Ming 严培明]
  • INVITATION
Yan Pei-Ming 严培明 (b.1960, China/France) - Help! in exhibition
Galerie Thaddaeus Ropac is pleased to announce its first exhibition by Chinese-born French artist Yan Pei-Ming. It is several years now since his work was last presented in a French gallery. The exhibition titled Help! will be constructed around several axes characteristic of the artist’s practice. The portrait, the history painting and the vanity will be presented on the three floors of the gallery in the Marais. In a dialectical and pictorial relation, the secular theme of war and peace enter into confrontation in the main gallery space whereas the icon embodied in the portrait genre and the works on paper will be presented on the other two floors of the gallery.
Yan Pei-Ming @ Galerie Thaddaeus Ropac21 October to 23 November 20137 Rue Debelleyme 75003 ParisOpening with the artist present on Monday 21 October 6-8PM
[more Yan Pei-Ming 严培明]
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Yan Pei-Ming 严培明 (b.1960, China/France) - Help! in exhibition
Galerie Thaddaeus Ropac is pleased to announce its first exhibition by Chinese-born French artist Yan Pei-Ming. It is several years now since his work was last presented in a French gallery. The exhibition titled Help! will be constructed around several axes characteristic of the artist’s practice. The portrait, the history painting and the vanity will be presented on the three floors of the gallery in the Marais. In a dialectical and pictorial relation, the secular theme of war and peace enter into confrontation in the main gallery space whereas the icon embodied in the portrait genre and the works on paper will be presented on the other two floors of the gallery.
Yan Pei-Ming @ Galerie Thaddaeus Ropac21 October to 23 November 20137 Rue Debelleyme 75003 ParisOpening with the artist present on Monday 21 October 6-8PM
[more Yan Pei-Ming 严培明]
  • INVITATION
Yan Pei-Ming 严培明 (b.1960, China/France) - Help! in exhibition
Galerie Thaddaeus Ropac is pleased to announce its first exhibition by Chinese-born French artist Yan Pei-Ming. It is several years now since his work was last presented in a French gallery. The exhibition titled Help! will be constructed around several axes characteristic of the artist’s practice. The portrait, the history painting and the vanity will be presented on the three floors of the gallery in the Marais. In a dialectical and pictorial relation, the secular theme of war and peace enter into confrontation in the main gallery space whereas the icon embodied in the portrait genre and the works on paper will be presented on the other two floors of the gallery.
Yan Pei-Ming @ Galerie Thaddaeus Ropac21 October to 23 November 20137 Rue Debelleyme 75003 ParisOpening with the artist present on Monday 21 October 6-8PM
[more Yan Pei-Ming 严培明]
INVITATION
Yan Pei-Ming 严培明 (b.1960, China/France) - Help! in exhibition
Galerie Thaddaeus Ropac is pleased to announce its first exhibition by Chinese-born French artist Yan Pei-Ming. It is several years now since his work was last presented in a French gallery. The exhibition titled Help! will be constructed around several axes characteristic of the artist’s practice. The portrait, the history painting and the vanity will be presented on the three floors of the gallery in the Marais. In a dialectical and pictorial relation, the secular theme of war and peace enter into confrontation in the main gallery space whereas the icon embodied in the portrait genre and the works on paper will be presented on the other two floors of the gallery.
Yan Pei-Ming @ Galerie Thaddaeus Ropac21 October to 23 November 20137 Rue Debelleyme 75003 ParisOpening with the artist present on Monday 21 October 6-8PM
[more Yan Pei-Ming 严培明] INVITATION
Yan Pei-Ming 严培明 (b.1960, China/France) - Help! in exhibition
Galerie Thaddaeus Ropac is pleased to announce its first exhibition by Chinese-born French artist Yan Pei-Ming. It is several years now since his work was last presented in a French gallery. The exhibition titled Help! will be constructed around several axes characteristic of the artist’s practice. The portrait, the history painting and the vanity will be presented on the three floors of the gallery in the Marais. In a dialectical and pictorial relation, the secular theme of war and peace enter into confrontation in the main gallery space whereas the icon embodied in the portrait genre and the works on paper will be presented on the other two floors of the gallery.
Yan Pei-Ming @ Galerie Thaddaeus Ropac21 October to 23 November 20137 Rue Debelleyme 75003 ParisOpening with the artist present on Monday 21 October 6-8PM
[more Yan Pei-Ming 严培明] INVITATION
Yan Pei-Ming 严培明 (b.1960, China/France) - Help! in exhibition
Galerie Thaddaeus Ropac is pleased to announce its first exhibition by Chinese-born French artist Yan Pei-Ming. It is several years now since his work was last presented in a French gallery. The exhibition titled Help! will be constructed around several axes characteristic of the artist’s practice. The portrait, the history painting and the vanity will be presented on the three floors of the gallery in the Marais. In a dialectical and pictorial relation, the secular theme of war and peace enter into confrontation in the main gallery space whereas the icon embodied in the portrait genre and the works on paper will be presented on the other two floors of the gallery.
Yan Pei-Ming @ Galerie Thaddaeus Ropac21 October to 23 November 20137 Rue Debelleyme 75003 ParisOpening with the artist present on Monday 21 October 6-8PM
[more Yan Pei-Ming 严培明] INVITATION
Yan Pei-Ming 严培明 (b.1960, China/France) - Help! in exhibition
Galerie Thaddaeus Ropac is pleased to announce its first exhibition by Chinese-born French artist Yan Pei-Ming. It is several years now since his work was last presented in a French gallery. The exhibition titled Help! will be constructed around several axes characteristic of the artist’s practice. The portrait, the history painting and the vanity will be presented on the three floors of the gallery in the Marais. In a dialectical and pictorial relation, the secular theme of war and peace enter into confrontation in the main gallery space whereas the icon embodied in the portrait genre and the works on paper will be presented on the other two floors of the gallery.
Yan Pei-Ming @ Galerie Thaddaeus Ropac21 October to 23 November 20137 Rue Debelleyme 75003 ParisOpening with the artist present on Monday 21 October 6-8PM
[more Yan Pei-Ming 严培明]
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Thomas Jorion - Silencio in exhibition
10 October - 21 December, 2013Galerie INSULA29 rue Mazarine 75006 ParisOpening cocktail on October 10 from 6 to 9PM
[more Thomas Jorion]
  • INVITATION
Thomas Jorion - Silencio in exhibition
10 October - 21 December, 2013Galerie INSULA29 rue Mazarine 75006 ParisOpening cocktail on October 10 from 6 to 9PM
[more Thomas Jorion]
  • INVITATION
Thomas Jorion - Silencio in exhibition
10 October - 21 December, 2013Galerie INSULA29 rue Mazarine 75006 ParisOpening cocktail on October 10 from 6 to 9PM
[more Thomas Jorion]
  • INVITATION
Thomas Jorion - Silencio in exhibition
10 October - 21 December, 2013Galerie INSULA29 rue Mazarine 75006 ParisOpening cocktail on October 10 from 6 to 9PM
[more Thomas Jorion]
  • INVITATION
Thomas Jorion - Silencio in exhibition
10 October - 21 December, 2013Galerie INSULA29 rue Mazarine 75006 ParisOpening cocktail on October 10 from 6 to 9PM
[more Thomas Jorion]
  • INVITATION
Thomas Jorion - Silencio in exhibition
10 October - 21 December, 2013Galerie INSULA29 rue Mazarine 75006 ParisOpening cocktail on October 10 from 6 to 9PM
[more Thomas Jorion]
  • INVITATION
Thomas Jorion - Silencio in exhibition
10 October - 21 December, 2013Galerie INSULA29 rue Mazarine 75006 ParisOpening cocktail on October 10 from 6 to 9PM
[more Thomas Jorion]
  • INVITATION
Thomas Jorion - Silencio in exhibition
10 October - 21 December, 2013Galerie INSULA29 rue Mazarine 75006 ParisOpening cocktail on October 10 from 6 to 9PM
[more Thomas Jorion]
INVITATION
Thomas Jorion - Silencio in exhibition
10 October - 21 December, 2013Galerie INSULA29 rue Mazarine 75006 ParisOpening cocktail on October 10 from 6 to 9PM
[more Thomas Jorion] INVITATION
Thomas Jorion - Silencio in exhibition
10 October - 21 December, 2013Galerie INSULA29 rue Mazarine 75006 ParisOpening cocktail on October 10 from 6 to 9PM
[more Thomas Jorion] INVITATION
Thomas Jorion - Silencio in exhibition
10 October - 21 December, 2013Galerie INSULA29 rue Mazarine 75006 ParisOpening cocktail on October 10 from 6 to 9PM
[more Thomas Jorion] INVITATION
Thomas Jorion - Silencio in exhibition
10 October - 21 December, 2013Galerie INSULA29 rue Mazarine 75006 ParisOpening cocktail on October 10 from 6 to 9PM
[more Thomas Jorion]
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Goxwa (b.1961, Malta/France)
Goxwa began painting at a very young age and enrolled at the Saint Martin School of Art. Years later, she moved to Boston where she attended Emerson College for film studies. In 1993 she was awarded fellowship at the Cité Internationale des Arts in Paris. Her encaustic works on canvas defy categorization. Although she draws inspiration from ancient frescos, her paintings have a very contemporary feel. Goxwa explores all genres, yet all of her paintings have the same element of mystery and intrigue. In 1993 she had her first of many solo exhibitions. Since then she has shown in various cities including Paris, New York, Strasbourg and San Francisco. Goxwa currently resides in Paris and will be having a solo show at Galerie Felli.
Goxwa @ Galerie Felli10 October to 3 November 2013127 rue Vieille du Temple 75003 ParisOpening cocktail on October 10 from 7PM
[more Goxwa]
  • INVITATION
Goxwa (b.1961, Malta/France)
Goxwa began painting at a very young age and enrolled at the Saint Martin School of Art. Years later, she moved to Boston where she attended Emerson College for film studies. In 1993 she was awarded fellowship at the Cité Internationale des Arts in Paris. Her encaustic works on canvas defy categorization. Although she draws inspiration from ancient frescos, her paintings have a very contemporary feel. Goxwa explores all genres, yet all of her paintings have the same element of mystery and intrigue. In 1993 she had her first of many solo exhibitions. Since then she has shown in various cities including Paris, New York, Strasbourg and San Francisco. Goxwa currently resides in Paris and will be having a solo show at Galerie Felli.
Goxwa @ Galerie Felli10 October to 3 November 2013127 rue Vieille du Temple 75003 ParisOpening cocktail on October 10 from 7PM
[more Goxwa]
  • INVITATION
Goxwa (b.1961, Malta/France)
Goxwa began painting at a very young age and enrolled at the Saint Martin School of Art. Years later, she moved to Boston where she attended Emerson College for film studies. In 1993 she was awarded fellowship at the Cité Internationale des Arts in Paris. Her encaustic works on canvas defy categorization. Although she draws inspiration from ancient frescos, her paintings have a very contemporary feel. Goxwa explores all genres, yet all of her paintings have the same element of mystery and intrigue. In 1993 she had her first of many solo exhibitions. Since then she has shown in various cities including Paris, New York, Strasbourg and San Francisco. Goxwa currently resides in Paris and will be having a solo show at Galerie Felli.
Goxwa @ Galerie Felli10 October to 3 November 2013127 rue Vieille du Temple 75003 ParisOpening cocktail on October 10 from 7PM
[more Goxwa]
  • INVITATION
Goxwa (b.1961, Malta/France)
Goxwa began painting at a very young age and enrolled at the Saint Martin School of Art. Years later, she moved to Boston where she attended Emerson College for film studies. In 1993 she was awarded fellowship at the Cité Internationale des Arts in Paris. Her encaustic works on canvas defy categorization. Although she draws inspiration from ancient frescos, her paintings have a very contemporary feel. Goxwa explores all genres, yet all of her paintings have the same element of mystery and intrigue. In 1993 she had her first of many solo exhibitions. Since then she has shown in various cities including Paris, New York, Strasbourg and San Francisco. Goxwa currently resides in Paris and will be having a solo show at Galerie Felli.
Goxwa @ Galerie Felli10 October to 3 November 2013127 rue Vieille du Temple 75003 ParisOpening cocktail on October 10 from 7PM
[more Goxwa]
  • INVITATION
Goxwa (b.1961, Malta/France)
Goxwa began painting at a very young age and enrolled at the Saint Martin School of Art. Years later, she moved to Boston where she attended Emerson College for film studies. In 1993 she was awarded fellowship at the Cité Internationale des Arts in Paris. Her encaustic works on canvas defy categorization. Although she draws inspiration from ancient frescos, her paintings have a very contemporary feel. Goxwa explores all genres, yet all of her paintings have the same element of mystery and intrigue. In 1993 she had her first of many solo exhibitions. Since then she has shown in various cities including Paris, New York, Strasbourg and San Francisco. Goxwa currently resides in Paris and will be having a solo show at Galerie Felli.
Goxwa @ Galerie Felli10 October to 3 November 2013127 rue Vieille du Temple 75003 ParisOpening cocktail on October 10 from 7PM
[more Goxwa]
  • INVITATION
Goxwa (b.1961, Malta/France)
Goxwa began painting at a very young age and enrolled at the Saint Martin School of Art. Years later, she moved to Boston where she attended Emerson College for film studies. In 1993 she was awarded fellowship at the Cité Internationale des Arts in Paris. Her encaustic works on canvas defy categorization. Although she draws inspiration from ancient frescos, her paintings have a very contemporary feel. Goxwa explores all genres, yet all of her paintings have the same element of mystery and intrigue. In 1993 she had her first of many solo exhibitions. Since then she has shown in various cities including Paris, New York, Strasbourg and San Francisco. Goxwa currently resides in Paris and will be having a solo show at Galerie Felli.
Goxwa @ Galerie Felli10 October to 3 November 2013127 rue Vieille du Temple 75003 ParisOpening cocktail on October 10 from 7PM
[more Goxwa]
INVITATION
Goxwa (b.1961, Malta/France)
Goxwa began painting at a very young age and enrolled at the Saint Martin School of Art. Years later, she moved to Boston where she attended Emerson College for film studies. In 1993 she was awarded fellowship at the Cité Internationale des Arts in Paris. Her encaustic works on canvas defy categorization. Although she draws inspiration from ancient frescos, her paintings have a very contemporary feel. Goxwa explores all genres, yet all of her paintings have the same element of mystery and intrigue. In 1993 she had her first of many solo exhibitions. Since then she has shown in various cities including Paris, New York, Strasbourg and San Francisco. Goxwa currently resides in Paris and will be having a solo show at Galerie Felli.
Goxwa @ Galerie Felli10 October to 3 November 2013127 rue Vieille du Temple 75003 ParisOpening cocktail on October 10 from 7PM
[more Goxwa] INVITATION
Goxwa (b.1961, Malta/France)
Goxwa began painting at a very young age and enrolled at the Saint Martin School of Art. Years later, she moved to Boston where she attended Emerson College for film studies. In 1993 she was awarded fellowship at the Cité Internationale des Arts in Paris. Her encaustic works on canvas defy categorization. Although she draws inspiration from ancient frescos, her paintings have a very contemporary feel. Goxwa explores all genres, yet all of her paintings have the same element of mystery and intrigue. In 1993 she had her first of many solo exhibitions. Since then she has shown in various cities including Paris, New York, Strasbourg and San Francisco. Goxwa currently resides in Paris and will be having a solo show at Galerie Felli.
Goxwa @ Galerie Felli10 October to 3 November 2013127 rue Vieille du Temple 75003 ParisOpening cocktail on October 10 from 7PM
[more Goxwa] INVITATION
Goxwa (b.1961, Malta/France)
Goxwa began painting at a very young age and enrolled at the Saint Martin School of Art. Years later, she moved to Boston where she attended Emerson College for film studies. In 1993 she was awarded fellowship at the Cité Internationale des Arts in Paris. Her encaustic works on canvas defy categorization. Although she draws inspiration from ancient frescos, her paintings have a very contemporary feel. Goxwa explores all genres, yet all of her paintings have the same element of mystery and intrigue. In 1993 she had her first of many solo exhibitions. Since then she has shown in various cities including Paris, New York, Strasbourg and San Francisco. Goxwa currently resides in Paris and will be having a solo show at Galerie Felli.
Goxwa @ Galerie Felli10 October to 3 November 2013127 rue Vieille du Temple 75003 ParisOpening cocktail on October 10 from 7PM
[more Goxwa]